Enchanted by mysteries of the cozy, comic, or traditional sort, I was delighted to realize that they replay the holy grail myth. Here the Waste Land is the community paralyzed by the crime that cannot be undone, murder, the sleuth is the Grail Knight, and the Grail Cup is the restorative magic of the solution. Cozy or comic or traditional sleuths find the murderer by asking the right questions, so re-storying or restoring the fertility of the realm. Comedy is used for rebirth in the face of tragedy. I began to write cozies-with-an-edge, emphasizing women heroes who need each other as they face issues of today’s wasteland in climate change.
For sheer delight, I give you mysteries featuring not-very-competent bounty hunter, Stephanie Plum, because they use comedyto portray as well as endurea world of endemic violence. Serious stuff like organized crime is made visible and bearable to the reader by foregrounding Stephanie’s chaos-strewn friendships with walking disasters like ex ‘ho Lula. The great comic creation, Grandma Mazur (aged 70, looks 90) also drags our beloved sleuth into peril that is hilarious as well as life-threatening. This time Grandma becomes a holy terror in online gaming, a change from geriatric sex-crazed boyfriends, falling into coffin caskets, or shooting the dinner chicken. Evanovich collides the crime caper with darker textures of urban suffering. Read for comedy as a survival skill with plenty of sex, death, and doughnuts.
Personal vendettas. Hidden treasure. A monkey named Carl. Stephanie Plum is as fearless as ever in the fourteenth hilarious novel in Janet Evanovich's bestselling Stephanie Plum series. Fearless Fourteen is not to be missed by fans of Harlan Coben and JD Robb.
Raves for Evanovich's bestselling series: 'A laugh a minute against a background of dastardly crime with a ditzy heroine and two - yes TWO - of the hottest heroes ever created' (Woman's Weekly); 'A laugh-out-loud page-turner' (Heat).
Stephanie's desperate enough for a bit of extra cash that she's agreed to help run security…
My passion is writing crime fiction and more. William J. Warner is my name. I am a retired FBI Agent who worked violent crime cases. I developed a wealth of experience interviewing seedy people around the globe. As such, I love writing their dialogue and incorporating it with those of good intentions. I’ve written seven books. My degrees are in business, forensic psychology, and law. My novels include Holdup Number Six, Appalachian Impasse, Gold Line to Lenox, Going Knee to Knee with FBI Polygraph, Ohio Boys, Hoosier Fields, and Jewels In The Sand where I digressed into a love & war saga with a tear-jerking finish.
My Clive Cussler favorite, The Chase kept me in pursuit of the villain with all the suspense and adventurous imagination I’ve come to expect from Cussler’s long line of good guy/bad guy novels. I identified with Detective Isaac Bell as I, too, once pursued bank robbers and killers from one State to another while employed as an FBI agent. In this story, Bell is put to the challenge in an audacious plot of robbery and murder. To identify this despicable felon, Bell finds that a woman plays into it adding intrigue to the outcome.
Turn-of-the-century detective Isaac Bell pursues a blood-thirsty bank robber-and perhaps one of the world's first sociopaths-in the first novel in the #1 New York Times-bestselling series.
In 1906, the western states of America suffer a string of bank robberies by a single man who then cold-bloodedly murders any and all witnesses, and vanishes without a trace. Fed up by the depredations of "The Butcher Bandit," the U.S. government brings in the best man it can find: a tall, lean, no-nonsense detective named Isaac Bell, who has caught thieves and killers from coast to coast.
I have loved crime fiction since encountering it in college. After seeing the Bogart-Bacall version of The Big Sleep, I read the underlying Raymond Chandler novel and was hooked. I devoured Chandler’s other works and moved on to James M. Cain, Jim Thompson, John D. MacDonald, and others. Later I discovered the crime novels of Charles Williams, Day Keene, Gil Brewer, and other “pulp masters.” Loving those novels led me to try my hand at writing crime fiction, and Stark House Press has now published five of my novels with another on the way. My crime-writing career is an unusual path for someone whose M.A. thesis is on Jane Austen!
I think The Hot Spot is perhaps the best of several noir novels by Charles Williams, a writer who deserves to be better known.
Originally published as Hell Hath No Fury, The Hot Spot, well filmed under that title in 1990, chillingly illustrates the claimed truth of the proverb about a woman scorned. As readers, we cannot help but like Harry Madox, a clever but semi-sleazy used-car salesman who robs a bank in a small Texas town and sleeps with his boss’s boozy wife before falling in love with a younger, more innocent woman.
Then Harry learns to his dismay that the boss’s wife is determined to keep him from having the things he now realizes he really wants. Re-reading this novel, I always root for Harry to escape from the deep pit he has dug for himself, and I keep turning the pages, hoping he will.
A dark, brooding masterpiece of guilt, greed, and lust in a town ripe for felony.
Madox wasn't all bad. He was just half-bad. But trap a man like Madox in a dead-end job in a stultifying small town, introduce him to a femme fatale like the Harshaw woman, and give him a shot at a fast fifteen thousand dollars--in a bank just begging to be knocked over--and his better nature doesn't stand a chance.
Merciless in its suspense, flawless in its grasp of the ways in which ordinary people hurtle over the edge, The Hot Spot is a superb example…
At twenty-six I was living in Wuhan. I had been in China for a couple of years and was looking for a change. Not ready to go back home to New Zealand, I made my way across Europe, through the USA, and on to Argentina. Since that visit, I’ve followed Argentina's economic crises and scoured its newspapers for quirky crime stories. I started to send out true crime articles to various magazines. Eventually, I had enough material to write a novel. For years I’ve wanted to find a literary yet straightforward crime novel set in Argentina. The search goes on, but below are the best I’ve come across so far.
More about hiding out and the lead-up to the final shoot-out than the bank robbery at the start, this novel is based on a real case from the 1960s. After they rob a bank in the Province of Buenos Aires, Dorda and Brigone, escape with the money over the Rio de la Plata. They find a bolthole in Montevideo, the capital of Uruguay, a country much like Argentina culturally and historically, but with fewer hysterical tendencies. Not happy about this are the politicians and police officers involved in the robbery and anxious for their cut of the loot. Piglia does a good job of recreating Argentina in the 1960s. Despite some stylistic pretensions and his overwriting of the main characters, the author manages not to get in the way of the story.
Based on original reports and witness statements, Money to Burn tells the story of a gang of bandits who, fancying themselves as urban guerillas, raided a bank in downtown Buenos Aires. They escaped with millions of dollars in cash but six weeks later found their hideout surrounded by three hundred military police, journalists and TV cameras. The subsequent siege and its shocking outcome have become a Latin American legend.
Thanks to formative experiences playing Where In The World Is Carmen Sandiego?, I’ve long been obsessed with international true crime capers. There’s just something about the genre, and how it ties together colorful characters, audacious escapades, and fantastic locales, that sucks me in. As a longtime journalist, I’ve sought out and chronicled many narratives in this vein – from snowboarding bank robbers, to an expedition in search of the origins of the world’s most expensive coffee bean, to the wild story that led to my bookThe Curse of the Marquis de Sade. Here are my favorite nonfiction books on international capers, guaranteed to take readers on globetrotting adventures.
This book jumped out at me at a bookstore one day, and I loved it so deeply that I sought out the author when I learned he lived nearly and we became good friends.
Rubinstein stumbled upon a true crime story most reporters only dream of – that of hard-drinking third-string Hungarian hockey goalie Attila Ambrus, who took up bank robbing and triggered the largest manhunt in post-communist Eastern European history – and then was smart enough to let the story tell itself, bit by incredible bit.
The result is a wild ride through the chaos of post-Cold War Hungary with a rambunctious antihero for whom you can’t help but root.
Attila Ambrus was a gentleman thief from Transylvania, a terrible professional hockey goalkeeper - and preferred women in leopard-skin hot pants. During the 1990s, while playing for the biggest hockey team in Budapest, Ambrus took up bank robbery to make ends meet. Arrayed against him was perhaps the most incompetent team of crime investigators the Eastern Bloc had ever seen: a robbery chief who had learned how to be a detective by watching dubbed Columbo episodes, a forensics officer who wore top hat and tails on the job, and a driver so inept he was known only by a Hungarian…
As a writer of thrillers whose debut novel was considered Noir, I’ve always been fascinated by tales of characters that are not always the most likeable. Noir fiction is characterized by cynicism, fatalism, and moral ambiguity. Similar to its successful films, I love when you feel for an anti-hero. That despite their questionable motives, the author or director manages to make you root for them in the end.
The Getaway by Jim Thompson and the film directed by Sam Peckinpah is a gritty slice of noir and the classic story of a bank heist gone wrong. It’s a beautifully pulpy showcase for the twisted marriage of Doc and Carol, played by Steve McQueen and Ali MacGraw with perfection in the film. It plunges you into the very core of moral ambiguity and the ending of the book is unexpected, sublime, and a sledgehammer to the head. A great first book and film to introduce a reader to noir styles.
This work presents a new and important paradigm modification in psychology that attempts to incorporate ideas from quantum physics and postmodern culture. The author feels that the current diagnostic model of the mental health establishment is too entwined with political and economic factors to represent a valid method for healing psychological problems. The predominant model is too linear, reductionist, normative, and based upon an abnormal view of behavior. Exacerbating this problem is our highly accelerated present-day lifestyle in which new processes and interactions are constantly emerging. The postmodern self is evolving into a manipulative, situational self with no authentic core…
My novel Venice Beach—like the five books I recommend here—has been classified as a “coming-of-age” novel, a classification that I have no quarrels with as long as it’s understood that coming-of-age is not regarded simply as a synonym for “adolescence” or “being a teenager.” The coming-of-age years—generally defined as between ages 12 and 18—are so much more than a period of life wedged between childhood and adulthood. Coming of age is a process, not a block of time; it is a hot emotional forge in which we experience so many “firsts” and are hammered, usually painfully, into the shapes that will last a lifetime.
You’re fifteen years old, living unhappily with your feckless parents and unstable older sister in a small town in Montana. And then your family implodes: your parents are arrested for bank robbery and your sister flees to parts unknown. As troubling as the premise is, Canada becomes even darker and more ominous as young Dell Parsons travels alone to Saskatchewan to live with erstwhile family friends, but in fact enters a whole new world of intrigue and violence. Dell is a stoic character, and you desperately want to see his life take a turn for the better. What you get instead is a case study in resiliency and survival. Ford’s prose is powerful; every word counts, every sentence pulls you deeper into the story.
First, I'll tell about the robbery our parents committed. Then the murders, which happened later.
In 1956, Dell Parsons' family came to a stop in Great Falls, Montana, the way many military families did following the war. His father, Bev, was a talkative, plank-shouldered man, an airman from Alabama with an optimistic and easy-scheming nature. Dell and his twin sister, Berner, could easily see why their mother might have been attracted to him. But their mother Neeva - from an educated, immigrant, Jewish family - was shy, artistic and alienated from their father's small-town world of money scrapes and living…
Scotland has a proud tradition of philosophical enquiry and I studied closely the work of most of these authors and benefited from almost all of them for my own Ph.D. work. Pirsig uses the old Scots word “gumption” for know-how and initiative and, in his honour, I use his related term “gumptionology” as my handle on social media. I also write my own mystery books series set in Scotland (the Bruno Benedetti mysteries) and they are often inspired by musing on philosophical and metaphysical matters but even my books on ethics contain some philosophical fiction. Our shared stories are fundamental to our humanity—and to our philosophy!
I picked this book up in a charity shop, idly browsing while waiting for my elderly mother to choose a nice murder—so I think ‘unexpected’ is a good word to describe both the content and the quality. Once you get over the jarring juxtapositions, and accept the general absurdity of a middle-aged philosopher turned bank robber, occasionally on the lam, the characters (despite some distinctly unappealing attributes) become more sympathetic, and their outrageous fortunes and philosophical reflections do inspire interest in the fragmentary first recorded attempts at sustained thought about life, the universe and everything, in Europe: the pre-Socratics.
Tibor Fischer's first novel Under the Frog was one of the most widely praised books in England in 1993. That book followed the fortunes of two young men in the pursuit of sex and the avoidance of work as part of a traveling basketball team in the Hungary of the 1950s, and everyone from Salman Rushdie to A.S. Byatt responded with unbridled enthusiasm.
Now comes his eagerly awaited follow-up, another hilarious chronicle of an unusual dynamic duo-this time chasing after something quite different-and the London papers are even more enthusiastic. The Thought Gang is an unabashedly comic novel of ideas…
I’ve made my way in the world as a writer, mostly of TV and movies, mostly of comedy of one stripe or another. As a consumer, though, I’ve always been more drawn to cops and robbers than to material designed primarily to make me laugh. Then, in my 50s, I made an unexpected turn to detective fiction, with a series shaped like traditional, serious mysteries but with satirical undertones and, hopefully, plenty of smiles along the way. My new career made me start thinking more attentively about how comedy and crime worked together, how my work built on what came before, and how it differed from it.
Like Dortmunder, Grimm is an idea man, and his idea for the perfect bank robbery is a doozy: he’ll dress as a clown, hold all the workers and customers in the vault, shoot out the video cameras, negotiate with the cops, take off the clown suit and makeup, “release” himself and his two accomplices as “hostages,” and waltz out of the bank and right past the entire NYPD. The only problem is, getting out of the city proves a lot harder than getting out of the bank. Cronley owes a lot to Westlake, but I picked Quick Change because he repays that debt and then some, with a smirking wit that lights up every page.
Grimm was the only one in town who knew he had them where he wanted them - overconfident."" The hero of Quick Change is just twenty minutes into a bank robbery, and so far everything is going according to his brilliant, meticulously thought-out plan. The bank's employees and customers are in the vault, the security cameras have all been shot out, and he's bagged close to a million dollars. But the police and a SWAT team are already outside. Can Grimm get out of the bank and out of New York, with the money and his two accomplices, and pull…
What could be cooler to a kid growing up in the 1960s and 1970s than the Civil War? TV spoon-fed us westerns—Bonanza, F-Troop, The Lone Ranger, and The Wild, Wild West. Many of the stories were set during the Civil War or had characters molded by it. And then, somewhere in the mid-1960s, my parents took me to a civil war reenactment. Guns cracked. Cannons boomed, and men fell. I was hooked. I’ve devoured every Civil War book I could get my hands on for the past fifty years and watched every movie remotely connected to the subject. So, it’s only natural I wrote a book about it.
One of the biggest worries as the Civil War wrapped up was that Confederate troops might disappear into the Appalachian Mountains, where they could conduct guerrilla raids with relative impunity. As a result, the war could have been extended for years, maybe even decades, as the insurgents crept out of their strongholds to conduct hit and run raids.Fortunately, that didn’t happen. Confederate leaders like Robert E. Lee and Pete Longstreet reminded Southerners they lost the war. It was time to get on with their lives.
Most southern veterans accepted the situation. However, a few, like Jesse and Frank James and the Younger brothers, couldn’t accept defeat. So they holed up in the backwoods of Missouri and fought a new kind of war using tactics they’d learned under William Quantrill and Bloody Bill Anderson.
Sound familiar? It’s the same situation that has allowed terrorist groups like ISIS and al-Qaeda to…
Shot All to Hell by Mark Lee Gardner recounts the thrilling life of Jesse James, Frank James, the Younger brothers, and the most famous bank robbery of all time. Follow the Wild West's most celebrated gang of outlaws as they step inside Northfield's First National Bank and back out on the streets to square off with heroic citizens who risked their lives to defend justice in Minnesota. With compelling details that chronicle the two-week chase that followed-the near misses, the fateful mistakes, and the bloody final shootout on the Watonwan River, Shot All to Hell is a galloping true tale…
