I was a quiet kid who had trouble understanding people. I preferred being on my own, exploring remnants of logging camps and abandoned mines in the woods that surrounded my small town. In archaeology, I found a way to improve my comprehension of humans and still go exploring the object world. For me, archaeology is not about the distant past, nor about a set of methods. Rather, it is a way of seeing the world. As I write, I try to help the reader train their own archaeological eye in order to re-calibrate their ideas about what is possible in the past, present, andfuture.
Archaeologists don't always focus on the distant past, and they don't always excavate. They comb the surface of landscapes, picking up material clues to human experiences that are often left undocumented. None more willfully buried in plain sight than the hardships of undocumented migrants trying to make it across the Sonoran desert and the brutal politics of the U.S.-Mexico border. With poignant photographs by collaborator Michael Wells, De Léon's account is unapologetically factual and deeply moving.
In his gripping and provocative debut, anthropologist Jason De Leon sheds light on one of the most pressing political issues of our time-the human consequences of US immigration policy. The Land of Open Graves reveals the suffering and deaths that occur daily in the Sonoran Desert of Arizona as thousands of undocumented migrants attempt to cross the border from Mexico into the United States. Drawing on the four major fields of anthropology, De Leon uses an innovative combination of ethnography, archaeology, linguistics, and forensic science to produce a scathing critique of "Prevention through Deterrence," the federal border enforcement policy that…
I became passionate about the Mexico/US border question after meeting someone who is now a close friend, a Mexican academic who introduced me to some of the issues. She helped me write Saint Death as a way to explore the politics of ultra-capitalism, in the form of multinational business, and the action of drug cartels.
For a closer look at the way drug cartels work, Wainwright suggests we need to think of them in terms of big business, for that is what, underneath the extreme violence and horror, they are.
What drug lords learned from big businessHow does a budding cartel boss succeed (and survive) in the 300 billion illegal drug business? By learning from the best, of course. From creating brand value to fine-tuning customer service, the folks running cartels have been attentive students of the strategy and tactics used by corporations such as Walmart, McDonald's, and Coca-Cola. And what can government learn to combat this scourge? By analyzing the cartels as companies, law enforcers might better understand how they work,and stop throwing away 100 billion a year in a futile effort to win the war" against this global,…
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, I’m lucky to love what I do—and so I enjoy most of what I read. But these books are special. They drew me in and wouldn’t let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
On the ground in courtrooms and jail cells when the Trump administration began separating migrant families, Efrén Olivares’s memoir is more than just the story of a lawyer fighting for his clients.
Olivares is also a migrant who knows what it’s like to have his family split apart by immigration laws. Read it for the play-by-play account of family separation in 2018 but enjoy it because in Olivares the future of migration breathes, walks, and fights back.
INTERNATIONAL LATINO BOOK AWARD WINNER - The Raul Yzaguirre Best Political/Current Affairs Book
This deeply personal perspective from a human rights lawyer—whose work on the front lines of the fight against family separations in South Texas intertwines with his own story of immigrating to the United States at thirteen—reframes the United States' history as a nation of immigrants but also a nation against immigrants.
In the summer of 2018, Efrén C. Olivares found himself representing hundreds of immigrant families when Zero Tolerance separated thousands of children from their parents at the U.S.-Mexico border. Twenty-five years earlier, he had been separated…
My writing career has been in middle grade and YA, but as a reader I’m always trying to branch out. When I was a kid, literature opened the door to the whole world, and as an adult, I’m still exploring. When I read work in translation I can feel the literary connection to other writers and thinkers and simultaneously appreciate the differences that arise through geographic and cultural heritage. I hope my selections here might help readers like myself who enjoy reaching out to new voices and places.
Translated from Spanish and 128 pages in length, Herrera’s short novel is a beautiful evocation of one woman's journey from Latin America to the US. Evoked with the brushstrokes of a fairy tale and suffused with a luminous surreality, the book has stuck with me. This is Herrera’s first novel to be published in English, and it has made quite a splash, giving me hope that more will soon follow.
Signs Preceding the End of the World is one of the most arresting novels to be published in Spanish in the last ten years. Yuri Herrera does not simply write about the border between Mexico and the United States and those who cross it. He explores the crossings and translations people make in their minds and language as they move from one country to another, especially when there's no going back. Traversing this lonely territory is Makina, a young woman who knows only too well how to survive in a violent, macho world. Leaving behind her life in Mexico to…
I was a political consultant for much of the first half of my nearly 30-year career in communications. Having run statewide and local political campaigns, I experienced many of the personalities I write about today. What is behind the political decisions elected leaders make? Can you truly be a dedicated public servant in politics today? If you only play to win, how do you keep from becoming your own worst enemy? My writing and the works I gravitate towards explore these challenging issues, which are as prevalent today as they were analyzed by the Greeks, Shakespeare, and 20th-century writers.
I am fascinated with the application of power and its intersection with business and politics.
Winslow’s expose on the Mexican drug cartels provides a real-life description of the tragedies of America’s longest war and the unexpected consequences. It is thought provoking as well as entertaining, opening up my own world to new thoughts on the realities of American intervention in South America to prevent the spread of Communism.
'Breathtaking' JEREMY CLARKSON 'Winslow's masterpiece (so far) ... should have a place on every crime freak's bookshelf. Superb' INDEPENDENT ON SUNDAY _______________________ A brilliant page-turning thriller of power and revenge on the front lines of the drug war.
Drug lord Miguel Angel Barrera is head of the Mexican drug federacion, responsible for millions of dollars worth of cocaine traffic into the US and the torture and murder of those who stand in its way. His nephew, Adan Barrera, is his worthy successor.
Art Keller is a US government operative, so determined to obtain revenge for a murdered colleague that his…
I have always been a seeker, fascinated by all cultures, philosophies, and spiritual perspectives. Although the concept is often different—for some, it’s a place of refuge, feeling safe or sheltered from pursuit, danger, or trouble; for others, it’s a state of being, an inner peace, I’ve found that the search for sanctuary—safe-haven—elsewhere—has ancient roots and contemporary reverberations. My novel, Guesthouse for Ganesha, further heightened my interest in this subject, for my protagonist, Esther Grünspan, both deeply wounded and unsafe, was compelled to seek sanctuary. As a first-time novelist with an 18-year journey to publication, I fully immersed myself in this topic’s study and comprehension.
In Debra Thomas’s compassionately rendered Luz, her protagonist’s (Alma) border crossing from Mexico into the United States is relayed in painful, harrowing, and often shocking detail. It is a powerful and, at times, difficult read. Yet an important one. I often forgot that this is a work of fiction, as the story Thomas so deftly portrays is all too common and all too real, especially for a resident of Southern California, which I am. However, it is one filled with hope and determination and the unwavering spirit of a young, passionate girl in search of answers.
Alma Cruz wishes her willful teenage daughter, Luz, could know the truth about her past, but there are things Luz can never know about the journey Alma took to the US to find her missing father.
In 2000-three years after the disappearance of her father, who left Oaxaca to work on farms in California-Alma sets out on a perilous trek north with her sister, Rosa. What happens once she reaches the US is a journey from despair to hope.
Timeless in its depiction of the depths of family devotion and the blaze of first love, Luz conveys, with compassion and…
I first came face to face with the expansive and unchecked authority of the Border Patrol about a decade ago when I was stopped five times in less than an hour while driving on a Texas country road. Could the Border Patrol really stop any vehicle they want without any reason whatsoever deep inside the United States? That day set me off on a journey through the borderlands and into the history of the Supreme Court in order to tell the untold story of how the Border Patrol became the most dangerous police force in the United States.
This one takes us back to the founding of the Border Patrol to look at its Wild West origins. The first agents were plucked from frontier law enforcement and the Texas Rangers, whose earlier tasks included slave patrols and the violent removal of Native Americans. Lytle Hernandez shows how those racist and violent origins shaped the practices of the early Border Patrol.
This is the untold history of the United States Border Patrol from its beginnings in 1924 as a small peripheral outfit to its emergence as a large professional police force. To tell this story, Kelly Lytle Hernandez dug through a gold mine of lost and unseen records stored in garages, closets, an abandoned factory, and in U.S. and Mexican archives. Focusing on the daily challenges of policing the borderlands and bringing to light unexpected partners and forgotten dynamics, "Migra!" reveals how the U.S. Border Patrol translated the mandate for comprehensive migration control into a project of policing Mexicans in the…
“Truth may be stranger than fiction, but fiction is truer.” Frederic Raphael. When I was a child, a relative often told stories of a cowboy gear clad cousin who visited our New York family from Texas and claimed he’d once served in Pancho Villa’s army. These tales were the spark that eventually led to Viva, Rose! and my interest in storytelling as well. There’s something about the combination of lived experience and fiction that I find irresistibly engaging and exciting. I’ve worked as a journalist, ghostwriter, and editor, but my happiest happy place is writing and reading stories birthed from a molten core of real life.
This book was inspired by the author’s family stories of the Mexican Revolution. When government armies destroy twelve-year-old Petra’s village and home, she’s forced to lead her grandmother, younger sister, and baby brother through the trackless desert to survive. They encounter kindly monks, ruthless federales, and a band of Villistas who want Petra to join them, but she never veers from her determination to take her family to safety and freedom. This is a powerful read, and I’m thankful and appreciative for the insight it offers into war’s effect on helpless citizens, and the enormous courage, strength, and determination required of every refugee forced to flee their homeland.
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, I’m lucky to love what I do—and so I enjoy most of what I read. But these books are special. They drew me in and wouldn’t let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
Much of “the line,” as Border Patrol agents and migrants sometimes call the border, is far from big cities and curious journalists. And a lot of what happens there, happens under cover of darkness or behind the secured doors of Border Patrol stations.
As a former Border Patrol agent, Cantú saw what happened when no one else was looking. His memoir shares it with the rest of us.
Shortlisted for the Orwell Prize for Political Writing 2019, an electrifying memoir from a Mexican-American US Border Patrol guard
'Stunningly good... The best thing I've read for ages' James Rebanks, author of The Shepherd's Life
Francisco Cantu was a US Border Patrol agent from 2008 to 2012.
In this extraordinary account, he describes his work in the desert along the Mexican border. He tracks humans through blistering days and frigid nights. He detains the exhausted and hauls in the dead. The line he is sworn to defend, however, begins to dissolve. Haunted by nightmares, Cantu abandons the Patrol for civilian…
For more than three
decades, since it won the National Book Award for Fiction, this classic has
been sitting unread on my shelf – out a woefully-misconstrued fear that I would
find it abstruse, even “precious.”
How abysmally, embarassingly wrong I have
been – and how thrilled I am to commend this elegaic, landscape-driven prose
poem to everyone who loves an impeccably-constructed masterpiece, its violence
transcendant, its young protagonist, John Grady Cole, stoic and enduring, its
spirit of place on the Southwest frontier tipping into Mexico replete with
beauty and tragedy.
John Grady Cole is the last bewildered survivor of long generations of Texas ranchers. Finding himself cut off from the only life he has ever wanted, he sets out for Mexico with his friend Lacey Rawlins. Befriending a third boy on the way, they find a country beyond their imagining: barren and beautiful, rugged yet cruelly civilized; a place where dreams are paid for in blood.
The first volume in McCarthy's legendary Border Trilogy, All The Pretty Horses is an acknowledged masterpiece and a grand love story: a novel about the passing of childhood, of innocence and a vanished American…
