My own collusion with white supremacy and anti-Blackness is a lifelong journey I mitigate for my soul’s redemption. I am a Mississippi-born redneck, alcoholic, psychotherapist, San Francisco Bay Area queer, higher education administrator with a Critical Race Theory doctorate. I first learned democracy by watching my Mississippi parents risk their lives and mine in the 1960s Civil Rights Movement. Three-Fifths Magazine recently published “My First English: The Vernacular of the KKK.” My book, “Twelve Steps for White America” won the BookFest 1st Place Gold Medal for “Society and Social Sciences: Race Culture Class and Religion.” I work to live in a USA where race no longer predicts outcomes.
Heather Richardson is one of our best historians. I love her brilliance, and I love that she knows the material well enough to explain it simply to the novice.
I read her previous book, and this next one didn't disappoint. If I could only read one book on how the USA has come to this, Democracy Awakening would be it. I recommend it for anyone who would finally like to try democracy in a USA where race no longer predicts outcomes!
In Democracy Awakening, American historian Heather Cox Richardson examines how, over the decades, an elite minority have made war on American ideals. By weaponising language and promoting false history, they are leading Americans into authoritarianism and creating a disaffected population.
Many books tell us what has happened over the last five years. In Democracy Awakening, Richardson wrangles America's meandering and confusing news feed into a coherent story to explain how America got to this perilous point, what we should pay attention to, and what the future of democracy holds.
As a former journalist, I was trained to look at all sides of a story. When I read, I am drawn to books that have multiple characters with their own narratives. Sometimes the stories intersect with an “aha!” moment, and sometimes they’re told side-by-side inside each character’s head. Either way, it’s intriguing to have different perspectives—especially in a mystery or thriller. That’s why I use the points of view of three wives in An Inconvenient Wife to give my readers insight into each of these fascinating women.
I have always been drawn to stories that are ripped from the headlines but are still so entirely their own.
When I first got the book, I was a little daunted by the length but as I read, I discovered I couldn’t put it down and was so sorry when it was over. A missing girl, a desperate mother—all set against the backdrop of an island that’s the playground of the ultra-wealthy. What’s not to love?
'Gripping, stomach-churning . . . Marwood is in a class of her own' LISA JEWELL
'Heart stopping' SUNDAY TIMES, CRIME BOOK OF THE MONTH
'A ripped-from-the-headlines thriller . . . I couldn't put it down' MARK EDWARDS ________________
Sun-drenched glamour and obscene wealth hide the darkest of secrets and lost girls in this ripped-from-the-headlines thriller.
1985 For twelve-year-old Mercedes, La Kastellana is the place she calls home. It is an island untouched by the modern world, with deep-rooted traditions - though that is all about to change with the arrival of multimillionaire Matthew Meade and his spoiled young daughter, Tatiana.…
I grew up in a small seaside town north of Boston. I have three siblings, and we always spent a few weeks every summer with our cousins in a rented house somewhere in New England—a new place each year. I became a bookworm at a young age, and I’ve always loved reading novels about big families that capture both the magic and the conflicts inevitable with many siblings and relatives. I was also an anglophile, and I tended to gravitate toward books written in earlier decades, particularly those of the mid 20th century. When I began writing my own novels, it seemed natural to set them in those fascinating earlier times.
Fictionalizing her large and extremely eccentric family—shabby members of the British gentry in the 1930s, lacking the wealth of earlier times—Nancy Mitford managed to create a novel that is both hilarious and poignant, with a style uniquely her own. Her characters seem almost too bizarre to be real, yet if you read about the real Mitfords, you discover that, if anything, this novel (published in 1945) softened their edges! She writes brilliantly not only about the fun and tensions among an array of strongminded siblings but also about her domineering father and, later, about the blissful madness of falling in love after an isolated childhood.
One of the funniest, sharpest novels about love and growing up ever written, Nancy Mitford's classic is now a major BBC and Prime Video series directed by Emily Mortimer and starring Lily James, Andrew Scott and Dominic West
'He was the great love of her life you know.' 'Oh, dulling,' said my mother, sadly, 'One always thinks that. Every, every time.'
Oh, the tedium of waiting to grow up! Longing for love, obsessed with weddings and sex, Linda and her sisters and cousin Fanny are on the lookout for the perfect lover.
As a writer and a professor, I love sharing knowledge of my birth country (India) and the experiences of Indian immigrants in America. My first book, Arranged Marriage, is about the transformed lives of immigrant women and won an American Book Award. Mistress of Spices is about a spice-shop owner who knows magic, was a national bestseller, and became a film. One Amazing Thing is a multicultural novel about nine people trapped by an earthquake, was a Citywide Read in over 25 US cities. Recently, fascinated by the richness of Indian history, I have delved into it in novels like The Last Queen, set in the 1800s, and Independence, set in the 1940s.
Set in the present-day cosmopolitan city of Mumbai, India, the novel follows the lives of two women: Serabai Dubash, a middle-class widow, and her maidservant, Bhima. The pair experience similar situations in their lives: abuse, the death or absence of a husband, and the longing for a better future. They both have pregnant daughters, a fact that becomes significant as the novel progresses.
This book shows us the difficulties faced by women in Indian society but also their courage. Ultimately it is an upbeat book with great spirit. The plot twist at the end, and the resolution, blew me away.
In this beautifully crafted novel about the interlinked lives of two women, Thrity Umrigar explores the complex relationships between the classes in India, rarely addressed in contemporary fiction.
'Bhima is real. She worked in the house I grew up in, year after year, a shadow flitting around our middle-class home, her thin brown hands cleaning furniture she was not allowed to sit on, cooking food she was not allowed to share at the family dining table, dusting the stereo that mainly played American rock and roll, music that was alien and unfamiliar to her, that only reminded her of her…
I'm the multiple, award-winning author of 4 novels and one novella, raised in Memphis, Tennessee, and now living in Southern California. The geographical distance gives me a laser-sharp, appreciative perspective of the South, and I celebrate the literary greats from the region. The South is known as the last romantic place in America, and I believe this to be true. The South’s culture, history, and social mores are part and parcel to its fascinating characters, and nothing is more important in the South than the telling of a good story. As a writer, I'm in love with language. I love Southern turns of phrase and applaud those writers who capture Southern nuance. It is well worth writing about Southern sensibilities.
Peachtree Road is considered a modern-day Gone with The Wind, in that it is set in the pivotal, changing times of 1960’s Atlanta, and concerns the opulent area of Buckhead, where the privileged who built modern-day Atlanta live. The story is narrated in lyrical language by Shep Bondurant, an insightful young man born to privilege, who tells the coming-of-age story of Southern traditions and hypocrisy, and the impact of growing up alongside his troubled cousin, Lucy. A deeply probing story on multiple levels concerning society and the impact of family.
“A blockbuster of a novel. . . . Peachtree Road is the meaty and absorbing story of a city turned on to power and of the privileged inhabitants who led it to its current station as a mecca of business, culture, and progress. . . . To say this book is potent does not come close to doing it justice. More than merely powerful, it is mesmerizing, enthralling, and totally unforgettable.” — Chattanooga Free Press
A masterful tale of love, hate, and rebellion set in an elite world of class and wealth, New York Times bestselling author Anne Rivers Siddons's…
As a history buff I am also fascinated by folklore and magic, and how it has influenced society during various time periods. I love discovering writers who seamlessly manage to present a parallel magical universe grounded in actual history or who manage to incorporate fantastical or magical elements into a historical novel. Over the last few years I’ve been increasingly drawn to exploring the philosophical, magical, and spiritual underpinnings of society as part of my historical research. Although my own published works to date have been straight historical fiction, my current work in progress is definitely veering into the speculative, alternative history realm.
Set in Victorian England, this novel is a sinister, gothic tale based on the ability of a young woman to read the souls of man-made objects and the disappearance of a young man drawn to the occult. I loved how this book was grounded in the real Victorian London and yet managed to incorporate gorgeously gothic supernatural elements as well as a love triangle involving well-drawn and believable characters. For me, the writing was what really drew me in and I have to admire anyone who can weave historical and fantastical elements as beautifully as this author.
In this hauntingly original debut novel about a young woman whose peculiar abilities help her infiltrate a mysterious secret society, Adam McOmber uses fantastical twists and dark turns to create a fast-paced, unforgettable story.
Young Jane Silverlake lives with her father in a crumbling family estate on the edge of Hampstead Heath. Jane has a secret—an unexplainable gift that allows her to see the souls of man-made objects—and this talent isolates her from the outside world. Her greatest joy is wandering the wild heath with her neighbors, Madeline and Nathan. But as the friends come of age, their idyll is…
I have loved the Regency for decades. I cut my teeth on it as a young reader, and it’s been exciting to see the genre expand to include all types of stories from manner-driven drawing room dramas that highlight the nuances of the era to seductive, sexy stories that simply take place during those years, to stories that draw heavily on the events of the era to design unique and exciting historical plots. The diversity within the genre reflects the diversity of life and experience during the Regency. I have tried to capture a little of each across the 70+ books I’ve written for Harlequin, Mills, and Boon and in my own reading.
This book is on my list because it combines classic Regency backdrops—picnics, estates, rambles by the river, and delicious tea trays—with a bit of intrigue that keeps the reader turning the page. Nathaniel, Duke of Rothaven, is hiding a dark secret, and where there’s one dark secret, there are likely a few more.
It’s all well and good until a woman comes along who tempts him to want a different life than the one he’s built to protect his brother and his family name. On the surface, this book is an excellent example of how to execute a story against a vivid Regency backdrop full of manners and social restriction, but it is also a look at critical human dilemmas that transcend the Regency, such as weighing personal happiness against the happiness of others.
This book demonstrates the nuances of the Regency in shaping the way one might have solved…
'Grace Burrowes is terrific!' Julia Quinn, Sunday Times bestselling author of the Bridgerton series
A difficult duke, a determined lady and too many secrets . . .
Nathaniel, Duke of Rothhaven, lives in seclusion, leaving his property only to gallop his demon-black steed across the moors by moonlight. Exasperated mamas invoke his name to frighten small children, though Nathaniel is truly a decent man - maybe too decent for his own good. That's precisely why he must turn away the beguiling woman demanding his help.
Lady Althea Wentworth has little patience for dukes, reclusive or otherwise, but she needs Rothhaven's…
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
This book takes the reader on a journey back into the mists of time. I was fascinated by how one house can hold so many secrets, that the author, Jane Mulvagh, unravels as she tells her tale. Madresfield was the inspiration for Evelyn Waugh’s famous fictional house Brideshead, although the real story is much more complex and interesting. Inspired by this book, I included Madresfield as one of the ten houses in my own book.
Madresfield Court is an arrestingly romantic stately home in the Malvern Hills in Worcestershire. It has been continuously owned and lived in by the same family, the Lygons, back to the time of the Domesday Book, and, unusually, remains in the family's hands to this day. Inside, it is a very private, unmistakably English, manor house; a lived-in family home where the bejewelled sits next to the threadbare. The house and the family were the real inspiration for Brideshead Revisited: Evelyn Waugh was a regular visitor, and based his story of the doomed Marchmain family on the Lygons. Never before…
I’ve been teaching “Writing Humor and Comedy” at Drexel University (where I’m an English professor) twice a year forever, and I’m proud (and still a little awed) that at least one of my students has gone on to have a successful humor-writing career. My very first publication was a satirical story back in 1996, and in more recent years, my humor has been published in The Oxford University Press Humor Reader, McSweeney’s, and Points in Case. Writing funny fiction is my main focus as a novelist, and my sequel, The Great American Betrayal, was named one of "The Best Comedy Books of 2022" by New York magazine's Vulture.com.
The Code of the Woostersmight be the best funny novel of them all. The all-knowing valet Jeeves and the hilarious narrator Bertram Wooster helped inspire the relationship in my novels between the coffeebot narrator Arjay and private investigator Frank Harken. Wodehouse’s plotting is superb and beyond clever, but it’s the prose—the playful and inventive sentences and paragraphs—that makes me come back to read this book again and again. A sample sentence: “He spoke with a certain what-is-it in his voice, and I could see that, if not actually disgruntled, he was far from being gruntled, so I tactfully changed the subject.”
Follow the adventures of Bertie Wooster and his gentleman's gentleman, Jeeves, in this stunning new edition of one of the greatest comic novels in the English language. When Aunt Dahlia demands that Bertie Wooster help her dupe an antique dealer into selling her an 18th-century cow-creamer. Dahlia trumps Bertie's objections by threatening to sever his standing invitation to her house for lunch, an unthinkable prospect given Bertie's devotion to the cooking of her chef, Anatole. A web of complications grows as Bertie's pal Gussie Fink-Nottle asks for counseling in the matter of his impending marriage to Madeline Bassett. It seems…
When recovering addict Mallory Quinn is
given the job of live-in nanny for a shy little boy who loves to draw, she soon
begins to notice that things aren't quite right.
Despite her employers'
generosity and her new surroundings in a picture-perfect upscale community, Mallory
senses that her young charge's parents are hiding something from her, something
that could turn out to be deadly.
I love mysteries, particularly those of
the paranoic, things-are-not-what-they-seem variety. Hidden Pictures kept me
guessing until the mind-blowing big reveal.
NATIONAL BESTSELLER · OPTIONED FOR NETFLIX BY A PRODUCER OF THE BATMAN
“I loved it." —Stephen King
From Edgar Award-finalist Jason Rekulak comes a wildly inventive spin on the supernatural thriller, for fans of Stranger Things and Riley Sager, about a woman working as a nanny for a young boy with strange and disturbing secrets.
Mallory Quinn is fresh out of rehab when she takes a job as a babysitter for Ted and Caroline Maxwell. She is to look after their five-year-old son, Teddy.
Mallory immediately loves it. She has her own living space, goes out for nightly runs, and…
