I'm a British writer, (though I now live and work in California) and a Stanford professor who is passionate about helping everyone know they have endless potential and that math is a subject of creativity, connections, and beautiful ideas. I spend time battling against math elitism, systemic racism, and the other barriers that have stopped women and people of color from going forward in STEM. I am the cofounder of youcubed, a site that inspires millions of educators and their students, with creative mathematics and mindset messages. I've also made a math app, designed to help students feel good about struggling, called Struggly.com. I love to write books that help people develop their mathematical superpowers!
I love all of Eugenia’s books, she is a cool mathematician working to educate the public about real mathematics – a subject of deep explorations and connected ideas.
Eugenia shares the creativity in mathematics, and the importance of pushing against boundaries, including the gender boundaries that often stop girls and women going forward in STEM. Her playful use of mathematical ideas to disrupt the myths of narrow and inequitable mathematics and the dominance of men in the field, is so fascinating, especially for those of us perturbed by the inequities in STEM.
This is a great book for those who would like to love mathematics a little more than they do now.
One of the world’s most creative mathematicians offers a new way to look at math—focusing on questions, not answers
Where do we learn math: From rules in a textbook? From logic and deduction? Not really, according to mathematician Eugenia Cheng: we learn it from human curiosity—most importantly, from asking questions. This may come as a surprise to those who think that math is about finding the one right answer, or those who were told that the “dumb” question they asked just proved they were bad at math. But Cheng shows why people who ask questions like “Why does 1 +…
I'm an ordinary person who was able to achieve an extraordinary life for myself. My parents, who currently do not own a home, have always struggled to make ends meet. When I left the US Army at 23 with only $3,000 in savings, I quickly spent it while trying to adjust to civilian life in a foreign country. With a limited college education, I turned to books for inspiration. These books provided me with insights into the details behind success stories and changed my mindset. I was motivated to write my own book, Know Money No Problem, to pay it forward and help others achieve their own version of success.
While Don't Worry Make Money may not have been a driving force, it served as a confirmation of my approach to success. This quick read should be the foundation for anyone looking to achieve a better life.
The book is not only enjoyable but also provides a logical path to success. It motivates readers by offering great insights into what truly matters and what doesn't.
To be honest, if you're short on time, just review the table of contents. It reads like a recipe for achieving the American dream. Richard lays out 100 entries that serve as a step-by-step guide to success.
Now in paperback--the #1 "New York Times" bestseller that offers revolutionary strategies for making more while worrying less. Filled with unique, refreshing ideas to spark the interest of even the most overworked business person, this handy guide presents life-changing wisdom to use at home and at the office.
I don’t believe in ghosts, but fascination with the supernatural has been with me since childhood, my inquiring mind constantly seeking answers. Research through books and documentaries and talking to people on the subject leads me to conclude there has to be a scientific and rational explanation for every paranormal happening. Theories abound, none are conclusive, but one accepted theory stands out, and this is explored and expanded upon in my novel White Stones. The books chosen here are excellent examples in the world of the supernatural and paranormal and are worth reading whether you believe in ghosts or not. Some just might make you change your mind.
This book by real-life ghost hunter Peter Underwood is an amazing attempt to demystify some of the most famous haunted sites across the globe, seeking out evidence, personal and witness experiences in an attempt to explain the inexplicable. In many cases he comes up with possible answers, often using the excuse of mental instability in those witnesses to prove his argument. For me, many of his conclusions were not convincing enough, this paucity of believable truth inspiring my own research and desire to debunk the whole concept of ghosts and hauntings. From it, I have learned that though most occurrences can be explained away, there is still much in this world that defies rational logic.
In this fascinating account of the best-attested cases of haunting - Hampton Court, the demon drummer of Bedworth, the Wesley ghost, Glamis, Borley Rectory and many others - Britain's foremost ghost-hunter has brought to light a wealth of valuable new evidence. Using the results of his many years of research and personal investigation into ghosts and hauntings, and providing detailed plans and original photographs, Peter Underwood puts forward some exciting and startling theories which will radically change our ideas about these hauntings.
Many hauntings can be explained without resorting to the supernatural or the paranormal. The author shows indisputable evidence…
This
is a Korean thriller about a killer who never meets his victims. Instead, he
devises elegant solutions for what he regards as ‘restructuring’ on behalf of
The Company.
He creates deaths which are untimely, but never suspicious. I
found the premise intriguing, and it is written with a cold logic that almost
makes killing seem acceptable.
But then it all starts to go wrong for the
consultant when he is told to kill someone he knows. It is darkly funny, but
also a telling commentary on capitalism.
Understanding the world is important for everyone. For me, it takes the form of analyzing colorful images and artifacts in the built environment. In the broad traditions of the global northwest, color is regarded as deceptive and unreliable. For centuries now, and throughout disparate media and technical systems, color has had to maintain this secondary, subordinate status as “other,” linked to falsity, manipulation, and deceit or, to quote David Batchelor, “some ‘foreign’ body". In my work, I argue that we have all inherited this tradition in the global northwest, fetishizing color as both excessive and yet indispensable in its capacity to retroactively confirm the sanctity of what it is not.
Fredric Jameson’s Postmodernism, or The Cultural Logic of Late Capitalism was one of the first accounts of “postmodern aesthetics” and why it continues to matter today.
Circa 1990, Jameson showed how a new age of high-tech and transnational corporations fundamentally transformed how we create and experience art, design, and aesthetics.
Now in paperback, Fredric Jameson's most wide-ranging work seeks to crystalize a definition of "postmodernism". Jameson's inquiry looks at the postmodern across a wide landscape, from "high" art to "low" from market ideology to architecture, from painting to "punk" film, from video art to literature.
I am the author of ten collections of microfiction and poetry. I came to microfiction after having written several novels and short story collections. I just felt that I was saying more than I wanted to say. Microfiction has allowed me to completely distill my stories to the essence of what makes them tick. Of the 26 books I have written, the microfiction collections are my favorites because every word and idea is carefully measured. I am presently working on my next collection of microfiction and have no immediate plans to return to writing at longer lengths. Oddly, writing small has freed me up so I can experiment with various genres, structures, and ideas. I honestly feel microfiction has made me a much better writer.
It was hard to settle on a single book by Shua, who is widely considered the “Queen of South American Microfiction,” because her work is just so good. Without a Net is one of her two microfiction collections translated into English. This one deals with characters from circuses and carnivals and is an astonishing collection of microfiction. Each carefully chosen word resonates and illustrates the power of the form. This is a book I would want to have with me if I could only take one book with me on a weeks-long trip.
Fiction. Latino/Latina Studies. Translated from the Spanish by Steven J. Stewart. "Ana María Shua's microfictions reveal oneiric universes, multiform realties, secret worlds with the unlikely coherence of the absurd, the amorphous logic of the imagination. They are characterized by the most unique form of concise language and the omnipresence of humor."—Raúl Brasca
My entire life I’ve been a historian, a treasure hunter, and a crime solver, which is likely why I became a broadcast journalist and investigative reporter. Having worked cases, worked with police, and asked the questions I believe the public wanted answered, there isn’t much which gets by me. I see every story as a movie and every scene in life as a story that needs telling. One of my passions has always been genealogy which fits right into all of the above. I live by a simple saying, “Be a student of history, not a victim of it.”
It truly is a diary, and it rests in the local county museum in rural Pennsylvania. Being a Pennsylvanian myself, I was fascinated to read this Civil War account of a foot soldier who came back alive and lived to a ripe old age as a local businessman. Bull’s story really does read like a movie script and I plan at some point to do exactly that with it. The story of courage and the logic he uses to get through each day as a soldier, wanting nothing more than to do his duty and to return home.
Most of my books (101 Philosophy Problems, Wittgenstein's Beetle, Critical Thinking for Dummies, and so on) are on thinking skills, in the broad sense. However, I'm always a bit uncomfortable when I'm presented as an expert on thinking, as people tend to imagine I must have some brainy strategies for thinking better when my interest is also in the ways we "think badly." Because logic is really a blunt tool, compared to the brilliant insights that come with intuition. Yet how do you train your intuition? So the books I've chosen here are all ones that I've found don't so much tell you how to think, but actually get you thinking. And that's always been my aim in my books too.
This is the book that got me thinking about thought experiments. It really opened up my eyes to a whole new way of thinking – mainly by introducing me to the wonderfully playful, indeed modern style of writing that Galileo used to present his groundbreaking scientific theories – way back in seventeenth-century Italy!
Sorenson is a philosophy professor and goes on a bit, but his book was also groundbreaking in a way. My own books owe him a debt and for scholarly types, he also suggests a general theory "of"thought experiments: meaning what they are, how they work, and what is good - and bad - about them.
In this book, Roy Sorensen presents the first general theory of the thought experiment. He analyses a wide variety of thought experiments, ranging from aesthetics to zoology, and explores what thought experiments are, how they work, and what their positive and negative aspects are. Sorensen also sets his theory within an evolutionary framework and integrates recent advances in experimental psychology and the history of science.
Of all my university courses, the one that had the greatest impact on me was called "Informal Logic." Accurate, but misleadingly dry and academic. One of the assignments in that course—and the one I remember most, of all my university assignments—was to prepare a "Crapbook": a collection of ten bits of crap—ads, arguments, whatever—that were full of crap (essentially, incorrect reasoning/logical fallacies). I loved it. So when, twenty years later, I was hired by a small university to teach Critical Thinking …
Although many critical thinking texts include some analysis of bits from popular culture, I wanted to include this book on my list because, as its title indicates, it focuses on popular culture—which is good because most of us immerse ourselves in popular culture and so it influences our thinking in a huge way. There's a whole chapter. There's a whole chapter dedicated to "Analyzing American Television," another dedicated to "American Advertising and the Subtle Art of Manipulation," and one dedicated to "Popular Culture in Speeches."
Alex Hillman is always thinking about the intersection of people, relationships, trust, and business. He’s an author, educator, and community builder. These days, he splits his time between operating Indy Hall, which is one of the oldest coworking spaces in the world; teaching creative people how to bootstrap their own businesses at Stacking the Bricks; and collaborating with people and organizations towards the goal of helping 10,000 people become sustainably independent by 2029.
The most insidious mistakes we make are the ones we didn’t even realize we were making. This short book brilliantly shines a light on the thousands of “invisible” choices that we make in our work and our lives, but more importantly, the author guides us on how to begin correcting them.
Using examples and case studies, author David Dylan Thomas helps you bring awareness to three lenses of bias that are guaranteed to be affecting your work: how biases impact our own individual experiences and choices, how they wiggle their way into our teams and leadership structures, and how they get wired directly into the products and services we deliver.
If you care about creating long-lasting and equitable results with your work, you need to read this book.
We humans are messy, illogical creatures who like to imagine we’re in control—but we blithely let our biases lead us astray. In Design for Cognitive Bias, David Dylan Thomas lays bare the irrational forces that shape our everyday decisions and, inevitably, inform the experiences we craft. Once we grasp the logic powering these forces, we stand a fighting chance of confronting them, tempering them, and even harnessing them for good. Come along on a whirlwind tour of the cognitive biases that encroach on our lives and our work, and learn to start designing more consciously.
