Here are 73 books that The Death of Grass fans have personally recommended if you like
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I’ve always been fascinated by the strangeness of human character when tested to the limit by overwhelming catastrophe. I’ve always wanted to write a story that brings into stark relief the courage, fear, ambition, tragedy, absurdity, and the ecstatic. In other words, a disaster. And if character is destiny, then an apocalypse maybe the best way to show us who we really are and where we’re going. My debut novel, Delirium focuses on these extremes of character. And after writing it I reached one indelible conclusion: that the human being is the most disturbed creature, but also the most hopeful.
I enjoyed reading this book both as a historical artefact of the 17th century but also because Defoe’s plain, matter-of-fact style makes all the chaos, the shrieking, the death carts, families locked in their houses, health certificates, the delirium, the fear of coming too close, the paranoia, the panic and the madness that surrounds the narrator all the more disturbing.
He is a witness whose curiosity far outweighs his fear. But there’s also the Defoe-like sense of adventure when for instance a group of three escape London and shift for themselves in a countryside whose towns and villages are hostile to strangers. Instructive, disquieting, gripping, indelible.
This retained its curiosity value even on a second reading. A great little book.
The haunting cry of "Bring out your dead!" by a bell-ringing collector of 17th-century plague victims has filled readers across the centuries with cold terror. The chilling cry survives in historical consciousness largely as a result of this classic 1722 account of the epidemic of bubonic plague — known as the Black Death — that ravaged England in 1664–1665. Actually written nearly 60 years later by Daniel Defoe, the Journal is narrated by a Londoner named "H. F.," who allegedly lived through the devastating effects of the pestilence and produced this eye witness account. Drawing on his considerable talents as…
I’ve always been fascinated by the strangeness of human character when tested to the limit by overwhelming catastrophe. I’ve always wanted to write a story that brings into stark relief the courage, fear, ambition, tragedy, absurdity, and the ecstatic. In other words, a disaster. And if character is destiny, then an apocalypse maybe the best way to show us who we really are and where we’re going. My debut novel, Delirium focuses on these extremes of character. And after writing it I reached one indelible conclusion: that the human being is the most disturbed creature, but also the most hopeful.
Camus’ Stranger brought me to this book and I was once more pulled in by the same direct prose, the same detachment and the same philosophical inquisitiveness.
There’s a feeling that plagues are inevitable, that they will come no matter what we do, and that our efforts to stop them always degenerate into the absurd. But what struck me most was that this is not fatalism, because although the collective effort is largely useless, hope lies in the small acts of kindness between individuals.
“Its relevance lashes you across the face.” —Stephen Metcalf, The Los Angeles Times • “A redemptive book, one that wills the reader to believe, even in a time of despair.” —Roger Lowenstein, The Washington Post
A haunting tale of human resilience and hope in the face of unrelieved horror, Albert Camus' iconic novel about an epidemic ravaging the people of a North African coastal town is a classic of twentieth-century literature.
The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation and claustrophobia follow as they…
I’ve long had an ambivalent relationship with airports. They have been the starting point for my adventures, but I have also known well the discomfort, boredom, stress, surveillance, bad food, and other unpleasantries that often define airport experiences. Despite my ambivalence, I’ve found airports to be fascinating places where differently situated people (travelers and workers) encounter one another. I’ve learned that those encounters, as well as airport operations and design, tell us something about the places where they are located and the broader societies in which we live. I’ve since become aware that reading (and writing) about airports are also great ways to gain such insights.
In addition to eerily anticipating the COVID-19 pandemic—thankfully, our pathogen was not nearly as virulent and lethal—this post-apocalyptic novel offers interesting commentary about airports as microcosms of society.
The airport that figures prominently here is the gateway to and manifestation of a “secure” society structured as much by those it excludes as by those it includes. It is also the archive of a society defined, for better and for worse, by its relationship to technology.
'Best novel. The big one . . . stands above all the others' - George R.R. Martin, author of Game of Thrones
Now an HBO Max original TV series
The New York Times Bestseller Winner of the Arthur C. Clarke Award Longlisted for the Baileys Women's Prize for Fiction National Book Awards Finalist PEN/Faulkner Award Finalist
What was lost in the collapse: almost everything, almost everyone, but there is still such beauty.
One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in…
It’s Saturday, 5 p.m. If you could peer back in time to the late ’60s, you’d find me plunked in front of our new colour RCA Victor, a Swanson TV dinner steaming before me, and the theme…da-da-DAAA-da-da-da-da-DAAAA, announcing my favourite show: Star Trek. I absorbed the logic of Mr. Spock, the passion of Dr. McCoy, and the fantastical world of Klingons, wormholes, and warp drives. Add to that a degree in history and English, and it set the stage for my passion to read and write in genres of science fiction and magical realism. I hope you find these books as stimulating and thought-provoking as I did.
The Chrysalids – my inaugural dive into science fiction in the late sixties – hooked me from the first paragraph.
Wyndham creates a dystopian world of post-nuclear destruction where genetic mutations abound, and if discovered, culled from a civilization steeped in a stark biblical ideology. The Chrysalids track protagonist David Strorm as he safeguards his six-toed friend, Sophie, and ultimately connects with a band of telepaths offering new world hope.
I loved this book because of its adolescent hero and his defiance against a society that was morally corrupt.
In the community of Waknut it is believed mutants are the products of the Devil and must be stamped out. When David befriends a girl with a slight abnormality, he begins to understand the nature of fear and oppression. When he develops his own deviation, he must learn to conceal his secret.
As an author who is also a patent attorney and an engineer, I often deal with projects that are the closest thing to science fiction. That is one of the driving forces behind my urge to write science fiction. However, I very much prefer realistic stories that may potentially come true to hard science fiction with intergalactic travel, robots all over, and time machines (although I have written space opera and a few other hardcore SF tales, and must admit having had fun with them). Still, I like realistic science fiction much more. It leaves more room for character development, and I find myself engrossed in it more easily.
This story of alien invasion is hauntingly realistic and frighteningly fun. It has one of the most original plots I have ever seen and, despite the absurdity of the events recounted in it, this book has a ring of truth to it. You read something utterly preposterous and murmur to yourself, “this might happen!” After reading it, you will start looking at events around you differently.
The aliens wouldn't kill ... They'd take over earth and let man survive -- if he could. A few people tried to tell that Earth was being taken over by alien beings in the shape of bowling balls, talking dogs, dolls that walked like men. The trouble was, no one believed them.
I began writing speculative fiction because I was fascinated by its potential as a laboratory to imagine the world that could be. It’s a narrative form that allows us to play with revolutionary changes in society without any real people getting hurt. And it compels the author to do the hard work of imagining how others experience life in the real world as well as the imaginary one. The best SF novels balance their speculations with a grounding in the observed world, entertaining us with propulsive wonder while filling our minds with new ideas and fresh perspectives that linger long after we put the book down.
This masterpiece from one of the giants of mind-blowing SF is best known as a canonical example of alternate history: set in a world where the Axis powers won World War II, and the former U.S.A. is divided between occupying forces of Imperial Japan on the West Coast and Nazi Germany. As such, the conflict in the book is really about the underground resistance forces’ efforts against the occupiers.
Lots of writers have played with similar premises, but I love Dick’s the most because of its narrative daring, from using the I Ching as a device to generate plot to the Borgesian engine of the imaginary novel within the novel on which the story’s ultimate revelations turn.
'Dick's best work, and the most memorable alternative world tale...ever written' SCIENCE FICTION: THE 100 BEST NOVELS
It is 1962 and the Second World War has been over for seventeen years: people have now had a chance to adjust to the new order. But it's not been easy. The Mediterranean has been drained to make farmland, the population of Africa has virtually been wiped out and America has been divided between the Nazis and the Japanese. In the neutral buffer zone that divides the two superpowers lives the man in the high castle, the author of an underground bestseller, a…
As an author who is also a patent attorney and an engineer, I often deal with projects that are the closest thing to science fiction. That is one of the driving forces behind my urge to write science fiction. However, I very much prefer realistic stories that may potentially come true to hard science fiction with intergalactic travel, robots all over, and time machines (although I have written space opera and a few other hardcore SF tales, and must admit having had fun with them). Still, I like realistic science fiction much more. It leaves more room for character development, and I find myself engrossed in it more easily.
Robert Heinlein excels himself in this story narrated in the first person by a young woman, who is not really a human but rather a synthetic person but one you can relate to. Published in 1982, when much of the technology it describes was not yet in the realm of possibility, this book shows us an image of a chaotic world that may well be in our future. Serious issues sprinkled through this book’s pages are hidden between fun, fast action, a bit of licentious behavior, and some absurdity. Fun is guaranteed.
A CAEZIK Notable book. CAEZIK Notables is a series of speculative-fiction books marking important milestones in science fiction or fantasy. Each book published in the series has a new introduction highlighting the book’s significance within the genre.
“A charming protagonist in a story as sleekly engineered as a starship. This one should fly.”―Publishers Weekly
Friday is a secret courier and ardent lover. Employed by a man she only knows of as “Boss”, she is given the most awkward and dangerous cases, which take her from New Zealand to Canada, and through the new States of America’s disunion, all the way…
I’ve always been fascinated by the strangeness of human character when tested to the limit by overwhelming catastrophe. I’ve always wanted to write a story that brings into stark relief the courage, fear, ambition, tragedy, absurdity, and the ecstatic. In other words, a disaster. And if character is destiny, then an apocalypse maybe the best way to show us who we really are and where we’re going. My debut novel, Delirium focuses on these extremes of character. And after writing it I reached one indelible conclusion: that the human being is the most disturbed creature, but also the most hopeful.
I’ve always preferred those stories of great global catastrophes that remain in a single small location.
In the case of Alas, Babylon the small town of Fort Repose survives the nuclear holocaust because it’s small. Written at the height of the cold war when there were several and very real moments of brinkmanship between the Soviets and Americans.
It’s a great read for another reason: this is a well-informed writer. For instance, here we find that salt is as vital for survival as water? And what good is a doctor if he has no medicine? These are things this little community has to face, but the author is hopeful.
This is one of those books that is a lens into a period in time but is at the same time easily readable and to the point. How Fort Repose deals with nuclear Armageddon is the same story of how all…
“An extraordinary real picture of human beings numbed by catastrophe but still driven by the unconquerable determination of living creatures to keep on being alive.” —The New Yorker
“Alas, Babylon.” Those fateful words heralded the end. When the unthinkable nightmare of nuclear holocaust ravaged the United States, it was instant death for tens of millions of people; for survivors, it was a nightmare of hunger, sickness, and brutality. Overnight, a thousand years of civilization were stripped away.
But for one small Florida town, miraculously spared against all the odds, the struggle was only just beginning, as the isolated survivors—men and…
I'm an anthropologist on a mission to discover how people have used, and abused, law over the past 4,000 years. After a decade in a wig and gown at the London Bar, I headed back to university to pursue a long-standing interest in Tibetan culture. I spent two years living with remote villagers and nomads, freezing over dung fires, herding yaks, and learning about traditional legal practices. Now, based at the University of Oxford, I’ve turned to legal history, comparing ancient Tibetan texts with examples from all over the world. The Rule of Laws brings a long sweep of legal history and its fascinating diversity to a wide audience.
Scott takes us through the evidence of the earliest hunter-gatherer and agricultural societies and asks why anyone ever allowed rulers to amass power and centralize control of resources. The evidence is that farmers flourished for centuries without letting anyone lord it over them. Why, then, does agriculture seem to have led to the rise of the state? Readable and compelling, Scott's latest book makes a really convincing case against the benefits, and inevitability, of the state.
"History as it should be written."-Barry Cunliffe, Guardian
"Scott hits the nail squarely on the head by exposing the staggering price our ancestors paid for civilization and political order."-Walter Scheidel, Financial Times
Why did humans abandon hunting and gathering for sedentary communities dependent on livestock and cereal grains, and governed by precursors of today's states? Most people believe that plant and animal domestication allowed humans, finally, to settle down and form agricultural villages, towns, and states, which made possible civilization, law, public order, and a presumably secure way of living. But archaeological and historical…
We moved to New Orleans in July 2005. We had six weeks in our first home, filling it with furniture, buying a new car, and taking advantage of my first job. When Hurricane Katrina collapsed the levees holding back the nearby lakes, our home – and those of 80% of the city – filled with water. As I waited for FEMA and insurance to help us, I saw instead it was our friends, friends of friends, and faith-based organizations that helped us get back on our feet. Using our own experiences as a start, I traveled to India and Japan to study how communities around the world survived and thrived during shocks.
We can all think of cities that have been hit by some horrible events – envision Hiroshima and Nagasaki, Japan, hit by atomic weapons. Or the Oklahoma City bombing that leveled a whole block. Yet these cities not only survived, but thrived. In chapters written by different experts from around the world this book shows how resilient cities are to shocks and disasters. I especially liked the way that the authors focus on the way that we memorialize and remember the past, trying to learn lessons from shocks and bringing those emotions and learning into the present.
For as long as they have existed, cities have been destroyed-sacked, shaken, burnt, bombed, flooded, starved, irradiated, and pillaged-in almost every case they have risen again. Rarely in modern times has a city not been rebuilt following destruction, be it natural or man-made. The Resilient City explores urban disasters from around the globe and the ongoing restoration of urban life. It examines why cities are rebuilt, how a vision for the future gets incorporated into a new urban landscape, and how disasters have been interpreted and commemorated in built form. An international cast of historians, architects, and urban studies experts…
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