Here are 100 books that Treacle Walker fans have personally recommended if you like
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I’ve always enjoyed mystery and suspense stories—Agatha Christie and Mary Higgins Clark being two of my all-time favorite authors. Throw in some legends and folklore, and I’m hooked. I like well-crafted stories that keep me turning the pages. Those that stump me in figuring out the mystery are a plus for me. I love books with descriptive settings that place me, as the reader, in the heart of the action.
With a title like Genuine Deceit, how could I not pick this book? How can deceit be genuine? The suspense begins in chapter one and doesn’t let up until the end.
The characters are well-developed, the story is perfectly paced to keep a reader’s interest, and there are plenty of red herrings, but not enough to reveal the truth until the last pages. The touch of romance between the main character and a former Navy SEAL is an added plus.
I am the author of two folktales in addition to several other fiction stories for children and an early childhood educator. I taught kindergarten and first grade for over twenty years. As part of our state standards, we must do a yearly unit of study on folktales. Folktales deliver universal messages to children in a non-didactic way. We can use them to address issues that young children face while also using them as resources to teach students about faraway places, customs and cultures. Folktales are in integral part of an early childhood education and it’s a unit of study that I always looked forward to. Immersing myself in them was the catalyst for recreating my own.
I love this Native American folktale because it is a lesser-known one, and its message is appropriate for young children. Chipmunk, the main character, learns a great lesson about bragging. Folktales are an excellent resource for teaching children lessons without being preachy. This one has messages about kindness, bragging, and friendship. The illustrations are amazing too!
Bear brags that he can do anything-even stop the sun from rising. Brown Squirrel doesn't believe him, so the two wait all night to see if the sun will rise. Sure enough, the sky reddens and the sun appears. Brown Squirrel is so happy to be right that he teases Bear. What happens when a little brown squirrel teases a big black bear? Brown Squirrel gets stripes and is called chipmunk from that day forward . . . Joseph and James Bruchac join forces to create this buoyant picture book, based on a Native American folktale.
The subject of friendship can be explored endlessly, as every friendship is unique. I am especially drawn to stories of unlikely friendships that look at the surprising and interesting ways that we show up for one another. One of the things that I see in all of the stories that Giselle and I have chosen, is that these unusual friendships make a difficult, awkward, or downright scary world a better place to be.
Jerry Pinkney beautifully tackles Aesop’s fable, The Lion & the Mouse. His version is wordless except for a few, potent calls from the animals in the savanna. Pinkney’s luminous watercolor illustrations depict alive and intricate landscapes and animals. Life is shown to be rich, beautiful, and dangerous as a mouse narrowly escapes the talons of an owl, only to stumble upon a magnificent lion. The lion kindly sets the mouse free, and later in the story when the lion is captured by hunters, the mouse hears his mighty roar and comes to his aid, nibbling away the ropes. Once released the lion and the mouse return to their families. I love how this story reflects the inter-dependency of all of us, and how we all matter for the well-being of the other, no matter the size or status of any one individual.
The Caldecott Award-winning and New York Times bestselling fable of compassion and kindness retold by acclaimed artist Jerry Pinkney.
In award-winning artist Jerry Pinkney's wordless adaptation of one of Aesop's most beloved fables, an unlikely pair learn that no act of kindness is ever wasted. After a ferocious lion spares a cowering mouse that he'd planned to eat, the mouse later comes to his rescue, freeing him from a poacher's trap. With vivid depictions of the landscape of the African Serengeti and expressively-drawn characters, Pinkney makes this a truly special retelling, and his stunning pictures speak volumes.
I’m a lifelong nature-lover, and for me, the old folk tales are deeply tied to this: the history of our attempts to give meaning to the beautiful and the unsafe. I spent a lot of time in the West Country as a child, and that shaped my imagination: the tangible magic of a landscape with chalk bones and golden snails and birds that exploded from the hedgerows before you. When I came to write my own folktales, that was the magic I wanted. And that’s what I love in books: the way they can make you feel like you’re standing on the soil of someone else’s inner world.
Oh, I cried my eyes out over this book when I was a kid! It’s a tale of Arthurian Britain, but somehow it reads, more than any other I’ve seen, like a historical novel – less T.H. White than Rosemary Sutcliffe. Bradshaw grounds it deeply in Welsh rather than French culture, and the magic feels eerily normal – terrifying, but also just part of the weave of the world. Add to this characters you get truly attached to, and it’s bewitching in the best sense; the book lingers in my imagination like a place I once lived when I was a child – and imaginatively, that’s what it is.
"Intelligent and imaginative...even the magic convinces." -Mary Renault, author of The King Must Die
On The Path Toward Greatness, Every Hero Makes a Choice
Legends sing of Sir Gawain, one of the most respected warriors of King Arthur's reign and one of the greatest champions of all time. But this is not that story. This is the story of Gwalchmai, middle son of the beautiful, infinitely evil sorceress Morgawse, and gifted student of her dark magical arts. A story of an uncertain man, doubting his ability to follow his elder brother's warrior prowess and seeking to find his own identity…
Reading with your kid can be a delight, but it’s tough to find a book that both grown-up and child think is hysterical. I mean, I tried reading Catch-22 to my three-year-old, but for some reason the incisive social commentary just didn’t resonate with her. My kids and I both let out genuine chuckles and guffaws while reading all of these books—an experience that I treasured. These books are all giggly, snickery proof that you don’t have to dumb things down to appeal to a wide age range—a goal that I aim for myself in the children’s books and TV shows that I write.
This is the book that made my kids’ heads explode (not literally—this book is perfectly safe (as far as I know)) as it helped them discover the idea of parody: taking something familiar and twisting it in a funny, unexpected way.
We rolled and lol’ed together as we read Jon’s wild, hysterical takes on old fairy tales. The non-twist twist ending to his take on the ugly duckling story is still a running joke in our family. Jon’s The True Story of the 3 Little Pigs and The Real Dada Mother Goose are also great for the same reason.
The entire book, with its unconventional page arrangement and eclectic, frenetic mix of text and pictures, is a spoof on the art of book design and the art of the fairy tale. The individual tales, such as The Really Ugly Duckling and Little Red Running Shorts, can be extracted for telling aloud, with great success. Another masterpiece from the team that created The True Story of the Three Little Pigs! -Horn Book
Unburdened with prejudice or beliefs, children are open to the world. I find great joy in books that reflect the child’s fresh perception and playful spirit. Such books have no intention to teach a moral lesson. They rejoice in freedom. In the non-stereotypical, not yet molded to conform reality of the child. Books beyond good or bad may shine with the light of freshness, the unfiltered seeing. In times of great political divisions, non-didactic books can be a window to the glorious amoral way of perceiving.
This is one of my favorite picture books. To me, the main character is life itself. A mischievous, greedy, daring, vulnerable, colorful aliveness. The strong colors and the bold shapes of the illustrations demonstrate the raw intensity of life. And the theme of Grandmother loving Pig-Boy unconditionally is one mothers would resonate with. Such a treat!
As an archaeologist for over 50 years, I specialized in Household Archaeology, the branch of archaeology that investigates daily life. I was born and spent my childhood in British Mandatorial Palestine and then grew up to adulthood in Israel after it was founded. I spent many years as a kibbutz member in the Northern Negev living near the Bedouin. These experiences brought me close to pre-industrial societies. All my life I was surrounded by archaeological sites, taught biblical archaeology for over 40 years in college and wrote several books and articles on subjects related to daily life in biblical times.
William (Bill) Dever is a well-known archaeologist who influenced the field of biblical archaeology through his fieldwork, scholarly publications, and public presentations. He has become known to the lay public through his many popular publications one of which relates to the question of whether the Israelite God had a wife. This is an intriguing question since there is archaeological evidence to suggest it. This book is good for readers interested in daily life, gender questions, and religion in biblical times.
Following up on his two recent, widely acclaimed studies of ancient Israelite history and society, William Dever here reconstructs the practice of religion in ancient Israel from the bottom up. Archaeological excavations reveal numerous local and family shrines where sacrifices and other rituals were carried out. Intrigued by this "folk religion" in all its variety and vitality, Dever writes about ordinary people in ancient Israel and their everyday religious lives.
Did God Have a Wife? shines new light on the presence and influence of women's cults in early Israel and their implications for our understanding of Israel's official "Book religion."…
As a writer and performer, I’ve always loved live storytelling! Stories really come alive when performed and there’s an unexplained magic that bonds an audience with the storyteller and connects us to our collective past. Having performed countless times in plays, murder mysteries, and storytelling, the joy and excitement felt crackling in the air is like nothing else. I’ve plenty of fond memories of storytelling over the years, from terrifying ghost stories around the campfire of Camp Wing in America to the fantastical folktales of my stage play The Storyteller’s Apprentice at the Edinburgh Fringe Festival. So, next time you’re sitting at a campfire, give it a go!
When I found my second-hand copy for £5 in Acorn Antiques in 2006 (I still have the receipt!), little did I know I was holding the most magical, exquisite, resourceful, fascinating, beguiling, and immersive book on fantasy!
Each page is filled to the edges with intriguing folktales, legends, myths, and old wives tales (more than I could have wished for) and beautifully illustrated throughout. What more could I, an avid reader and writer of fantasy, want?
I still take joy in flicking through the pages until my eyes rest on another intriguing entry to be inspired by. I love losing track of time just reading about all aspects of fantasy, whether it’s the Broth of Oblivion, Floating Islands, the Hammer of Thor, The Bottle Imp, or Fomorians.
I am a former children’s librarian who writes books for children and young adults. I love history, especially black history. We didn’t get much in school when I was a child, so I’ve been catching up on some of what I missed. I am particularly drawn to under-told stories about people who deserve more recognition for their contributions. I’m proud that some of those people are members of my own family.
“They say the people could fly. They say that long ago in Africa some of the people knew magic. And they could walk up on the air like climbin on a gate. And they flew like blackbirds over the fields.” These beautiful words and those that follow have remained in my heart from the moment I first discovered this story in Hamilton’s 1985 folktale collection. The inspiring messages of hope, faith, and the innate desire for freedom are powerfully conveyed through Hamilton’s fine storytelling and the Dillons’ elegant art. I love the feeling of triumphas “old and young who were called slaves” join hands, rise in the air, and fly away to freedom.
Virginia Hamilton's Coretta Scott King Honor book is the breathtaking fantasy tale of slaves who possessed ancient magic that enabled them to fly away to freedom. And it is a moving tale of those who did not have the opportunity to “fly” away, who remained slaves with only their imaginations to set them free as they told and retold this tale.
Leo and Diane Dillon's powerful illustrations accompany Hamilton's voice as it sings out from the pages with the soaring cadences that echo the story tellers of her childhood as the granddaughter of a fugitive slave.
As a child, I spent summers looking for adders on the Common and winters walking through snowstorms pretending to be a Hobbit in Tolkien's Middle Earth. My travels and studies taught me the importance of respecting different cultures and our planet. Glasgow Libraries gave me my first storytelling work in 1992, and I have a Master's degree in Scottish Folklore. I live in Scotland, sharing stories through writing and storytelling. Having collected hundreds of traditional folktales about our ancestors' wisdom and folly, I co-authored my first book, Dancing With Trees, Eco-Tales from the British Isles, to reflect our need to understand nature's wisdom and help us live sustainably on Earth.
Taffy Thomas MBE was the UK's first storytelling laureate and is a mesmerising storyteller.
He has clearly spent his entire life appreciating birds. His chosen stories are delightfully blended with folklore, history, rhyme, riddles, bird facts, and fiction. Reading this book is like a nature ramble with a wise, witty friend. The charming pictures, black and white and colour add to the joy of this magical book.
I usually dip in and out of folktale books, looking for stories to tell, but this book captivated me from the first page, and I read it from cover to cover. Birds are one of the most enigmatic and accessible connections for humans to the natural world.
Taffy weaves that connected world with respect, lyrical storytelling, art, and loving intelligence.
From crowded train stations to quiet woods and from city centres to our own back gardens, birds remind us that nature is everywhere. But do you know which is the king of the birds? Has anyone ever told you how the brave swallow got its forked tail? And what of the owl, who was really a baker's daughter? Take a look inside The Magpie's Nest, where a hoard of stories, riddles and rhymes is waiting for you. Suitable for all ages and charmingly illustrated by Lakeland artist Becca Hall, this is an essential collection of stories for all who love…
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