I am a writer who has written an assortment of over a hundred and seventy different articles, poems, and books. I worked for thirty five years as a psychologist and my late wife, Rosie Larner, was a social worker and lecturer. We have both dealt with cases of domestic abuse and have recognised the extent of the problem worldwide and the misery that it causes. We offer these tales under the pen-name of Rosy Stewart to show the diversity of the problems and to bring hope to the sufferers with the hope of resolution of each case to reach a wider audience.
This is told in the voice of a young girl living in a household of domestic violence in the 1960s in UK.
She is regarded as presenting difficulties for her parents right from the beginning with her difficult birth. It is written in short scenes and excerpts from her childhood. She adores her mother, but she is sexually assaulted by one of her mother’s boyfriends. The writing of this is realistic as seen by an innocent four-year-old girl.
When the mother marries another boyfriend the family dynamics change from being kind at first to much stricter. It is clear that the little girl will develop psychological problems in later life.
Cursed by her grandmother and trapped in domestic violence in 1960s Britain, Evelyn must find a way to protect her five young daughters. Aware that her firstborn, Kim, is doomed to repeat her own disastrous life choices, Evelyn places her in the care of one of her admirers to protect her from her fate.
Meanwhile, her daughter Bess carries a deep-rooted sense of shame and guilt that her birth nearly killed her beloved mother. Subjected to sexual abuse, she tries to make sense of her feelings and her place within the secretive family she grows up in, desperately seeking love…
I am a writer and a sociologist of money. I am passionate about money, relationships, and family violence, because I know from my research that talking about money opens up intimate conversations about the way people see themselves, their aspirations and hopes. Sometimes through hearing other people’s stories I have found mine. I realised while researching family violence that I too had suffered economic abuse. For me too economic abuse was ‘hidden in plain sight’. One of the most meaningful things for me is to help women and men overcome family violence and empower themselves to live with freedom.
Evan Stark’s book introduced me to the concept of ‘coercive control’.
It is a continued and malevolent pattern of domination and entrapment that makes family violence a human rights crime. He also noted that the perpetrator, often a man, uses gendered stereotypes to control the woman, to convince her that it is she who is at fault.
Evan Stark’s insights helped me connect the gendered cultural practices of money with family violence. When these cultural ways of dealing with money were used for entrapment and abuse, money as a medium of care became a medium of coercive control.
Despite its great achievements, the domestic violence revolution is stalled, Evan Stark argues, a provocative conclusion he documents by showing that interventions have failed to improve women's long-term safety in relationships or to hold perpetrators accountable. Stark traces this failure to a startling paradox, that the singular focus on violence against women masks an even more devastating reality. In millions of abusive relationships, men use a largely unidentified form of subjugation that more closely resembles kidnapping or indentured servitude than assault. He calls this pattern "coercive control". Drawing on sources that range from FBI statistics and film to dozens of…
As an ancient historian and archaeologist, I’ve been fascinated by antiquity for many years yet I have little interest in politics and military matters and no patience at all with the ‘great man’ approach to history that privileges kings and generals. I’ve always wanted to know what the other half of ancient society was doing, and if we can’t find them in ancient literature, we need to use other types of evidence to find them and reconstruct their lives, and once we do that, we can gain an entirely new perspective on the ancient Greek and Roman worlds.
Unlike her husband, the famous philosopher Herodes Atticus, Appia Annia Regilla is virtually unknown, despite being so aristocratic that she was related to several Roman emperors and so wealthy that she was a great patroness whose architectural endeavours have survived.
Infuriatingly, she is only really mentioned in the historical record because she was a victim of domestic violence, as her husband brutally murdered her and, despite two separate trials, got away with it!
But Sarah B. Pomeroy works painstakingly to reconstruct the circumstances of her life from literary and archaeological evidence rather than simply focusing on her death.
From an acclaimed author comes a fascinating story of the life, marriage, and death of an all but forgotten Roman woman. Born to an illustrious Roman family in 125 CE, Regilla was married at the age of fifteen to Herodes, a wealthy Greek who championed his country's values at a time when Rome ruled.
Twenty years later--and eight months pregnant with her sixth child--Regilla died under mysterious circumstances, after a blow to the abdomen delivered by Herodes' freedman. Regilla's brother charged Herodes with murder, but a Roman court (at the urging of Marcus Aurelius) acquitted him. Sarah Pomeroy's investigation suggests…
I truly believe that this poetry collection is a must-read; I have never read anything before that so validated my experiences, fears, and feelings of moving through the world as a woman. That is the central thread of the collection, along with the true crime genre, and why women, statistically, seem so enthralled by it.
Even as someone who does not often consume true crime or read much poetry, I read this cover to cover in one sitting and was nearly moved to tears at points simply because of how succinctly Gatwood put my own experiences and emotions into words. It is wonderfully inclusive in its explorations of womanhood and gave me such a sense of community through Gatwood's sharp phrasing and heart-wrenching imagery.
A dazzling debut collection of raw and explosive poems about growing up in a sexist, sensationalized world, from a thrilling new feminist voice.
i’m a good girl, bad girl, dream girl, sad girl girl next door sunbathing in the driveway i wanna be them all at once, i wanna be all the girls I’ve ever loved —from “Girl”
Lauded for the power of her writing and having attracted an online fan base of millions for her extraordinary spoken-word performances, Olivia Gatwood now weaves together her own coming-of-age with an investigation into our culture’s romanticization of violence against women. At times…
As a sociologist, I've always been captivated by stories that challenge societal norms and offer fresh perspectives on life.
Mad Honey by Jodi Picoult and Jennifer Finney Boylan is one such book that has left a lasting impression on me. What sets it apart is its inclusive portrayal of LGBT characters, navigating their lives and dilemmas with sensitivity and authenticity.
As an educator, I was particularly moved by the ethical dilemmas presented in the storyline. They reminded me of many classroom discussions with my students, exploring complex social issues and seeking ways to navigate them ethically. The storytelling prowess and the nuanced social commentary made Mad Honey a standout read for me last year.
Highly recommended for anyone who appreciates a thought-provoking, inclusive narrative.
NEW YORK TIMES BESTSELLER • “Alternatingly heart-pounding and heartbreaking. This collaboration between two best-selling authors seamlessly weaves together Olivia and Lily’s journeys, creating a provocative exploration of the strength that love and acceptance require.”—The Washington Post
GOOD MORNING AMERICA BOOK CLUB PICK • PEOPLE’S BOOK OF THE WEEK • ONE OF THE BEST BOOKS OF THE YEAR: PopSugar
Olivia McAfee knows what it feels like to start over. Her picture-perfect life—living in Boston, married to a brilliant cardiothoracic surgeon, raising their beautiful son, Asher—was upended when her husband revealed a darker side. She never imagined that she would end up…
I am a writer and a sociologist of money. I am passionate about money, relationships, and family violence, because I know from my research that talking about money opens up intimate conversations about the way people see themselves, their aspirations and hopes. Sometimes through hearing other people’s stories I have found mine. I realised while researching family violence that I too had suffered economic abuse. For me too economic abuse was ‘hidden in plain sight’. One of the most meaningful things for me is to help women and men overcome family violence and empower themselves to live with freedom.
Mills’ description of the sociological imagination has become central to the way I think.
He writes of the importance of linking personal troubles to social issues, of moving from the deeply personal to the impersonal, and of linking biography and history.
The sociological imagination is at the heart of my research on domestic economic abuse. It links the stories of personal devastation to the global social issue of family violence. The personal gets transformed to policy and legal issues of the criminalisation of coercive control.
C. Wright Mills is best remembered for his highly acclaimed work The Sociological Imagination, in which he set forth his views on how social science should be pursued. Hailed upon publication as a cogent and hard-hitting critique, The Sociological Imagination took issue with the ascendant schools of sociology in the United States, calling for a humanist sociology connecting the social, personal, and historical dimensions of our lives. The sociological imagination Mills calls for is a sociological vision, a way of looking at the world that can see links between the apparently private problems of the individual and important social issues.…
I'm an author of dark fiction from Wales, UK, who, for many years, taught primary school children. In my own writing I often gravitate towards the child’s point of view, and the same can be said of the fiction I choose to read. As a teacher I dealt with children’s issues on a day-to-day basis, and sometimes you wonder how these kids survive, or at least you understand the trauma they carry for the rest of their lives. But what about those who manage to rise above it? Those are the characters whose stories I love to read. The child lurks in all of us, and we must never lose sight of that fact.
Although the cover did nothing to attract me, it turned out to be one of those rare books you want everybody to read. Even though it was quite a long book, at around 480 pages, I loved every single sentence. The plot, the references to Native American culture, characterization, you name it. Superb.
Crime is intrinsically interesting. From an early age, we’re taught behavioral norms. Hearing of transgressions, we ask, “How’d this happen?... Is it true?... What’s the deeper meaning?” Audiobooks also have a unique ability to engage us. With my reporting background plus a historical novel under my belt, I began researching the real-life case behind Takers Mad, aiming to bring it to life with the intimacy, suspense, and power of an audio drama. Then I was gobsmacked to find fresh evidence in this Gilded Age murder. Now, with Khristine Hvam’s ultra-talented narration, I hope our work entertains and also leads listeners to ponder vital questions—just like the best crime audiobooks.
Adapted from a one-woman performance at the Minetta Lane Theater by the talented stage actor Carey Mulligan, Girls & Boys is a gripping and sometimes painful examination of domestic violence. The writer Dennis Kelly, who is acclaimed for his work in British television and film, creates a strikingly realistic narrator and an unforgettable storyline to examine how relationships can go horribly wrong. It’s a sad story, well-written and with brilliant acting. Kelly and Mulligan left a lasting mark on me.
When they met at an airport, it was love at first sight. But in time, everything collapsed. As an unnamed but unforgettable woman muses on her life—from meet cute to marriage and parenthood—her recollections inexorably build to a devastating truth. In this shattering performance, Carey Mulligan, star of the critically lauded drama An Education, captivates audiences with playwright Dennis Kelly’s harrowing ruminations on family, ambition, gender, and violence. An acclaimed Off-Broadway play, the gut-wrenching world of Girls & Boys now thrives as an Audible Theater production.
After the play, this program includes an interview with Tony-winning playwright Dennis Kelly, who…
My interest in serial killers began when I was a teen watching horror movies with my mom. I learned all I could about them—even became a horror special-effects makeup artist. Eventually, I had to quit due to my connective tissue disorder (Hypermobile Ehlers-Danlos Syndrome). It put me on a path of writing. I love digging into the darker side of humanity—murder or mental illness. The story of a serial killer who could challenge the reader to see disability in a new light came to me, and I had to write her story, if not just so I could dive into the psyche of another serial killer.
In most procedurals, you root for the “bad guy” to get caught. Noelle Holten created a killer you want to see get away, stay hidden in the shadows, and continue doing the good work. The story unfolds from the perspectives of battered women, the abusers, and the detective constable (UK term for lowest-ranking detective). Telling the story from so many points of view brings a level of tension that one finds in suspense or thriller novels, which is why it’s made it on this list. As I read the violence committed against innocent women, it was impossible not to echo many characters in the book as they grapple with wanting to find the killer. It’s that waffling that makes each horrible man’s death more satisfying than the last.
'Hugely confident ... harrowing, visceral ... recommended' Ian Rankin
'Kept me hooked' Angela Marsons
'An excellent read' Martina Cole
'Gritty, dark and chilling' Mel Sherratt
A dark and gripping debut crime novel - the first in a stunning new series - from a huge new talent.
The killer is just getting started...
When three wife beaters are themselves found beaten to death, DC Maggie Jamieson knows she is facing her toughest case yet.
The police suspect that Probation Officer Lucy Sherwood - who is connected to all three victims - is hiding a dark secret. Then a fourth domestic abuser…
My boys greedily consumed books until middle school when screens began to pull them away. I still brought home piles of books, especially stories that stirred empathy, hoping they would pick them up (especially during enforced no-screen times). My then-5th grader complained that I brought home too many “sad books about kids having a really hard time,” and that’s when I realized I was choosing titles I liked and wanted them to read. The novels I had written thus far were heavy stories for teens, but after this little episode with my boy, I decided to pay attention to what they really wanted to read. And to write one they might like.
Although Ghost is heavy on hardship (angry kid, incarcerated father), and a struggle story for sure, it’s such a tight, fast-paced one with a voice that you can’t help but fall right into the narrative.
Add to that sports (track), bad choices (stealing shoes), and all the intense emotions of a seventh-grader, any kid will have a hard time putting it down.
Running. That's all Ghost (real name Castle Cranshaw) has ever known. But Ghost has been running for the wrong reasons -until he meets Coach, an ex-Olympic Medallist who sees something in Ghost: crazy natural talent. If Ghost can stay on track, literally and figuratively, he could be the best sprinter in the city. Can Ghost harness his raw talent for speed, or will his past finally catch up to him?
READ THE RUN SERIES: Ghost. Lu. Patina. Sunny. Four kids from wildly different backgrounds with personalities that are explosive when they clash. But they are also four kids chosen for…
