The most recommended avant garde books

I am recommending this book, because it is the first edited volume, and, really, the first academic book to directly engage black popular culture as a field of study. It was avant-garde. It gave a name to cultural productions that, at that time, during my first semester of graduate school in 1997, I had no idea had a collective name. I love this book, because I encountered it simultaneously to learning concepts like “high” and “low” art. The book, in my opinion, made a compelling argument for why the popular, the folk, the vernacular, and so-called “low” art matters.

I have wanted to check out Beatty’s work for a long time. He is in a special class of prose authors who started writing poetry like the late great Denis Johnson.

This book is a dazzling display of Beatty’s phenomenal vocabulary and ability to use words in novel ways. What truly makes the book special is the expanse of what he covers in a book of just over 250 pages. Not only is it an education on music, but the book touches on numerous important themes.

Beatty brings a freshness to describing the city of Berlin, which feels both unique and accurate. Perhaps most pleasurable is Beatty’s quirky sense of humor, which he displays on nearly every page.

I cannot recall reading a book that made me laugh out loud as much as Slumberland. Now that I have read Beatty, I’m hooked, and I plan to read the remainder… show more.

Grossman achieves something remarkable in The Alphabet Man. The work manages to weave together visual, avant-garde graphic design, literary poetry, and a suspenseful thrilling plot. The book itself is gorgeous to look at it, and the text layout is designed as a work of art. Grossman seamlessly blends these disparate elements into a unified, unique creation that breaks the boundaries of what a novel can be. 

It is Bakker’s controversial rethinking of the lives and science behind earth’s prehistory. In his avant-garde ideas, Bakker proposes and answers questions of things like what these monsters are and how they defended themselves or hunted. He even spoke on how they might have reproduced.

It’s a book to create dreamers who can take the torch to shed new light on those questions we all share in common as members of humanity.

LeGrice was a founder of the London Filmmakers’ Co-op in 1968 and has worked ever since as a film and video maker, teacher, and writer. His book collects a large number of theoretical and critical essays on a range of topics, from film as material to the way films variously position the spectator as a consumer and/or self-conscious critic, to comparisons between film and digital media, in aesthetic, technological, and ecological terms. The essays are always approachable, even when he is discussing more abstract theoretical problems. Many examples are discussed.

This book explores McLuhan’s relationship with avant-garde art. While McLuhan’s engagement with artistic endeavours, has received some attention, Kitnick examines in detail not only how McLuhan’s work on art developed over an extended period, but how his views on artistic practice came to inform the work of others. He builds on McLuhan’s contention that art was not primarily a means of self-expression, but rather the basis for cultural exploration and environmental change. Drawing inspiration from figures such as James Joyce, T.S. Eliot, and Wyndham Lewis. McLuhan, according to Kitnick, saw members of the avant-garde as artists who work within conventional structures in order to disrupt them, thereby throwing them into relief. 

This is a collection of short stories by John Waters bit-part actress—Cookie Mueller. Most of the well-crafted stories in this cult classic are autobiographical, and most feature the author’s travels around America and Europe, and the rest of the world. Cookie has a unique literary voice, and reading her stories it’s like you are actually getting to know the author personally. Criminally out of print for many years, this excellent book was recently re-published in the UK by Canongate. Unfortunately, Cookie died at the tender age of 40, and so was unable to fulfill her undoubted potential. 

A hugely ambitious mix of text and graphic design, in which typography is used in bold and disarming ways. It is also a genuinely compelling sci-fi novel about very, very, big ideas. Filled with meta-narratives, in-jokes, artistic references, and mixed media, it’s an interesting alternative to that other oft-cited cult classic House of Leaves. As someone who has worked as both designer and editor, I was blown away by Hughes’s ability to combine a good story with such avant-garde design. The themes communicated will give you much to contemplate – or ramble on about to any friends you successfully corner. A staggering achievement destined to be a future cult classic.

The stories that appear in this book were first published in Lilliput in the 1940s, a British monthly magazine. They relate the perilous, often diabolical activities of the Surrealist Sportsman’s Club, a society devoted to playing games that no one else would dream of attempting. Engelbrecht is a diminutive boxer who fights clocks, zombies, witches, and other assorted horrors and marvels, and he generally wins because of pluck combined with luck. Richardson’s prose style here is a blend of gothic horror, period science fiction, and the wisecracking of Damon Runyan, and the reader can expect no respite from the tumult of ideas, images, situations, jokes, and subversion of clichés.

Derek Jarmon was a British avant-garde filmmaker, theater designer, and life-long gardener. In the last decade of his life, he built a new garden at a tiny house by the sea in Kent. Prospect Cottage sits on the shingle expanse overlooking the Dungeness Nuclear Power Station and the English Channel. It was an accidental garden, this arrangement of rocks and driftwood, flowers, and found objects. The book sings. Jarmon’s musings and poems wind through a small volume of 140 pages; there are 150 photographs. It is a book about why we garden, how to live, and how to die.