74 books like Mystic River

I was first drawn to Capote’s book because it’s an amazing hybrid—a page-turning, true crime story about the Clutter family murders in Kansas that reads like fiction. Capote and I are both products of the Deep South, so I knew to expect lyrical writing and rich details, two elements I treasure in a novel.

When I drive from my home to visit my son in Florida, I go through Monroeville, Alabama, where Capote grew up next door to Harper Lee (To Kill a Mockingbird), and I think of how she helped him interview friends of the victims and watched him almost lose his soul as he interviewed the killers.

Those interviews are the beating heart that sucked me into the story and ensured this novel would become a classic.  

I love historical fiction, especially when authors throw in a touch of crime. So, that’s what first drew me to this book.

What kept me reading and what made me rank this novel so highly is the gradual unlayering of the main character as the story progresses. Sure, Kya is a victim and a survivor, but she is so much more, and she is capable of more than I could have anticipated. As in some of my other favorite novels, it’s that loyalty to human nature, the understanding that circumstances can make good choices wrong and poor choices right, that pulled me in.

If I had known the ending when I started the book, I might not have believed it possible, but Delia Owens made it work.

In addition to eerily anticipating the COVID-19 pandemic—thankfully, our pathogen was not nearly as virulent and lethal—this post-apocalyptic novel offers interesting commentary about airports as microcosms of society.

The airport that figures prominently here is the gateway to and manifestation of a “secure” society structured as much by those it excludes as by those it includes. It is also the archive of a society defined, for better and for worse, by its relationship to technology. 

Folks daunted at the prospect of jumping in to a longer series will be delighted to know that this is just a standalone novel. In fact, it was the only novel Walter M. Miller, Jr. wrote in his lifetime. There is a posthumously published sequel to this novel, but it was completed by another writer and is generally considered the lesser work, and at any rate, Canticle stands on its own. This is a post-apocalyptic novel, set after a nuclear war in the 1960s wiped out civilization. It takes place over the course of centuries, and follows a small Roman Catholic monastery in the American southwest as they struggle to preserve documents from before the bombs destroyed everything—scientific knowledge, mostly, knowledge the poor monks can’t even begin to understand.

This is one of the most beautifully written novels in the genre’s history, and one that—though I’ve only read it two… show more.

 When I find a book with wonderful, relatable characters, I’m hooked. Add a villain unlike any I’ve ever read, and I can’t put it down. Put me in the villain’s point of view, and I’ll lose sleep to find out why he’s so evil.

I raced through it the first time, then read it twice more to savor every detail. I even kept a record of how many points of view Harris used to make his story so spectacular!

He’s a splendid writer, and I always admire that. Silence of the Lambs is timeless, digs into the heart and soul of its characters, and is so well-written that it rises out of the thriller genre and ranks among the best books I’ve ever read.

I recommend this book because of its overriding sense of menace despite the fact it refers to a somewhat mundane topic. I have read this book many times and am in awe of it every single time I pick it up, becoming engrossed immediately and unable to put it down.

The writing is superb, and the characters are ordinary, believable, and hard to get out of your head, as is the explosive ending.    

This is one of the few thrillers that brought tears to my eyes.

Ree, a teenage girl, must save her family by negotiating with the violent inhabitants of the Ozarks. Ree’s father has disappeared from his trial and, if she doesn’t find him, the family will lose everything they own because he pledged it as collateral for his bail bond.

I love how Woodrell portrayed her loyalty and fierceness, as well as how he wrote the deeply flawed characters who love her. His descriptions and metaphorical uses of winter and the landscape are breathtaking.

The book is literary but also has great narrative propulsion.

I regard The Friends of Eddie Coyle as the best American crime novel of the 20th century. 

This noir Friends is a fast-moving slither through Boston’s underworld with its colorful cast of bank robbers and victims, cops, and informers, and, above all, Eddie “Fingers” Coyle. Facing a long prison stretch, Coyle, a small-time gunrunner, is willing to do anything, including informing on a fellow armorer, to stay on the street. 

Told largely through realistic dialogue Higgins picked up as a federal prosecutor, Friends had huge influence, including on crime-novel master Elmore Leonard. I find that the novel passes the ultimate test of a great book: it not only bears but invites re-reading, rewarding me each time with something I had not previously seen in this short but beautifully layered novel.

I think that this novel is a must-read for aspiring writers of crime fiction.

Hemingway once said that a writer should “convey everything to the reader so that he remembers it not as a story he had read but something that happened to himself.” As a reader, I don’t always need to feel like the story has happened to me, but when a book is written in first-person narrative, I do enjoy feeling like it really happened to the narrator. I love it when the main character sounds authentic and the author fades to the background, making it seem like a memoir. Such a book is Faith, by Jennifer Haigh. Although Faith isn’t categorized as crime-fiction, it involves an Irish Catholic family in Boston in 2002 during the height of the church’s pedophile scandals. As the narrator navigates her family dynamics after her half-brother is accused of sexual assault, she becomes a woman caught between faith and doubt, and she explores this limbo… show more.