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Of all my university courses, the one that had the greatest impact on me was called "Informal Logic." Accurate, but misleadingly dry and academic. One of the assignments in that course—and the one I remember most, of all my university assignments—was to prepare a "Crapbook": a collection of ten bits of crap—ads, arguments, whatever—that were full of crap (essentially, incorrect reasoning/logical fallacies). I loved it. So when, twenty years later, I was hired by a small university to teach Critical Thinking …
Most people are led through life by their feelings. Feelings are fine, they enrich our lives, but as the sole guide for making decisions, they fall short. Ruggiero, a huge name in critical thinking, starts from this point, the point of being led by our feelings. And that alone makes this a very good guide to critical thinking.
This succinct, interdisciplinary introduction to critical thinking successfully dares students to question their own assumptions and to enlarge their thinking through the analysis of the most common problems associated with everyday reasoning. The text offers a unique and effective organization: Part I explains the fundamental concepts; Part II describes the most common barriers to critical thinking; Part III offers strategies for overcoming those barriers.
Of all my university courses, the one that had the greatest impact on me was called "Informal Logic." Accurate, but misleadingly dry and academic. One of the assignments in that course—and the one I remember most, of all my university assignments—was to prepare a "Crapbook": a collection of ten bits of crap—ads, arguments, whatever—that were full of crap (essentially, incorrect reasoning/logical fallacies). I loved it. So when, twenty years later, I was hired by a small university to teach Critical Thinking …
There are many critical thinking/informal logic books that focus exclusively (or mainly) on fallacies, and although that's not all there is to critical thinking, and although it encourages an adversarial approach ("Let me tell you what mistakes you're making"), it is good to have at least one such book on hand. I like Engel's book because of its classification system (fallacies of ambiguity, fallacies of presumption, fallacies of relevance), because of its clarity, and because of its many illustrations and exercises.
Providing a concise introduction to informal logic, With Good Reason offers comprehensive coverage of informal fallacies along with an abundance of engaging examples of both well-conceived and faulty arguments, helping you gain proficiency in identifing, correcting, and avoiding common errors in argumentation.
Of all my university courses, the one that had the greatest impact on me was called "Informal Logic." Accurate, but misleadingly dry and academic. One of the assignments in that course—and the one I remember most, of all my university assignments—was to prepare a "Crapbook": a collection of ten bits of crap—ads, arguments, whatever—that were full of crap (essentially, incorrect reasoning/logical fallacies). I loved it. So when, twenty years later, I was hired by a small university to teach Critical Thinking …
What can I say? Logic and Mr. Limbaugh is a crapbook (see my introduction) dedicated exclusively to Rush Limbaugh. Although dated (1995), this little book is extremely engaging, entertaining, and enlightening. And applicable to all the other Rush Limbaughs out there, past, present, and future. (Might there be a Logic and Mr. Trump manuscript-in-progress?)
Logic and Mr. Limbaugh is both an entertaining introduction to the elements of logic and a serious critique of the practical logic of a major conservative propagandist. Professor Perkins takes 50 examples of logical reasoning from Rush's statements, identifies the logical arguments, and points out fallacies.
Of all my university courses, the one that had the greatest impact on me was called "Informal Logic." Accurate, but misleadingly dry and academic. One of the assignments in that course—and the one I remember most, of all my university assignments—was to prepare a "Crapbook": a collection of ten bits of crap—ads, arguments, whatever—that were full of crap (essentially, incorrect reasoning/logical fallacies). I loved it. So when, twenty years later, I was hired by a small university to teach Critical Thinking …
I initially thought McElroy's title referred to the counterargument to 'the reasonable man' standard in legal reasoning—the view that, given the sexism in our society, what is reasonable for a man to think is not the same as what is reasonable for a woman to think (classic example: it's reasonable for a woman to think that a man who is following her may have assault in mind; a man who is similarly followed might reasonably think the man wants to ask for directions). However, re-reading the preface, I see that she is responding to, and rejecting, the view that women are unreasonable. Excellent! Not only is this book a good guide to critical thinking, it has the added value of being "framed for women" (Joan Kennedy Taylor).
Have you, as a woman, ever felt frustrated while engaged in a discussion on some important topic? Do you feel constrained when attempting to express your ideas and views to others? Do you find yourself at a loss for words? Have you been labeled "unreasonable" by the men in your life? Have you been told you are too emotional or that women just tend to be that way? Well, help is on the way!
Wendy McElroy has broken through the wall of sexual stereotyping to offer the perfect guide to help women recognize their mental power, learn to reason effectively,…
I am a storyteller and I conceived The Life of Crime as the ‘life story’ of a fascinating and truly diverse genre. I’ve always been intrigued by the ups and downs of literary lives, and the book explores the rollercoaster careers of writers from across the world. The chapter endnotes contain masses of trivia and information, as well as some original research, that I hope readers will find enjoyable as well as interesting. But The Life ofCrimeisn’t an academic text. It’s a love letter to a genre that I’ve adored for as long as I can remember.
During my twenties, I supplemented my understanding of crime writers past and present by studying the essays, bibliographies, and authors’ comments in this weighty tome. It’s a first-rate reference book, packed with information. Reilly was responsible for the first two editions and I was delighted to be asked to contribute essays myself to the third and fourth editions.
Twentieth-Century Crime Fiction aims to enhance understanding of one of the most popular forms of genre fiction by examining a wide variety of the detective and crime fiction produced in Britain and America during the twentieth century. It will be of interest to anyone who enjoys reading crime fiction but is specifically designed with the needs of students in mind. It introduces different theoretical approaches to crime fiction (e.g., formalist, historicist, psychoanalytic, postcolonial, feminist) and will be a useful supplement to a range of crime fiction courses, whether they focus on historical contexts, ideological shifts, the emergence of sub-genres, or…
William J. Buxton is Distinguished Professor Emeritus of Communication Studies and Senior Fellow, Centre for Sensory Studies, at Concordia University Montreal, Qc, Canada. He is also professeur associé au Département d’information et de communication de l’Université Laval, Québec City, Québec, Canada. He has edited and co-edited five books related to the life and works of the Canadian political economist and media theorist, Harold Adams Innis.
Largely recognized as McLuhan’s first major work, this book provides a trenchant analysis of 1940’s popular culture in the United States, with particular reference to print-media advertising. To this end, it consists of x chapters, each of which consists of an image culled from newspapers and magazines, accompanied by an insightful—and often ironic—text. Dismissed by some as lacking in direction and coherence, the book actually has a tightly woven narrative that sheds considerable light on the gender issues, technology, and power structures of the day.
OURS is the first age in wruch many thousands of the best-trained individual minds have made it a full-time business to get inside the collective public mind. To get inside in order to manipulate, exploit, control is the object now. And to generate heat not light is the intention. To keep everybody in the helpless state engendered by prolonged mental rutting is the effect of many ads and much entertainment alike. Since so many minds are engaged in bringing about this condition of public helplessness, and since these programs of commercial education are so much more expensive and influential than…
After my dad died, I didn’t know where to turn. People felt uncomfortable talking to a seventeen-year-old girl about her dead dad. They felt even more uncomfortable talking to me about it one, two, ten years later. Still, I couldn’t, can’t, stop thinking about it. I turned, then, to books. These books made and make me feel seen. They aren’t about “moving on” or “letting go” but the ways in which leaning into grief’s deep well connects us to love’s true depths. These books are honest and pure, and if you don’t know what to say to a friend who’s mourning, let these authors speak for you.
Hua Hsu’s book also
questions linear time. His memoir considers the folded nature of time, the way
the past and the future are embedded in the present.
He walks us through the
story of his college friendship with Ken, beginning with his own parents,
carrying through Ken’s killing, and into the years after. A meticulous portrait
of Hsu, Ken, and what they meant to each other, the book’s investigation of
grief overturns the notion of narrative sense.
If there is no tidy linear
narrative to the story, no rising action, falling action, or denouement, how,
then, do we understand loss?
PULITZER PRIZE WINNER • NEW YORK TIMES BESTSELLER • A gripping memoir on friendship, grief, the search for self, and the solace that can be found through art, by the New Yorker staff writer Hua Hsu
“This book is exquisite and excruciating and I will be thinking about it for years and years to come.” —Rachel Kushner, New York Times bestselling author of The Flamethrowers and The Mars Room
In the eyes of eighteen-year-old Hua Hsu, the problem with Ken—with his passion for Dave Matthews, Abercrombie & Fitch, and his fraternity—is that he is exactly like everyone else. Ken, whose…
Doug Walsh is the author of over one hundred officially licensed video game strategy guides for BradyGames and Prima Games. From Diablo to Zelda, his work covered nearly every major gaming franchise for two decades.
It is impossible to talk about gaming without mentioning the influence Japanese culture has had on the pastime. Specifically, Nintendo. This collection of essays and photos offers an anthropologist’s view to the Kansai region of Western Japan, and helps gamers (and travelers) understand the complex culture in which Nintendo is based.
In Kansai Cool anthropologist, writer and filmmaker Christal Whelan offers profound insights in the only collection of essays to focus on Kansai, Japan's ancient heartland. Kansai ; the region in Western Japan that boasts the ancient capitals of Kyoto and Nara, the bustling commercial city of Osaka and the cosmopolitan port city of Kobe ; has a character all its own, right down to its dialect, mannerisms, and cuisine. It is home to some of Japan's oldest history and an area where the country's most time-honored arts and crafts still thrive. Worldly and otherworldly, spirited and spiritual, trendy and traditional,…
I fell in love with Paris when I first went there and walked the streets for hours. It wasn’t the Haussman boulevards or the Eiffel Tower that captured my imagination, beautiful as they are. Rather, it was the older quarters and hidden corners that fascinated me. I wanted to know who lived there and what their lives were like. When I got the chance to do a PhD, that’s what I chose. After years in the different Paris archives, I still never get tired of uncovering their secrets. I’ve written four books about Paris and have plans for more!
A wonderful evocation of many aspects of everyday life in Europe’s 2nd biggest city. Who were “the people” and where were they in the social hierarchy? This book looks at the beginnings of a consumer culture: what did ordinary families earn and what did this enable them to buy. Where and how did they live? How did working Parisians dress, what did they read, how did they spend their holidays? It’s all there!
In his collective portrait of the common people, Roche offers a rich and fascinating description of their lives--their housing, food, dress, financial dealings, literature, domestic life, and leisure time. Roche's highly readable style and use of contemporary quotations enliven the reader's view of eighteenth-century Paris and Parisians.
I’ve always been fascinated by monsters. Growing up I saw television shows and read books about famous ones like Bigfoot and Nessie, and always wanted to search for them and discover the truth. That led me to a degree in psychology to learn about human cognition and perception, and a career in folklore to understand how legends and rumors spread. But I also wanted field experience, and spent time at Loch Ness, in Canadian woods said to house Sasquatch, to the Amazon, Sahara, and the jungles of Central America looking for the chupacabra. Along the way became an author, writing books including Tracking the Chupacabra, Lake Monster Mysteries, Big—If True, and Investigating Ghosts.
There are many terrifying monsters, but few were as feared as the beast of Gévaudan, which terrorized the French countryside in the 1760s.
Said to be, variously, a werewolf, a dog-hybrid, a hyena, or some unknown beast, it was blamed for killing many dozens of villagers. The French government sent top hunters to kill the beast, and conspiracy theories ran rampant. I recommend Monsters of the Gevaudan because I love the way it blends history, folklore, and investigation into a compelling mystery.
Don’t believe the mystery-mongering TV shows offering wild theories: the truth is in this book—and it’s stranger than fiction.
In a brilliant, original rendition, Monsters of the Gevaudan revisits a spellbinding French tale that has captivated imaginations for over two hundred years, and offers the definitive explanation of the strange events that underlie this timeless story.
In 1764 a peasant girl was killed and partially eaten while tending a flock of sheep. Eventually, over a hundred victims fell prey to a mysterious creature, or creatures, whose cunning and deadly efficiency terrorized the region and mesmerized Europe. The fearsome aggressor quickly took on mythic status, and the beast of the Gevaudan passed into French folklore.
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