Few things bother me more than the negative stereotypes that portray Detroit as a deserted city in ruins - a crime-infested, neglected place where residents don’t care about their connections to the city’s history or its future. Detroit is a proud, living city. As a historical archaeologist at Wayne State University, I’ve been on the front lines of leading community-based archaeology projects in Detroit for the past decade. These projects involve advocacy for more inclusive historic preservation efforts, youth training initiatives, collaborative exhibits, and lots of interactions with the media and public. I view historical archaeology as a tool for serving local community interests, unearthing underrepresented histories, and addressing the legacies of social justice issues.
Detroit is a city shaped by social movements. Even in the city’s darkest times of violent uprisings, outmigration, and bankruptcy, ordinary Detroiters remained committed to transformative change - banding together to challenge issues of racial injustice, housing access, food sovereignty, workers’ rights, and accountable governance. A People’s Atlas of Detroit is community-based scholar-activism at its best.
The brilliantly illustrated collection of maps, essays, photographs, poetry, and interviews is the outcome of a multi-year project involving over fifty residents from all walks of life who are at the forefront of local social justice initiatives. Through its combination of radical cartography, historical perspectives, and firsthand reflections, APeople’s Atlas elevates the voices of the underrecognized people who are actively charting courses for a more equitable urban future.
In recent years, Detroit has been touted as undergoing a renaissance, yet many people have been left behind. A People's Atlas of Detroit, edited by Linda Campbell, Andrew Newman, Sara Safransky, and Tim Stallmann comes from a community-based participatory project called Uniting Detroiters that sought to use collective research to strengthen the organizing infrastructure of the city's long-vibrant grassroots sector and reassert residents' roles as active participants in the development process. Drawing on action research and counter-cartography, this book aims to both chart and help build movements for social justice in the city.
As an author of historical fiction, I have a number of time periods that I go back to again and again. Both the 1960s (specifically, the late 1960s) and the 1990s are two of those eras that I just can’t get enough of. The parallels between these two time periods are very compelling: both were times of political upheaval and amazing music, with young people leading the charge, hoping to create a better world than the one they were disenchanted with.
A tale of close sisters who find themselves at odds as their belief systems are challenged during the height of the Vietnam War; their lives deviating from one another as their priorities change.
A poignant novel about how even the strongest of familial relationships can be torn asunder in times of turmoil and upheaval, but how the purest love can bring them back together again.
Rosa and Esther march through downtown Detroit in August 1968 to protest the war in Vietnam. When a bloodied teenager reports that mounted police are beating protestors a few blocks away, the young women hurry to offer assistance. They try to stop the violence, but an officer is injured and the sisters are arrested. Rosa sees an opportunity to protest the war in court. Esther has an infant daughter and wants to avoid prison, which means accepting a plea bargain and testifying against her sister. Told from multiple points of view and through the sisters' never-mailed letters, Her Sister's Tattoo…
Crime fiction, true crime, mystery, and suspense books allow us to brush up against the worst society has to offer without getting hurt. There’s a lot to be said for vicarious thrills, isn’t there. I am just a simple man telling simple stories about good vs. evil. And sometimes, in my stories, fiction or not, the bad guys win. But I do love telling stories, and when I find a good one, I can’t wait to tell you aboutit. That’s what I have done here.
You have to love this book if only because the author, Loren D. Estleman, pounded out the words on a manual typewriter. Why would he do that in the 21st century? So he can keep working during power outages, that’s why.
There’s not a single one of Estleman’s books or stories I would not recommend. However, I chose Whiskey River for this review because it is historical crime fiction, taking place in the days of Prohibition.
Whiskey River is the story of a young, ambitious reporter who risks his life to expose police and city hall corruption.
As always, Estleman brings his characters and settings to life in a way few others can.
In Detroit in 1925 prohibition has been in force for a year longer than the rest of the States, police corruption is so rampant no-one notices the stench in City Hall. Into this scene comes Constantine Minor, a young and ambitious reporter. The author has twice won the Shamus Award.
Masuda Hajimu (family name Masuda) is a historian at the National University of Singapore. He specializes in the modern history of East Asia, the history of American foreign relations, and the social and global history of the Cold War, with particular attention toward ordinary people and their violence, as well as the recurrent rise of grassroots conservatism in the modern world. His most recent publications include: The Early Cold War: Studies of Cold War America in the 21st Century in A Companion to U.S. Foreign Relations; “The Social Experience of War and Occupation” in The Cambridge History of Japan (coming in 2022), among others. He has served as a residential fellow at the Woodrow Wilson International Center for Scholars (2017-18); Visiting Fellow at the University of Cambridge (2020); and Visiting Scholar at Waseda University (2020).
I like this book because it forces us to rethink what the Cold War really was. The book identifies key figures in anti-communist crusades in post-World War II Detroit: workers, white homeowners, city officials, Catholics, and manufacturing executives, and argues that the core elements of their “anticommunism” were not fears of Soviet incursion, but sociocultural tensions at home that derived from drastic changes in wartime and postwar Detroit, which observed a sudden influx of African Americans, Southern whites, and immigrants.
Thus, the book argues that Cold War Detroit’s “anticommunism” was not a new development in the postwar era, but a continuation of what had previously been labeled anti-unionism, white-supremacism, anti-secular Catholicism, and anti-New deal sentiments, all of which can be characterized as expressions of ongoing “anti-modernist” tensions within American society. Such a reexamination of Cold War anti-communism is significant because it could open up new territory for rethinking what anticommunism…
Detroit's Cold War locates the roots of American conservatism in a city that was a nexus of labor and industry in postwar America. Drawing on meticulous archival research focusing on Detroit, Colleen Doody shows how conflict over business values and opposition to labor, anticommunism, racial animosity, and religion led to the development of a conservative ethos in the aftermath of World War II. Using Detroit--with its large population of African-American and Catholic immigrant workers, strong union presence, and starkly segregated urban landscape--as a case study, Doody articulates a nuanced understanding of anticommunism during the Red Scare. Looking beyond national politics,…
It is a truth almost universally accepted that historically women had no way to support themselves except marriage…but it’s not true! I’m all-in on Happily-Ever-After, of course, but I absolutely love it when a heroine is smart, sensible, and able to support herself on her own. When she falls for someone, it’s got to be for real because she’s not afraid to take charge of her own life and make her own way, despite whatever obstacles are thrown at her.
This is a real battle of wills, between Dr. Viveca Lancaster, newly licensed physician, and Nate Grayson, manager of a newly-founded Michigan town in desperate need of a doctor. He hires her, sight unseen, and when she shows up, he tries to fire her, because he doesn’t want a female doctor, but Viveca is not having that. She’s going to prove herself, as one of the first Black women doctors in 1870s America, and Nate falls for her as a brilliant doctor as much as he does for her as a woman. It’s impossible to go wrong with a Beverly Jenkins book, but this one is extra delicious.
It's 1876 and Dr. Viveca Lancaster is frustrated by the limits placed upon female physicians of color. When she is offered the chance to set up a practice in the small all Black community of Grayson Grove, Michigan she leaves her California home and heads east. The very determined Viveca is one of the few nineteenth century Black women to graduate from the prestigious Woman's Medical College of Pennsylvania, so she knows all about fighting for her rights. But she may need more than determination to face down the distractingly handsome Nate Grayson, the Grove's bull-headed mayor.
I had the passion to write Necessary Deeds because: 1) as someone who'd spent 20+ years writing novels, dealing with untrustworthy literary agents, and book-doctoring other writers’ novels in order to pay rent, I'd come to know betrayal (“best friend” writers who stole drafts of mine and called them their own, novelists who backstabbed me after I helped them land agents and book contracts, and so on); 2) like many people who lived through the drug-and-alcohol-laced Eighties, I had a long relationship with someone that ended because they cheated on me. So I never doubted that, as I wrote Necessary Deeds, my heart knew well what motivated its characters.
How can I not include an Elmore Leonard title in a list of favorite novels about murder and matters of the heart?
Of course, no compliment by me of Mr. Leonard will be anywhere in the vicinity of new, but I will add to the heap of praise of the man that in this particular novel of his, the snappiness of the dialogue, the overall wit, and the surprising nature of the twists and turns will always strike me as ideals to strive for as I write my own noir.
I am a British crime writer and am the winner of the CWA Debut Dagger and have been longlisted for the CWA Gold Dagger. I have been reading crime thrillers for most of my life and while I love reading about cops and detectives, I seem to have a special liking for amateur detectives, criminals with good hearts, and ex-cons. In my own novels, two crime thrillers set in west London, my main character, Zaq Khan, is an ex-con who gets caught up in dangerous situations and, along with his best friend, tries to get out of them alive. The books I’ve recommended have all inspired and influenced what I write.
Elmore Leonard was the first crime author I ever read, and his books are what got me hooked on the genre.
Like many of his characters, Jack Foley, despite being a criminal, in this case a bank robber, is just so much fun to spend time with and read about.
The book starts with Foley escaping from prison only to find himself bundled into the trunk of a car with a female US marshal. What follows is a cat-and-mouse, cops and robbers tale, as only Elmore Leonard could have written it.
Fabulous characters, amazing situations, and some of the coolest dialogue in all of fiction. The film was great, but the book is even better.
Read it and you’ll want to read everything else he ever wrote.
OUT OF SIGHT was made into the highly-acclaimed movie starring George Clooney and Jennifer Lopez.
Jack Foley was busting out of Florida's Glades Prison when he ran head-on into Karen Sisco with a shotgun. Suddenly the world-class gentleman felon was sharing a cramped car trunk with a disarmed federal marshal - whose Chanel suit cost more than the take from Foley's last bank job - and the chemistry was working overtime. Here's a lady Jack could fall for in a big way, if she weren't a dedicated representative of the law that he breaks for a living. And as soon…
Having heard Celtic legends as a kid made me want to either become a leprechaun or a goddess with the power to remake the world’s worst parts. Although I didn’t achieve either, I write about both, as well as other quirky people who march to the rhythm of delightfully offbeat drummers. I so adore eccentric people and jaunty environments, I’ve built a career out of writing them. That has allowed me to capture the sassy voice of the daughter of madcap Hollywood stars, the outrageous garments worn by a cheerfully fake psychic, and the journey of a brokenhearted chef who can’t quote an adage normally to save her life.
I’ve loved mysteries since Nancy Drew led me into a life of crime. Mixing in magic adds such zing to the mystery puzzle.
I especially enjoyed the charming Abby Cooper: Psychic Eye. A series of misadventures with a guy cause Abby to become entangled with the local PD, which allows her to bring some pretty bad guys to justice. I love Abby’s engaging voice and her spirited outlook. Especially appealing is that she believes herself to be different from others, someone who doesn’t fit in. Yet she also sees herself as shockingly normal compared to the oddballs who come to her for readings. Yet Abby finds humor in the irony of her situation.
If you like your magic mixed with mysteries, you’ll find this book fun.
Abby Cooper is a P.I., psychic intuitive. But her insight failed her when she didn't foresee the death of one of her clients-or that the lead investigator for the case is the gorgeous blind date she just met. Now, with the police suspicious of her abilities and a killer on the loose, Abby's future looks more uncertain than ever.
David DeKok became interested in environmental disasters in his native Michigan in 1974, when PBB, a fire-retardant chemical, was accidentally mixed with animal feed, entered the food chain, and then most people in the state, probably including himself. As a journalist in Pennsylvania, he wrote extensively about the Centralia mine fire and the aftermath of the Three Mile Island nuclear accident, and is the author of four books. He tends to write about small towns and small-town people in crisis.
We Almost Lost Detroit was published in the mid-1970s at a time of growing concern over nuclear power in America that would reach a boiling point with the Three Mile Island nuclear accident in Pennsylvania in 1979. There was no love lost between the two sides. Utility executives were believed to be liars trying to save their investment in a costly, difficult technology. Nuclear critics were portrayed by the industry as deluded tree-huggers. It was a real debate with real consequences, and this book shows why. The cover of the Ballantine paperback edition shows the terrified face of a man inside a radiation protective suit.
A valuable contribution to the debate over nuclear power, this book documents the Fermi accident that so frightened the AEC and nuclear industry that they did not want the details and significance leaked to the public. At the time of the publication of this book, many critics of nuclear power were demanding to know all the pertinent information regarding the safety of nuclear reactors.
When I realized years ago that the universe isn’t merely a concrete reality, I turned to metaphysical/visionary books to understand my experience. There weren’t that many books, but the ones I found became dear friends. Now, after decades as a freelance editor, I am writing fiction in this genre because I believe stories can be as powerful as expository writing for awakening consciousness. However, I’ve noticed many metaphysical writers discourage the engagement and commitment needed to make this world a better place. For this reason, I seek to gather—and contribute to—writing that is visionary and also advocates for democracy and social justice.
Although this collection of short stories can be generally categorized as speculative fiction—and most are more specifically science fiction—there is nevertheless a strong visionary element in many of them. As I would expect when reading any book that has many authors, I relate to some stories more than others.
I particularly loved how they collectively built on the amazing legacy of Octavia Butler and did so by explicitly uniting around the social justice theme.
Whenever we envision a world without war, prisons, or capitalism, we are producing speculative fiction. Organizers and activists envision, and try to create, such worlds all the time. Walidah Imarisha and adrienne maree brown have brought 20 of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change. These visionary tales span genres—sci-fi, fantasy, horror, magical realism—but all are united by an attempt to inject a healthy dose of imagination and innovation into our political practice and to try on new ways of understanding ourselves, the world around…
