Here are 100 books that Woe to Live On fans have personally recommended if you like
Woe to Live On.
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My journey from a teen struggling with self-harm, drug use, and overwhelming emotions to a DBT-Linehan Board of Certification Clinician™ and director of Creative Healing, Teen Support Centers, uniquely positions me to understand the deep emotional challenges teens face. Having navigated my own tumultuous youth and now parenting a "Fire Feeler" teen, I use my personal and professional insights to guide thousands of teens and their parents. I am passionately committed to creating environments where teens are supported while the entire family learns skills to improve and work together.
I treasure this book and recently reread it alongside my own teen! It profoundly showcases the courage required to challenge deep-seated prejudices within a community and family.
Witnessing Scout Finch's perspective on her father Atticus' stand against racial injustice amidst moral dilemmas serves as a powerful reminder of the strength needed to confront and transcend the biases we inherit, a journey that resonates with my own experiences of overcoming familial legacies.
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
Historical fiction meets the picaresque in many novels about going on the road. As a fiction writer, my narrative tools are not forged in a vacuum. I stand on the shoulders of centuries of writers who invented the novel form and developed it through its beginnings in romance and all its permutations since. In my new book, I am following innovations in two genres. In historical romance, romance “fell” into history. What was lost in the historical world could be made up in the romance of heroic characters. In the picaresque, characters belonging to the lower echelons of society “go on the road” for all sorts of reasons, mostly to survive.
Mark Twain’s wit somehow manages to transcend time as he infuses this iconic character with the freshness of an innocent who is anything but.
The “road” in this story is the Mississippi River, and the method of transportation is a raft. The journey takes Huck on a transformational journey as he unlearns everything his society has taught him about good and bad and right and wrong. This uneducated boy begins to think for himself.
Once the plot resolves, Huck wants to escape being “sivilized” because he has learned it is anything but. He wants to “light out for the territory”, a metaphorical place that, although impossible as a realistic solution to his problems, still seems a place of freedom worth seeking out.
I may be only 27, but I’ve spent years researching the Cold War. Mostly because it’s very personal to me…my grandfather was a scientist at a top-secret hydrogen bomb plant in the 1960s. I began researching to understand his work and how it affected my family. I didn’t expect to become so consumed by the sixties. The more I learned about the nuclear arms race and the protests that were led, largely, by women, the more I felt convinced that there was a storyhere. I’m passionate about the often untold stories of resistance—resilience—endurance. Especially women’s stories. I hope you enjoy these books as much as I do!
I am including The Underground Railroad as it’s both historical fiction and magical realism—a beautiful surrealist imagining of Civil War history. This inventive novel follows Cora, who is enslaved on a plantation in Georgia. When Cora hears of the underground railroad, she plots her escape—but in this book, the railroad is more than a secret network. It is a real, physical, underground train. Cora must fight for her life and her freedom on a harrowing journey north, evading the slave hunter Ridgeway as he seeks to track her down. Cora’s strength and independence make her a character that will stick with you.
NOW A MAJOR TV SERIES BY BARRY JENKINS (COMING MAY 2021)
WINNER OF THE PULITZER PRIZE FOR FICTION 2017 WINNER OF THE ARTHUR C. CLARKE AWARD 2017 LONGLISTED FOR THE BOOKER PRIZE 2017 NATIONAL BOOK AWARD WINNER 2016
'Whitehead is on a roll: the reviews have been sublime' Guardian
'Luminous, furious, wildly inventive' Observer
'Hands down one of the best, if not the best, book I've read this year' Stylist
'Dazzling' New York Review of Books
Praised by Barack Obama and an Oprah Book Club Pick, The Underground Railroad by Colson Whitehead won the National Book Award 2016 and the…
In the natural course as a young man, I became a husband and a father. I have four children and eleven grandchildren. Fatherhood has been the most difficult yet rewarding job of my life. You never stop being a parent. So, it was inevitable that this would become a subject of my writing. I have tried to be a compassionate caregiver and a positive role model to my children; you’ll have to ask them if I’ve succeeded. In my novel, I try to depict two fathers (and their two sons) as good yet flawed men, doing their best and finding their way. Just as all fathers do.
It took me two tries to finish this tremendously difficult novel about a father who desperately wants a son, and gets two. Considered by many to be Faulkner’s most challenging work, it defeated me on my first attempt. But I was captivated by this example of fatherhood gone obsessively wrong, so returned to it and soldiered through.
It was worth the effort. I hope I never find any commonality with the main character of this novel, and I’m not sure if I should take solace from Faulkner’s conclusion that we can never really understand another person, and may not want to. I read it as a cautionary tale of what a family can become.
This postbellum Greek tragedy is the perfect introduction to Faulkner's elaborate descriptive syntax.
Quentin Compson and Shreve, his Harvard roommate, are obsessed with the tragic rise and fall of Thomas Sutpen. As a poor white boy, Sutpen was turned away from a plantation owner's mansion by a black butler. From then on, he was determined to force his way into the upper echelons of Southern society. His relentless will ensures his ambitions are soon realised; land, marriage, children, his own troop to fight in the Civil War... but Sutpen returns from the conflict to find his estate in ruins and…
My father’s favorite first cousin Ava married Homer McCoy, a direct descendant of the Fighting McCoys. Homer’s aunt married a Hatfield, so my family is distantly related by marriage to both the Hatfields and McCoys. As a girl, Ava witnessed the aftermath of the feud: The elders in her household froze whenever they heard pounding hoofbeats in the night. She assured me that the reasons for the feud were far more complicated than escaped hogs or the derring-do of sociopathic veterans nostalgic for the bloodbaths of the Civil War. I started reading whatever I could find and visiting feud sites, trying to understand what had really gone on and why.
In researching Blood Feud, I discovered that some of my ancestors were Union guerrillas who operated near the future feud area. Devil Anse Hatfield led a unit of Confederate home guards in that same region. Hatfield’s uncle, who is widely believed to have murdered Harmon McCoy in the opening salvo of the feud, was said subsequently to have killed a cousin of my father’s uncle during a guerrilla skirmish. I had always understood the Civil War to entail vast battalions of uniformed soldiers mowing each other down as they marched toward enemy lines. A Savage Conflict made me realize that the brutal depredations of guerrillas played a major role in the war and left a legacy of bitter factional hatred that factored into the subsequent feuds.
While the Civil War is famous for epic battles involving massive armies engaged in conventional warfare, A Savage Conflict is the first work to treat guerrilla warfare as critical to understanding the course and outcome of the Civil War. Daniel Sutherland argues that irregular warfare took a large toll on the Confederate war effort by weakening support for state and national governments and diminishing the trust citizens had in their officials to protect them.
I am a historian who has always been fascinated by the problem of slavery in American history. Although a “Yankee” by birth and upbringing, I have also always been drawn to the history of the American South—probably because it runs so counter to the dominant narrative of U.S. history. My childhood interest in history—especially in wars, and the Civil War in particular—was transformed in college into a serious engagement with the causes and consequences of the Civil War. I pursued this interest in undertaking graduate study, and I have devoted my entire scholarly career to the examination of slavery and emancipation—and their consequences for today.
Chandra Manning explores an essential but oddly overlooked aspect of wartime emancipation—the experiences of freed people in the “contraband” camps and other places of refuge that the federal military established in occupied Confederate territory. While this might seem like a narrow topic, Manning’s book addresses any number of larger issues surrounding the war and emancipation, and it brims with original insights. She provides an overview of life in these places of “troubled refuge,” but she also delves deeply into particular camps, showing the experiences of individual people. Manning also argues—persuasively, I think—that the camps served as training grounds in which the freed people came to stake a claim not only to freedom but also to equal citizenship guaranteed by the national government.
From the author of What This Cruel War Was Over, a vivid portrait of the Union army’s escaped-slave refugee camps and how they shaped the course of emancipation and citizenship in the United States.
Even before shots were fired at Fort Sumter, slaves recognized that their bondage was at the root of the war they knew was coming, and they began running to the Union army. By the war’s end, nearly half a million had taken refuge behind Union lines in improvised “contraband camps.” These were crowded and dangerous places, with conditions approaching those of a humanitarian crisis. Yet families…
Steve Magnusen is an officer in the Indianapolis Civil War Roundtable and holds associate membership in three other roundtables in Wisconsin, Ohio, and Indiana. He enjoyed a nationally recognized engineering and public works administration career in north suburban Chicago after receiving his degree from Purdue University. He has led several professional and non-profit organizations and served fifteen years as an infantry and armor officer in the US Army Reserve.
Named one of the “Top 100 Civil War Books” by the Centennial Commission, this records the history of the most famous Union unit of the war. Nolan uses many first-person accounts to ensure accuracy; Service with The Sixth Wisconsin Volunteers being predominant. This book first inspired my interest in studying the Civil War, and sparked my special admiration for Rufus Dawes, eventually leading to the creation of my own book, To My Best Girl – Courage, Honor and Love in the Civil War: The Inspiring Life Stories of Rufus Dawes and Mary Gates.
"I am immensely impressed . . . this particular Brigade needed a book of its own and now it has one which is definitely first-rate. . . . A fine book." -Bruce Catton
"One of the '100 best books ever written on the Civil War.'" -Civil War Times Illustrated
" . . . remains one of the best unit histories of the Union Army during the Civil War." -Southern Historian
". . . The Iron Brigade is the title for anyone desiring complete information on this military unit . . ." -Spring Creek Packet, Chuck Hamsa
As a child my grandmother shared that we had ancestors who had served during the Civil War, a momentary conversation that set me on a lifetime quest to connect with those men and their experiences. My professional work as a historian and military analyst for the US Government helped build the skills that enabled this quest and each of my books, articles, and videos seek to understand and share both the “what” of those experiences and the “why” of the war’s many battles and conflicts.
I found Major Rufus Dawes' first-hand account of Antietam to be perhaps the best, most readable of the many soldier accounts available. Not only does Dawes write clear narrative accounts of what he experienced at Antietam, but he offers his own feelings and thoughts on the fighting that take the reader beyond the movements and action. Another thing that I appreciated about Dawes' account is that he frequently offers wider context for the fighting and movements that gives the reader a deeper understanding of why he was experiencing these events (and unlike many other postwar accounts, Dawes avoids using this hindsight to cast blame). Although it naturally only gives the Union side and a small portion of the battle, Dawes' experiences probably generally reflect what it was like to “be there.”
"I have been so wholly engrossed with my work for the last week or I should have responded sooner to your question: 'Are you going?' If a kind Providence and President Lincoln will permit, I am. I am Captain of as good, and true a band of patriots as ever rallied under the star spangled banner."-Rufus R. Dawes. A Full Blown Yankee of the Iron Brigade combines the personal experiences of Rufus R. Dawes with a history of the regiment in which he served. The Iron Brigade was the only all-Western brigade that fought in the eastern armies of the…
I remember well my first visit to Gettysburg on a high school trip. I had trouble expressing what I felt until I read the words of a battlefield guide who said that he often sensed a “brooding omnipresence.” I have often felt such presences across the historic landscape in the U.S. and elsewhere. I am now Professor Emeritus of History at Indiana University, and former editor of the Journal Of American History. I have also written Preserving Memory: The Struggle To Create America’s Holocaust Museum; The Unfinished Bombing: Oklahoma City In American Memory, and co-edited American Sacred Space; History Wars: The Enola Gay And Other Battles For The American Past; and Landscapes Of 9/11: A Photographer’s Journey.
Historian Mark M. Smith is one of the pioneers of the truly exciting field of sensory history. Smith’s book is a model for how the next generations of historians can expand our understanding of the power and spectacle of war through a focus on all the senses. Smith’s chapters pick a particular sense at a particular Civil War site—my favorite is “Cornelia Hancock’s Sense of Smell,” which helps us appreciate how the assaults of transgressive smells lasted far beyond the three days of combat at Gettysburg. Each chapter is carefully crafted to illustrate how an assault of the senses threatened the stability of what registered as “civilization” for the Civil War generation. After reading several of Smith’s books, I found myself much more attentive to the sensory dimension of any historical experience. Early in my tenure as editor of the Journal Of American History, I asked Smith to be…
Historical accounts of major events have almost always relied upon what those who were there witnessed. Nowhere is this truer than in the nerve-shattering chaos of warfare, where sight seems to confer objective truth and acts as the basis of reconstruction. In The Smell of Battle, the Taste of Siege, historian Mark M. Smith considers how all five senses, including sight, shaped the experience of the Civil War and thus its memory, exploring its full sensory impact on everyone from the soldiers on the field to the civilians waiting at home.
From the eardrum-shattering barrage of shells announcing the outbreak…
I'm a lifetime, passionate reader. During the summer vacations, my brother and I would often ride with our father to his job in downtown Mobile and walk to Mobile Public Library, where we would spend all day exploring and reading. Well-written novels with remarkable but believable characters—such as those I've noted here are my passion. I have included novels in my list where I can identify personally with the protagonist. My list of books is varied. They have one thing in common: believable characters who struggle with life—authored by legitimate wordsmiths. When I wrote Angry Heavens as a first-time novelist, it was my history as a reader that I used as a writer.
Whether one is a Civil War buff, or a fan of Sun Tzu’s military strategy, you will find plenty of both in this three-volume set. Volume 1 is: Fort Sumter to Perryville. Volume 2 is: Fredericksburg to Meridian, and Volume 3 is: Red River to Appomattox.
Shelby Foote’s work provided most of the background of Ken Burn’s PBS epic, The Civil War. Anyone who watched that masterpiece and heard the knowledge of Shelby Foote spoken in the most lovely Southern drawl, will not be disappointed in this collection.
The Civil War: A Narrative – 3 volume box set provided significant detail and motivation for me as I wrote my own book. When I had a question about a date, geography of a battle, written correspondence between fighters or allies, or conversations such as took place at Appomattox Courthouse between Generals Grant and Lee, I went immediately to Shelby Foote’s three-volume…
This first volume of Shelby Foote's classic narrative of the Civil War opens with Jefferson Davis’s farewell to the United Senate and ends on the bloody battlefields of Antietam and Perryville, as the full, horrible scope of America’s great war becomes clear. Exhaustively researched and masterfully written, Foote’s epic account of the Civil War unfolds like a classic novel.
Includes maps throughout.
"Here, for a certainty, is one of the great historical narratives…a unique and brilliant achievement, one that must be firmly placed in the ranks of the masters."—Van Allen Bradley, Chicago Daily News
