Having grown up on S.E. Hinton, I love a good, gritty young adult novel that doesn’t pull any punches! In my book, Black Chuck, four misfit teens suddenly find themselves cast adrift after the very charismatic Shaun dies, leaving them to navigate their way to adulthood without their leader. All the books on this list are coming-of-age stories about kids growing up in tough circumstances, finding love, making mistakes, getting hurt, and ultimately finding joy in a world that at times seems set against them.
I’m sneakily recommending a trilogy here, of which this is the first book. By turns funny, gritty, dark, difficult, and magical, this book by Eden Robinson, who is a member of the Haisla and Heiltsuk First Nations from the Pacific Northwest, is another coming-of-age novel that dives into the gritty realism of life on a reservation, as well as the deep, magical roots of Haisla mythology.
Shortlisted for the Scotiabank Giller Prize: With striking originality and precision, Eden Robinson, the author of the classic Monkey Beach and winner of the Writers’ Trust of Canada Fellowship, blends humour with heartbreak in this compelling coming-of-age novel. Everyday teen existence meets indigenous beliefs, crazy family dynamics, and cannibalistic river otters . . . The exciting first novel in her trickster trilogy.
Everyone knows a guy like Jared: the burnout kid in high school who sells weed cookies and has a scary mom who's often wasted and wielding some kind of weapon. Jared does smoke and drink too much, and…
Growing up, I found my escape in fantasy worlds. I’ve always had an interest in writing, and when I was a young child, when someone asked what I wanted to be when I grow up, I always responded “a novelist.” It wasn’t until I rediscovered my love and passion for reading in my late teens, and early twenties, that the idea of The Reign Belowblossomed in my head. Through my writing, I have discovered a community of fantasy readers and lovers. Sometimes it’s hard to believe that I listened to my inner child and that I wrote a story of my own, full of magic. But I’m glad my ambitious, childhood dream came true.
Another split realm recommendation! I loved every second of this spicy, enemies-to-lovers, magical book! The worldbuilding is next level, and I was transported to the world with vicious faeries. Lark is one of three sisters that have crossed the borders into the faerie world. Lark is sent to the mountain to the fae who rules over the sky. The journey up the mountain and Lark’s personality made me laugh and cheer her on. Lark is hilarious, witty, free-spirited, and doesn’t let her fear get the best of her. She’s inventive, always finding a way out of tough situations. I love the dynamic between Lark and her two other sisters, and who doesn’t love a found family? Ultimately, Lark’s story is captivating, compelling, and I highly recommend!
One of my favourite sounds is teens interacting—especially when they are throwing shade. I spent twenty-five years as a junior and senior high teacher, and I miss rocking and rolling during class discussions with my students. As a writer of contemporary fiction (actually in anything I write), I work hard at using dialogue as an engine to drive each scene. Each line needs to be refined to ensure that it’s snappy, engaging, and real. I’m a writer from southeast Saskatchewan, Canada, where there’s no shortage of great one-liners to use. I hope you enjoy the dialogue in these five recommendations as much as I did.
Trickster Drift is Book Two in the Trickster trilogy. (Side Note: I loved the entire trilogy, but Book Two is my favourite.) Trickster Drift is an edgy blend of the supernatural, Indigenous lore, and substance abuse. The characters, particularly Jared’s mother Maggie (who is literally a witch) are memorable, and the dialogue is smart and funny. I have to be careful of spoilers, so I’ll just say that Jared’s conversations in his aunt’s Vancouver apartment with a certain individual wearing a bathrobe are not to be missed. Robinson juggles a number of characters (something I have to contend with in my hockey books), and she does it very well.
Following the Scotiabank Giller Prize-shortlisted Son of a Trickster comes Trickster Drift, the second book in Eden Robinson's captivating Trickster trilogy.
In an effort to keep all forms of magic at bay, Jared, 17, has quit drugs and drinking. But his troubles are not over: now he's being stalked by David, his mom's ex--a preppy, khaki-wearing psycho with a proclivity for rib-breaking. And his mother, Maggie, a living, breathing badass as well as a witch, can't protect him like she used to because he's moved away from Kitimat to Vancouver for school. Even though he's got a year of sobriety…
I daylight as a lawyer, moonlight as a stand-up comic and gaslight as a storyteller. A connoisseur of mythology and momos, I have often wondered how our ancient tales might have unfolded if narrated from women’s perspectives - a curiosity kindled since I listened to my grandmother’s grievances even as she regaled me with these stories. In the same breadth, I could not help but see how harmful and reductionist “evil” labels can be especially when history is chronicled only by victors. It is this quest of humanizing the vanquished and the vilified while honouring the essence of a timeless epic that led me to play a medieval matchmaker by wedding Indian Lore to Italian Renaissance.
In a world saturated with Greek Mythological Retellings, The Witch’s Heart is a breath of fresh (cold) air from Valhalla.
Angrboda—a woman who made a recent appearance in the God of War PS4 games—blazes across this book as the mother of monsters! Odin's wrath leaves her powerless, and her only escape route? Off to a remote forest she dashes. Enter Loki, that sly trickster, stumbling upon her and—bam!—love sparks, birthing three whelps, each harbouring their own cryptic fate.
It's a Norse mythology remix with a modern twist and a brand-new leading lady—epic, heartbreaking, and full of oomph! And if every time you see Loki, you see Tom Hiddleston's mischievous grin, you aren’t alone.
Angrboda's story begins where most witch tales end: with being burnt. A punishment from Odin for sharing her visions of the future with the wrong people, the fire leaves Angrboda injured and powerless, and she flees into the furthest reaches of a remote forest. There she is found by a man who reveals himself to be the trickster god Loki, and her initial distrust of him-and any of his kind-grows reluctantly into a deep and abiding love.
Their union produces the most important things in her long life: a trio of peculiar children, each with a secret destiny, whom she…
Unburdened with prejudice or beliefs, children are open to the world. I find great joy in books that reflect the child’s fresh perception and playful spirit. Such books have no intention to teach a moral lesson. They rejoice in freedom. In the non-stereotypical, not yet molded to conform reality of the child. Books beyond good or bad may shine with the light of freshness, the unfiltered seeing. In times of great political divisions, non-didactic books can be a window to the glorious amoral way of perceiving.
This is one of my favorite picture books. To me, the main character is life itself. A mischievous, greedy, daring, vulnerable, colorful aliveness. The strong colors and the bold shapes of the illustrations demonstrate the raw intensity of life. And the theme of Grandmother loving Pig-Boy unconditionally is one mothers would resonate with. Such a treat!
I'm the Director of Studies in Classics at Churchill College, Cambridge University. My research looks at Roman cultural history, with a focus on history "from below," meaning that I'm most interested in ordinary Romans, slaves and the poor. There have been thirty-five translations of my books into sixteen languages.I come from a modest background and was the first in my family to go to university. I found moving up the social ladder a bewildering and sometimes terrifying experience. Classics back then was still an elite subject, dominated by people from wealthy backgrounds. My research interests have always reflected my fascination with those at the bottom of the social ladder.
You've probably heard of the Aesop fables, which were written so that slaves could speak the truth to their masters in disguised terms. The Life of Aesop is an ancient novel length version of the escapades of the slave. Potbellied, snub-nosed and bandy-legged, his openly sexual behaviour broke all the rules of ancient life, which generates much of the humour. He is a trickster who wins small, temporary victories based on an intimate knowledge of how the powerful operate. He works constantly to invert the social order and even though he loses in the end it is only to overwhelming odds. The translation can be found in Daly, L. W. (ed.), Aesop Without Morals: The Famous Fables and a Life of Aesop.
Here are the familiar Fables of Aesop--moralistic pap for school children for so many hundred of years that it is almost impossible to think of them in any other light. But Lloyd W. Daly, prominent educator and classicist, now presents the Fables in a new light--as adult literature, as an important and telling expression of Greek creative genius.
I wrote my first romance with >40 characters in my mid-forties. It wasn’t like I never saw people of my age in the genre, but I have to say they were (and are) still rare, especially in traditionally published books. I love to see how people navigate what partnership looks like when people are established and their conflicts and experiences have changed. Elder care, relationships with adult children, fighting age-related stereotypes and discrimination: these are just a few of the nuances that set these types of books apart. But you still get that delicious well of emotion and the satisfaction of a happy ending.
This is less a romance novel and more a high fantasy novel with romantic elements, but the romance subplot is exceedingly strong.
(I can highly recommend a mental fan-casting of either Arhys or Ilvin as Pedro Pascal, because he’d absolutely knock one of those roles out of the park if this was ever made into a miniseries).
Ista is over 40, a queen, a new grandmother, a recovered madwoman, and…wait for it…a living saint. Seeking to get away from the suffocating (yet loving) arms of her family, she goes on a pilgrimage (Road Trip!) with a group of younger people and ends up getting into multiple adventures and a more than near miss with outright war. It’s an absolute romp and one of my all-time favorites.
Lois McMaster Bujold has won the Hugo award four times, and the Nebula award twice. This is her second epic fantasy and the sequel to Curse of Chalion.
The Golden General's curse has been lifted from the royal family and Cazaril can now rest easy and enjoy his new life with his bride Betriz.
However, life for Ista, the Dowager Royina has not improved. With the death of her mother, the Provincara, and with her surviving child Iselle now ruling Chalion from the Capital Cardegross, she is left without purpose. Her brother's family still think she's mad and aim to…
I’ve always been drawn to badass female protagonists in fantasy, but the femme fatale has a special place in my heart, and none more so than spies and assassins. Their weapons are a mix of daggers and subterfuge, poison, and seduction. They often straddle the line between cold-hearted villainess and righteous freedom fighter, and that complex morality can make for intriguing internal struggles that coincide nicely with their goal of dismantling corruption, which is not always black and white. Additionally, the aforementioned seduction means that they get to be unapologetically sexual (but only on their terms!). All of this went into Lily’s character.
Technically two books (Trickster’s Choiceand Trickster’s Queen), this duet follows Alianne, daughter of the heroine Alanna and spymaster George, who is kidnapped by pirates and sold as a slave to an outcast royal family. The trickster god enlists/coerces her to aid the family’s plot to reseize their throne, which has Aly working as a spy against her homeland. All of Pierce’s books are fantastic, and the Tortall series shaped me as both a reader and writer of fantasy. It was interesting to move away from the heroism and adventure of the earlier books in this universe to a more morally gray protagonist with spy and assassin training who is secretly working for a god. Also, her love interest is a crow turned human, and it works surprisingly well.
When you gamble with kingdoms, all bets are off. Legends are born in this thrilling and New York Times bestselling spy saga from the fantasy author who is legend herself: Tamora Pierce.
Aly is from a family known for great deeds. She is the daughter of Alanna, the famed knight and King’s Champion of Tortall. But even though she is bold and brave, like her mother, her true talents lie on her father’s side, in the art of spying.
When Aly is captured by pirates and sold as a slave to an exiled royal family in the faraway Copper Isles,…
Joshua Cutchin has written seven books. If you find yourself beside him on an airplane and ask what he writes about, he’ll say, “Speculative non-fiction.” If he warms up, he’ll explain that he writes about supernatural mysteries—UFOs, Bigfoot, ghosts, etc.—all through the lens of folklore. A suspicion that all these phenomena are connected undergirds his writing. In addition to his books, Joshua regularly contributes to essay collections and, in 2019, appeared on the hit History Channel series Ancient Aliens. Joshua has appeared on countless paranormal programs, including Coast to Coast AM. He regularly speaks at events nationwide, most recently Rice University’s 2023 Archives of the Impossible conference.
Paranormal literature contains both entry-level texts and advanced reading.
George P. Hansen’s The Trickster and the Paranormal firmly occupies the latter category; it is best digested a paragraph at a time. Anyone taking the plunge is rewarded with an erudite argument for understanding the paranormal, one yielding ever-increasing dividends the more it is applied: everything supernatural, from the phenomenon itself to those who study it, is subject to the influence of a subversive Jungian archetype known as The Trickster.
This is not an entity but rather a set of pervasive characteristics manifesting independently: transgressive, self-negating, liminal, playful, and, dare it be said, dangerous. Hansen’s speculation makes a little more sense of the insensible, including why irrefutable evidence of the paranormal yet eludes the scientific establishment.
What could have been if this worldview, this ideology, this collective subconscious, this pantheistic Indigenous mythology, had been listened to, if it had been respected?
This is a question I have asked myself many times. Thompson Highway looks at a rarely discussed (by settlers) aspect of Indigenous cultures: the humour. He argues it’s embedded in the languages, which he says are inherently hilarious.
I feel the answer to his question is, in part, that humans would have a better chance of surviving. And as Highway indicates, living joyfully, laughing till we fart, laughing till we die. This is a brilliantly insightful book.
Brilliant, jubilant insights into the glory and anguish of life from one of the world's most treasured Indigenous creators.
Trickster is zany, ridiculous. The ultimate, over-the-top, madcap fool. Here to remind us that the reason for existence is to have a blast and to laugh ourselves silly.
Celebrated author and playwright Tomson Highway brings his signature irreverence to an exploration of five themes central to the human condition: language, creation, sex and gender, humour, and death. A comparative analysis of Christian, classical, and Cree mythologies reveals their contributions to Western thought, life, and culture-and how North American Indigenous mythologies provide…
