Here are 100 books that Billy Bathgate fans have personally recommended if you like
Billy Bathgate.
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Though I was born in the U.S., I didn’t wind up living here full-time till I was almost 10. The result? I have always been curious about what it means to be an American. In one way or another, the books on my list explore that question. More than that, all (well, nearly all) insist that black history is inextricably intertwined with American history and that American culture is a mulatto culture, a fusion of black and white. After years of making my living as a journalist, editor, and book reviewer, I left newspapers to write fiction and non-fiction, exploring these and other questions.
Was the hero of F. Scott Fitzgerald’s American classic African-American?
A couple of academics have advanced that theory. I’m not sure I buy it. The notion (and supporting “evidence”) seems little more than a literary parlor game, not to mention the fact that nothing in Fitzgerald’s work or his letters shows a particular engagement with, or sympathy for, black Americans.
Still, it’s an interesting metaphor and the reason this seminal American novel appears in a list of what’s otherwise non-fiction. Gatsby’s yearning for his lost love could be an African-American yearning for a beloved country that does not always love them in return.
I first read this book in high school. It wasn’t until my second, third, and fourth re-reading that I began to appreciate Fitzgerald’s gift for story-telling and his evocative, poignant language. And to identify with Gatsby, the outsider craving to become an insider.
As the summer unfolds, Nick is drawn into Gatsby's world of luxury cars, speedboats and extravagant parties. But the more he hears about Gatsby - even from what Gatsby himself tells him - the less he seems to believe. Did he really go to Oxford University? Was Gatsby a hero in the war? Did he once kill a man? Nick recalls how he comes to know Gatsby and how he also enters the world of his cousin Daisy and her wealthy husband Tom. Does their money make them any happier? Do the stories all connect? Shall we come to know…
Two of my three novels have young women protagonists. I find young adulthood a fascinating time in women’s lives and I enjoy creating a character and putting her in a historical setting. The Second World War offers fertile ground for storytelling, and I grew up south of London after the war. My father’s unpublished memoir, in which he describes an event that he experienced in the war, inspired me to write about it, but I told the story through the eyes of the protagonist, Kate.
I loved the three-part format of this book divided by time periods. The first part, set in 1935, describes an event that took place on a hot summer day in the grounds of the family’s country house garden. It’s seen from the different perspectives of thirteen-year-old Briony and her older sister Cecelia. The story evolves from there in parts two and three in unpredictable and devastating ways.
I appreciated the book’s in-depth exploration of the power of a lie and the devastating consequences of that lie. This psychological study of adult Briony’s guilt and subsequent atonement eloquently depicts how war makes demands of even the most privileged citizens.
On the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a…
Growing up on a diet of The Godfather, The Sopranos, thrillers, and gangster novels, and living in New York City with eye-opening trips to Sicily, I became slightly obsessed with the Mafia. I came to see the American Mafia as a quintessentially American fabric, woven of family, power, immigrants, money, history, loyalty, legacy, and, yes, crime.
A history of the early 1960s in America, leading up to the assassination of JFK, seen through the eyes of the mobsters and criminals, crooked cops, spies, and sleazos who power the machines of history.
A comprehensive romp through the underbelly of American crime and politics (and you might, after reading this book, wonder what’s the difference), it’s a novel about characters you don’t like—but they’re vivid and fascinating.
Much more than a gritty gangster novel, it’s a tale about the people in history’s shadows, and, ultimately, history and the “never innocent” America itself.
The first novel in Ellroy's extraordinary Underworld USA Trilogy as featured on BBC Radio 4's A Good Read.
1958. America is about to emerge into a bright new age - an age that will last until the 1000 days of John F Kennedy's presidency.
Three men move beneath the glossy surface of power, men allied to the makers and shakers of the era. Pete Bondurant - Howard Hughes's right-hand man, Jimmy Hoffa's hitman. Kemper Boyd - employed by J Edgar Hoover to infiltrate the Kennedy clan. Ward Littell - a man seeking redemption in Bobby Kennedy's drive against organised crime.…
I am a former international banker and now a prize-winning author. My books take place in the financial world. However, my writing principle is that behind every crime is a family. In my thrillers, the crime amplifies the family dysfunction. My characters can only survive by growing and coming together. If you like character development, as well as the twists and turns of a good plot, you will like the novels that I recommend.
The Godfather portrays the classic conflict between loyalty to a family and the desire to escape it for a better life.
Michael is a former marine who wants to stay out of the crime business and have a normal relationship with his girlfriend. But family loyalty trumps principle when his father is attacked, his brother killed, and his wife in Italy murdered. It wonderfully shows his slow fall to unfeeling coldness as the price for avenging his family and protecting their empire.
The book has great and colorful characters, especially Don Corleone. He is fascinating because he offsets his violence with principle and a love for his family.
_________________________________ The classic novel that inspired 'the greatest crime film of all time'
Tyrant, blackmailer, racketeer, murderer - his influence reaches every level of American society. Meet Don Corleone, a friendly man, a just man, a reasonable man. The deadliest lord of the Cosa Nostra. The Godfather.
But no man can stay on top forever, not when he has enemies on both sides of the law. As the ageing Vito Corleone nears the end of a long life of crime, his sons must step up to manage the family business. Sonny Corleone is an old hand, while World War II…
Since I began reading seriously (albeit late in life!), I’ve been seduced by the travails of underdog protagonists trying to save their own lives through transformation. If you had told me when I was a teenager—drinking too much, racing muscle cars, and scraping by with Ds and Cs in a vocational high school—that I would end up teaching writing at a university, I would’ve said you were nuts. It wasn’t until I started college in my mid-twenties that I actually read a novel for the pleasure of it. My novel and short story collection are expressions of my cheering on the young underdogs who bravely fight to change their worlds despite all odds.
Celebrated author and Stanford professor Tobias Wolff recounts his perilous teenage years in the 1950s Pacific Northwest. Clever, conniving Toby (self-named Jack Wolff) will do whatever it takes to reinvent himself in a memoir full of larger-than-life characters, thrilling events, emotional rollercoasters of betrayals, broken dreams, and hard-won triumphs, all conveyed in prose so lucid that the book has been college assigned for its poetic honesty at the sentence level for decades. Guaranteed you’ll be floored by what it takes for Wolff to ultimately transcend the merciless circumstances of his life.
The 30th anniversary edition of Tobias Wolff's "extraordinary memoir" (SF Chronicle), now with a new introduction by the author.
Thirty years ago Tobias Wolff wrote a memoir that changed the form. The “unforgettable” (Time) This Boy’s Life is the story of the young, tough-on-the-outside but vulnerable Toby Wolff. Separated by divorce from his father and brother, Toby and his mother travel from Florida to Utah to a small village in Washington state, with many stops along the way. As each place doesn’t quite work out, they pick up to find somewhere new. In…
Flannery O’Connor once said that all fiction is ultimately about the “mystery of personality.” I agree. In fact, I have always suspected that all good novels, genre-based or otherwise, are secretly mystery novels, if only in the psychological sense. Conversely, many so-called genre novels have just as much depth, insight, and realism as any literary work. I have read a lot of genre and literary fiction in my time, and I have long been fascinated by works that blur the line between the two. My favorite kind of book is one that feels like a genre novel (that is, it has a great plot) but also has the depth and vividness of a literary novel.
What I really love about this novel is the voice of the main character, Ezekial “Easy” Rollins. Easy is not your typical P.I. A recently fired machinist in post-war Los Angeles, he’s just a guy trying to pay his bills. But he’s also a black man from the South trying to survive in a white, west-coast world. When a white gangster hires him to find a missing girl, Easy senses that he’s in extreme danger, but he has no choice but to take the job.
Told in the first-person, this book captures all of Easy’s doubt, dread, and defiance as he unravels the mystery.
Devil in a Blue Dress honors the tradition of the classic American detective novel by bestowing on it a vivid social canvas and the freshest new voice in crime writing in years, mixing the hard-boiled poetry of Raymond Chandler with the racial realism of Richard Wright to explosive effect.
I was raised to believe that I could do everything a man could do, just as Ginger Rodgers did, “backwards and in high heels.” My discovery that social expectations and boundaries for women were vastly different than those for men came as an enormous shock, and struck me as deeply, tragically unfair. I take strength from women in history, as well as from fictional female characters, who passionately pursue roles in a man’s world that are considered transgressive or forbidden. As a glass-ceiling-shattering female film and television director I take inspiration from women who have the gritty determination to live on their own terms. And then tell it as they lived it.
This novel’s power remains intact every time I read it, even as the nature of the tragedy seems to shift – from the perils of living by one’s looks (my teenage reading) to the cruelty of the world towards women (my young adult reading) to the struggle for personal freedom in a money-obsessed culture (my more recent readings).
Edith Wharton’s novel is a masterpiece, both electrifying and relevant, and worth re-reading as often as possible.
Once you finish the book, watch the Terence Davies-directed film, starring the luminous Gillian Anderson as Lily Bart.
A bestseller when it was published nearly a century ago, this literary classic established Edith Wharton as one of the most important American writers in the twentieth century-now with a new introduction from Pulitzer Prize-winning author Jennifer Egan.
Wharton's first literary success-a devastatingly accurate portrait of New York's aristocracy at the turn of the century-is considered by many to be her most important novel, and Lily Bart, her most unforgettable character. Impoverished but well-born, the beautiful and beguiling Lily realizes a secure future depends on her acquiring a wealthy husband. But with her romantic indiscretion, gambling debts, and a maelstrom…
Since I began reading seriously (albeit late in life!), I’ve been seduced by the travails of underdog protagonists trying to save their own lives through transformation. If you had told me when I was a teenager—drinking too much, racing muscle cars, and scraping by with Ds and Cs in a vocational high school—that I would end up teaching writing at a university, I would’ve said you were nuts. It wasn’t until I started college in my mid-twenties that I actually read a novel for the pleasure of it. My novel and short story collection are expressions of my cheering on the young underdogs who bravely fight to change their worlds despite all odds.
In a heartfelt story of redemption, Deanna Lambert was labeled the school slut after her father caught her having car sex with a high school boy. Unforgiven and dejected in a smothering, gossip-fueled small town, Deanna faces the people she least wants to face in a moving attempt to outlive her past, with no help offered by her dysfunctional parents and a sister overwhelmed with young motherhood. I loved the gorgeous realism of this book, fueled by the deep intimacy Zarr creates with her sincere, frank-hearted, narrator.
Sara Zarr's lyrical debut novel--a National Book Award finalist--has been adapted for TV!
I was thirteen when my dad caught me with Tommy Webber in the back of Tommy's Buick. Tommy was seventeen and the supposed friend of my brother, Darren.
I'm not sure I even liked him.
In a moment, Deanna Lambert's teenage life is changed forever. Struggling to overcome the lasting repercussions and the stifling role of "school slut," Deanna longs to escape a life defined by her past. With subtle grace, complicated wisdom, and striking emotion, Story of a Girl reminds us of our human capacity for…
I am the author of the Will Anderson Detroit mystery series, which began with The Detroit Electric Scheme. I love vivid novels, those that pull me inside the pages and into the story. My interests balance between crime, historical fiction, and literary fiction. In short, I like a good story, and I don’t much care what label is placed on it. I live in Michigan with my wife and a pair of reasonably friendly cats.
Ace Atkins has written a number of excellent historical crime novels based on true stories, andDevil’s Gardenis my favorite of the bunch.
The 1921 murder trial of Roscoe “Fatty” Arbuckle created headlines around the world, and Devil’s Garden illustrates the fall from grace of one of Hollywood’s biggest stars. Atkins brings to life Prohibition-era Hollywood, real-life Pinkerton operative Dashiell Hammett who investigates the murder, William Randolph Hearst, actress Marion Davies, and a large cast of grifters, B-girls, politicians, and hangers-on revolving around Fatty’s trial for the murder of actress Virginia Rappe.
From the New York Times bestselling author of the Quinn Colson series comes a noir crime classic about one of the most notorious trials in American history.
San Francisco, September 1921: Silent-screen comedy star Roscoe “Fatty” Arbuckle is throwing a wild party in his suite at the St. Francis Hotel-girls, jazz, bootleg hooch...and a dead actress named Virginia Rappe.
The D.A. says it was Arbuckle who killed her—crushed her under his weight—and brings him up on manslaughter charges. William Randolph Hearst's newspapers stir up the public and demand a guilty verdict.
In desperation, Arbuckle's defense team hires an operative from…
Crime fiction, true crime, mystery, and suspense books allow us to brush up against the worst society has to offer without getting hurt. There’s a lot to be said for vicarious thrills, isn’t there. I am just a simple man telling simple stories about good vs. evil. And sometimes, in my stories, fiction or not, the bad guys win. But I do love telling stories, and when I find a good one, I can’t wait to tell you aboutit. That’s what I have done here.
You have to love this book if only because the author, Loren D. Estleman, pounded out the words on a manual typewriter. Why would he do that in the 21st century? So he can keep working during power outages, that’s why.
There’s not a single one of Estleman’s books or stories I would not recommend. However, I chose Whiskey River for this review because it is historical crime fiction, taking place in the days of Prohibition.
Whiskey River is the story of a young, ambitious reporter who risks his life to expose police and city hall corruption.
As always, Estleman brings his characters and settings to life in a way few others can.
In Detroit in 1925 prohibition has been in force for a year longer than the rest of the States, police corruption is so rampant no-one notices the stench in City Hall. Into this scene comes Constantine Minor, a young and ambitious reporter. The author has twice won the Shamus Award.
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