98 books like The Witch-Hunt in Early Modern Europe

John Putnam Demos remains the “dean” of historians of the Salem witch trials. 

Entertaining Satan remains his most impactful contribution to the study of the events of 1692 by providing their cultural context in early New England, upon which historians have built over the years expanding upon Demos’ findings.

Perhaps his greatest contribution is his interdisciplinary approach invoking the research tools of psychology and sociology, as well as cultural history. His concluding chapter, “Communities: Witchcraft over Time,” provides broadly, excellent insights drawn from his extensive research.  

This latest compilation of the records of the Salem witch trials is a must for anyone researching any aspect of the trials. 

Its importance lies not only in its comprehensive documentation of the events of 1692, but also in its inclusion of several documents newly discovered since previous publications offering such records. It also provides corrections that have been made in previous collections, dating to the work of the WPA in the 1930s.

The records are arranged chronologically, but also well indexed, along with a general introduction, linguistic introduction, biographical notes, and bibliography.  

In his latest book, Baker explores the various explanations for the Salem witch trials. He concludes that there was no single factor, but rather the result of a convergence of conditions, political, social, cultural, and economic. 

He focuses on key players in the outbreak, including the accused, the accusers, the judges, and government officials who failed to deal with the hysteria in a timely manner, thereby sparing those who lost their lives in the process.

In his final chapter, he discusses the response of Salem town, “witch city,” to the events of 1692 and its attempt to mine the tourist opportunities while recognizing the personal tolls taken by the accused. 

The novel’s prose is breathtaking. Jackson tells us from the start that Hill House is not sane and that sets the tone for the unraveling of the other characters’ minds.

For me, one of the best things about the novel is that it gives the reader space to create their own horrors. Nothing is explicitly stated and that makes it all the more frightening. Add to that an unreliable narrator and this novel captured my mind from the moment I read it. 

There’s no list I can create in my head about haunting locations that doesn’t include this book. One of the most interesting aspects of horror novels that take place in a vivid setting is that they draw you in and both make you wish you could visit the location while at the same time thanking all that’s good and holy that you’re not there. That’s what The Shining did for me when I read it. 

The Overlook hotel is larger than life, treacherous, and inviting, and King does an incredible job at maintaining the high-pitched hum of tension from the moment the Torrances walk through its doors.

Blatty’s classic novel is recommendable as much for its cultural impact, which is of course inextricably bound up with its legendary film adaptation, as for its own content. With the story of young Regan, a 12-year-old girl in the modern technological world who becomes possessed by an ancient demon, Blatty, a committed Roman Catholic, deliberately set out to communicate a vivid sense of supernatural evil to a modern, skeptical, jaded audience. Many people don’t realize that The Exorcist is actually a Christian novel. As Blatty himself later put it, if he could get people to believe, even fictionally/emotionally, in demons, they would also know what it feels like to live in a universe where God and angels are real. The result, regardless of your religious beliefs, is unforgettable.

A neglected classic of popular history. This book taught me things about the history of magic that now seem so obvious and important that I wonder how I missed them before. Ryrie tells the story of the fraudulent magician Gregory Wisdom, whose deception of a Tudor nobleman led to allegations of attempted murder by witchcraft. More broadly, he reveals a world in which the widespread acceptance of occult phenomena made counterfeit magic alluringly credible, and charlatans co-existed with “genuine” practitioners of magic. I know of no other book that describes the twilight world of fake and real sorcery with such vividness and insight.

In 1575, the Roman Inquisition came across some disturbing rumors of villagers who called themselves benandanti, meaning “good walkers.” These men and women of the agrarian district of the Friuli in northeastern Italy were thought to be special because, as the folk narrative goes, they were born with the amniotic membrane (or the “caul”) covering their heads. When the individuals reached adulthood, on certain Thursday nights of the year, an angel summoned them from sleep, and, travelling out of their bodies in the form of mice, cats, and other small animals, they flew into the clouds to fight malevolent witches (malandanti). The benandanti fought with bundles of fennel while the witches wielded sorghum stocks. If the “good walkers” were successful in defending the crops, it would be a good year; if the witches won, the harvest would be abysmal and the witchy “evil walkers” would destroy the wine,… show more.

The narrator is turned into a donkey and undergoes various tribulations before recovering his human form. The only Latin novel to survive complete, it is a unique curiosity shop of diverse treasures: fantastical, comic, bawdy, beautiful, violent, and finally—biggest surprise of all—devoutly religious. "It smells of incense and urine," Flaubert said. Much of the work consists of tales related by the characters whom the donkey comes across, of which the longest is Cupid and Psyche, a fabulously rococo display of exquisite and enchanted storytelling. The virtuoso beauty of the description of Cupid’s wings is unbeatable. "Reader, listen up: you’ll love it," says the narrator at the start. You will. Again, go for Ruden’s translation.

The Volsung saga is a heroic Old Norse tale about the origins and decline of the royal clan of the Volsungs and the fantastic deeds of Sigurd the dragon-slayer. Snorri Sturluson, an Icelandic poet and historian, recorded the story around 1220, but the material dates to events that took place centuries before. The saga is full of beings and happenings that would have been considered demonic in Christianized Europe, such as giants, werewolves, sorcery, magic wolf skins, and the consumption of dragons' blood to learn the language of birds. However, within the mythic Norse world, these things were otherworldly and magical, but not necessarily malevolent. The saga was a source for J. R. R. Tolkien’s Lord of the Rings—right down to the dwarfs, a cursed magical ring, and a treasure-guarding dragon—and an inspiration for Richard Wagner's epic music drama, the Ring Cycle. Also, the story of the… show more.