100 books like The Magician's Nephew

One of the most important lessons I learned from my grandma is that children have no fear or self-doubt unless they are taught to have these feelings, and then it's a choice to continue to believe in self-doubt. However, I was paralyzed by it after her death. I stopped being a carefree kid and started living through emotional survival. I lived a life of physical, mental, and emotional turmoil, and by a miracle, I was spared and given a chance to change it all. I am a dancer, writer, performer, and speaker, following every dream I've had. 

One of the most important lessons I learned from my grandma is that children have no fear or self-doubt unless they are taught to have these feelings, and then it's a choice to continue to believe in self-doubt. However, I was paralyzed by it after her death. I stopped being a carefree kid and started living through emotional survival. I lived a life of physical, mental, and emotional turmoil, and by a miracle, I was spared and given a chance to change it all. I am a dancer, writer, performer, and speaker, following every dream I've had. 

Since childhood, I have been obsessed with understanding everything — science and the universe. Now, in this age of the JWST and a burgeoning space industry, I do sub-quantum mechanics research at an international physics think-tank, The Quantum Bicycle Society. My own hard sci-fi novel is intended to help publicize these scientific advances, as well as the behavioral psychology concepts that are the subject of my next nonfiction book, The Animal In The Mirror. The books on this list represent the foundation of inspiration that propelled my formative sci-fi journey, stories that also shine the light of insight onto our shared, instinctive nature.

I am an academic at the University of Queensland whose research areas include horror films, screen trauma theory, the cinematic representation of urban spaces, and the collision of romanticism and postmodernism in fantasy literature. My first book, POV Horror: The Trauma Aesthetic of the Found Footage Subgenre, was adapted from my PhD thesis. I am an avid member of the A Song of Ice and Fire fandom, and my second book represents over a decade of talking and writing about George R. R. Martin’s epic fantasy series, having grown out of conversations in forums, podcasts, symposiums, and fan conventions, as well as my own background in literary analysis and research.

I’ve never really felt like I belonged in this world. From early childhood independent play to building out entire backstories for my Lego creations, I dreamt of other worlds. As I grew, that developed into a love of history, mythology, philosophy, and the other components of worldbuilding. And being naturally inclined to ask, “What if,” there’s nothing I love more than exploring these alien worlds. What if there was a world with a dozen sentient species? What if humans didn’t even exist in that world? What if that world was overflowing with magic? It’s these sorts of questions I most enjoy pondering.

I’ve loved reading ever since I learned how. Sometimes, that can be inconvenient. I now own over 8000 books, not including ebooks, so storage space is an issue. Fortunately, my heart space is not as constrained as my physical space. Anyway, given my keen interest in reading, it’s no surprise that I began to write. Though my reading tastes are wide, I mostly write in fantasy, my favorite genre. It’s an opportunity to explore new worlds and to use them to reflect upon our own. We may not make literal pacts with demons, but we all face temptation. Figuring out how to navigate our desires is a crucial part of life.

I’ve always been somewhat of an idiot optimist coming up with new and frivolous ideas. Yet, despite trying to inject my last three books with humour representative of myself, I feel a certain sense of seriousness in them. The fantasy genre has helped me shirk that feeling, allowing me to write uninhibited by regular boundaries. Without becoming captivated by George R.R. Martin and Terry Pratchett, I’d probably still be stuck trying to carve out a place in literary fiction—how serious. Fantasy works better for me—I like to make things up, and I like light-hearted books. 

Ever since I was little, I’ve been fascinated with various historical societies, but particularly that of medieval Europe. The ebb and flow of political strife as well as the gradual creeping advancement of technology in an era too-often deemed “the Dark Ages” sparked a passion in me that led me to pursue a degree in history. Prior to my studies, I had the opportunity to travel to Norway, where my love for the medieval era was ignited as my family toured the dipping green fjords and walked the burial mounds of kings long past. I aim now to tell their stories.

My favorite books as a child were the ones where kids went off on wild, impossible adventures alone, figuring things out, learning important lessons, and finding they were more capable than they thought. Wisdom, truth, insight, inspiration… those are the treasures found in these fantastical places. I’ve written (and told) stories all my life, but it wasn’t until I was in my fifties that my goal of publishing a book was realized. And now I have four more coming out (Lord willing!) within the next year and a half. It’s never too late. Unless you’re dead, then you blew it. So don’t stop trying, whatever your goals are.

As a writer and a mom, and a former teacher, and someone who constantly has to pay attention to the world we live in today, I feel especially compelled to find a good balance for parents to help their kids love reading without compromising their childhood innocence. As adults, we know we live in a broken world. But telling kids about these things without giving them a reason to hope for a better future or without giving them a good role model is more detrimental than helpful. It dooms them to nihilism and cynicism, and only a mature mind is able to successfully break free from that mind trap.