Here are 100 books that Victory City fans have personally recommended if you like
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I have long been fascinated by what makes us human. Great art is about the human condition. We are very quick to reject art that gets that human condition wrong. I’m a poet, a playwright, and a scientist. While my science has found itself at the center of fields such as computational psychiatry and neuroeconomics, I find myself turning again and again to the insights from great novels to understand the subtleties of the human condition. So to complement the scientific questions of morality (because morality is all about the human condition), one should start with great novels that ask who we are and why we do what we do.
In 1989, Salman Rushdie he had to go into hiding because of the fatwa against his life. In trying to explain this decision to his young son, Rushdie spins a magical tale of a storyteller who decides to stop telling stories.
The hero, Haroun, always wondered where his father's stories came from. His father always said “I drink from the ocean of stories. They install a spigot in the wall for me to drink from.” (Yeah, right.) Until, on that one fateful day, Haroun catches the water genie uninstalling the spigot.
On his way to save the ocean of stories, Haroun finds wonderful friends and the power of teamwork. The moral contrast between the Guppees (who argue all the time, but in the end work together) and the Chupwalas (who never disagree because they live in fear, but are so unable to work together, they fight with their own shadows)…
A captivating fantasy novel for readers of all ages, by the author of Midnight's Children and The Satanic Verses
"This is, simply put, a book for anyone who loves a good story. It's also a work of literary genius." -Stephen King
Set in an exotic Eastern landscape peopled by magicians and fantastic talking animals, Haroun and the Sea of Stories inhabits the same imaginative space as The Lord of the Rings, The Alchemist, The Arabian Nights, and The Wizard of Oz. Twelve-year-old Haroun sets out on an adventure to restore his father's gift of storytelling by reviving the poisoned Sea…
I’ve been fascinated with the extraordinary ever since I read Madeleine L ’Engle’s A Wrinkle in Time in middle school.I was also enchanted by Dorothy’s trip from black-and-white Kansas into colorful Oz. I once heard Neil Gaiman mention the “hyperreality” of life, and I thought, Yes!That’s how I want to see the world—the magic everywhere.I voraciously read not only magical realism books but also fantasy. These stories heighten my awareness of the wonder in everything and in everyone, and they deepen the richness of the stories I tell and write.
Even before it was adapted into the Oscar-nominated film starring Juliette Binoche and Johnny Depp, Chocolat entranced readers with its mix of hedonism, whimsy, and, of course, chocolate.
In tiny Lansquenet, where nothing much has changed in a hundred years, beautiful newcomer Vianne Rocher and her exquisite chocolate shop arrive and instantly begin to play havoc with Lenten vows.
Each box of luscious bonbons comes with a free gift: Vianne's uncanny perception of its buyer's private discontents and a clever, caring cure for them. Is she a witch?
Soon the parish no longer cares, as it abandons itself to temptation,…
I read almost any genre, but fantasy is what I love most, both reading and writing. Stories are magic, but when they have actual magic in them, I’m hooked. Having studied both Film and Creative Writing at university, I love to go in-depth on storytelling and have reviews aplenty on my website if you want further recommendations. The books I’ve chosen for this list have incredibly unique worlds full of bizarre magic. When I enter a new world, I want it to be exactly that: new and exciting with a touch of the surreal. To me, these books showcase magic at its most vivid and creative.
I very nearly stopped reading this book–even though it’s so short as it starts off unbelievably abstract. I didn’t know what was going on, and the descriptions only added to the confusion. But I’m so glad I kept going.
The main character does amnesia in the most charming way, and discovering his past and the strange world he seems both lost in and totally at home in was absolutely enchanting. This has stuck with me ever since, like the most vivid fever dream.
Winner of the 2021 Women's Prize for Fiction A SUNDAY TIMES & NEW YORK TIMES BESTSELLER
The spectacular new novel from the bestselling author of JONATHAN STRANGE & MR NORRELL, 'one of our greatest living authors' NEW YORK MAGAZINE __________________________________ Piranesi lives in the House. Perhaps he always has.
In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend,…
I have been a writer for more than twenty years and have favored pursuing “truth in fiction” rather than “money in formula.” I also spent over thirty years in the corporate world and was exposed to many situations reminiscent of those described in my fiction and in these recommended books. While I support enterprise, “enlightened capitalism” is preferable to the bare-knuckle type we have today, and which seems to resurface whenever regulation weakens. I also find writing novels closer to my lived experience connects me intimately with readers who are looking for socio-political, realist literature.
Avery Mann, a retired pharmaceuticals executive, is in crisis.
His wife dies of cancer, his son’s marriage is on the rocks, his grandson is having a meltdown, and his good friend is a victim of the robocalls scandal that invades the Canadian federal election. Throw in a reckless fling with a former colleague, a fire that destroys his retirement property, and a rumour emerging that the drug he helped bring to market years ago may have been responsible for the death of his wife, and Avery’s life goes into freefall.
Does an octogenarian beekeeper living on Vancouver Island hold the key to Avery’s recovery, a man holding secrets that put lives in jeopardy? Avery races across the country to find out, with crooked bosses, politicians, and assassins on his tail. Joseph spins a cautionary tale of corporate and political greed that is endemic to our times.
Avery Mann, a retired pharmaceuticals executive, is in crisis. His wife dies of cancer, his son’s marriage is on the rocks, his grandson is having a meltdown, and his good friend is a victim of the robocalls scandal that invades the Canadian federal election.
Throw in a reckless fling with a former colleague, a fire that destroys his retirement property, and a rumour emerging that the drug he helped bring to market years ago may have been responsible for the death of his wife, and Avery’s life goes into freefall.
Does an octogenarian bee keeper living on Vancouver Island hold…
I was born in a stable close to the Himalayas in India. The family farm was buzzing with animals and one of the most wonderful was a wild monkey called Oma who adopted our family and insisted on living with us. This is where the magic in my life began. My Grandmother was the storyteller in my family, so even after we emigrated to England when I was only 18 months old, our house was filled with magical stories, many with roots in India. So when I became a children’s author it was this magic that I wanted to bring to my stories and it was this magic that drew me to reading.
Imagine if you could meet someone from the past without realising? This is what drew me to this magical book. When you are young there are things you just don’t question and this is what I was like. I saw things that adults would have said weren’t there. But I didn’t believe them. I only believed in the power of my imagination. For me anything could appear; a small creature under a tree in the garden or Santa’s sleigh flying through the sky at Christmas – it was all so real I could reach out and touch it. In Darkling Wood is one of those stories that wrap themselves around you and whisk you away, where you’ll leave believing in magic!
For fans of Kelly Barnhill’s The Girl Who Drank the Moon and Jack Cheng’s See You in the Cosmos, here is “a haunting and poignant exploration of family, loss, and redemption” (Booklist, Starred Review).
When Alice is suddenly bundled off to her estranged grandmother Nell’s house, there’s nothing good about it, except the beautiful Darkling Wood at the end of the garden—but Nell wants to have it cut down. Alice feels at home there, at peace. She even finds a friend, a girl named Flo. But Flo doesn’t go to the local school, and no one in town has heard…
I’m a multi-genre writer, a passionate reader, and, like all of us, a flawed human being. The stories that truly speak to me are the ones with a main character who is imperfect. I may not like the protagonist at first, but as the author develops the story and the hero’s challenges, the character grows, we see inside them and learn to love them, as they also learn to love and accept themselves, flaws and all. They use this growth to make a better world. And that’s what fiction is all about. Of course, it helps if they’re funny too. I love humor.
Kelsey stifles her creative side, for she’s struggling to pay the bills and has to be practical. But in the hidden garden next door, she finds the answers to who she really is, and learns to embrace her creative side and value her gifts. I want to give a copy of this book to every creative person I know, to everyone who has been touched by the imposter syndrome (it’s a real thing with all artistic endeavors!) In this exquisite book, Higley shored up my inspiration as she gently shows us that all of our gifts are welcome.
Kelsey dreams of a life filled with creativity. She's about to stumble into far more than she imagined...
Kelsey Willoughby doesn’t have time to pursue her dream of writing a novel. Imagination doesn’t pay the bills, and she’s busy saving her beautiful bookshop from online competition, hotel developers, and the sneaking suspicion that nobody reads anymore.
Not to mention all those voices telling her she doesn’t have talent.
But then the vacant lot of weeds next door starts to shimmer.
When Kelsey stumbles into a luminous nighttime garden party, larger than the vacant lot that holds it and filled with…
From a very early age, I was interested in both magical stories (untrue) and life writing (true). As a writer, I love combining the two. In both fairy tales and memoirs, somebody goes into the woods and comes out wiser. At both Harvard and Oxford, I teach writing courses on Mythic Memoir. I tell my two children as many fairy tales as I know, and then I make up more. In 2022 I published my first collection of personal essays, Awake with Asashoryu, eleven short memoirs from my life, each with a myth or fairy tale at the heart.
A list like this cannot be complete without Kingston, who uses in her book a literary technique called “perhapsing”—defined by Lisa Knopp as “the use of speculation in creative nonfiction”—in which Kingston uses myth and the question “what if” to imagine what might’ve happened in the stories she half-knows about her family.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NATIONAL BESTSELLER • With this book, the acclaimed author created an entirely new form—an exhilarating blend of autobiography and mythology, of world and self, of hot rage and cool analysis. First published in 1976, it has become a classic in its innovative portrayal of multiple and intersecting identities—immigrant, female, Chinese, American.
“A classic, for a reason” – Celeste Ng via Twitter
As a girl, Kingston lives in two confounding worlds: the California to which her parents have immigrated and the China of her mother’s “talk stories.” The fierce and wily women warriors of…
I write strange, emotional novels from my book-filled apartment in Vancouver, a short walk from the ocean. This may be why I’m obsessed with islands. Or perhaps it’s because they evoke the feeling of being apart from the world, adrift, of protecting something rare. Whatever the reason, my novel takes place on an uncanny island off the coast of Mexico, where the locals drink tea in the afternoon and pray to skeletons hidden in caves. The story that unfolds on this island could not have taken place on the mainland, and I believe the same goes for the books on my list.
This novel brings together the past and present experiences of Asian Canadians in a story that’s bursting with light and energy. Much of the book depicts the discrimination faced by Chinese immigrants in Newfoundland in the early 20th century, and I loved how humour was interspersed between moments that stirred feelings of intense anger and sadness.
Throw in a cheeky, time-travelling spirit named Mo and the privileged millennial who learns about the hardship that’s granted him the life he leads, and we’ve got a fresh take on a tragic history from an exciting new literary voice.
NAMED A BEST BOOK OF THE YEAR BY THE TELEGRAM AND WINNIPEG FREE PRESS
The hilarious and heartbreaking story of two William Pings in Newfoundland—the lost millennial and the grandfather he knows nothing about
William Ping’s millennial life revolves around eating at restaurants, posting online about eating at restaurants, then overanalyzing it. This changes unexpectedly when a dinner with his Chinese girlfriend’s family goes sideways and his insecurity about his biracial identity and his ignorance of his own Chinese heritage overflow. During a much-needed break from the…
I consider myself above all to be an American Adventurer; I have been traveling in unorthodox methods for the last eight years beginning as a vagabond living in my car, a wilderness survival instructor in the Mojave, a privately contracted sailor in the Caribbean, funding an exciting independent film in remote Northern Pakistan, teaching English in Central Europe, and planting trees as part of a forestry project in remote Australia. I have committed myself to developing an organic method of traveling purposefully towards a vague destination and have turned it into a way of life.
Some people will argue that of all the movies adapted from books, the book will always win, but in The Curious Case of Benjamin Button, I believe the film adaptation is more alluring than the original short story, but it would not be fair to discredit that this film was influenced by Fitzgerald’s original satire of a child born aging in reverse.
While the movie veers away from the short story in time period, setting and character development, the short story draws more into the philosophical questions I believe we ourselves as a society are subconsciously thinking—even today, nearly a century after it’s writing as to how we contradict the specific wisdom that comes with age while also relinquishing it due to natural mental decline and end up treating our elderly like children.
Unlike the film, the story takes place just after the American Civil War and draws a…
As long ago as 1860 it was the proper thing to be born at home. At present, so I am told, the high gods of medicine have decreed that the first cries of the young shall be uttered upon the anesthetic air of a hospital, preferably a fashionable one. So young Mr. and Mrs. Roger Button were fifty years ahead of style when they decided, one day in the summer of 1860, that their first baby should be born in a hospital. Whether this anachronism had any bearing upon the astonishing history I am about to set down will never…
I’ve always enjoyed short story collections. Starting with Ray Bradbury and Stephen King, I became a fan of the short form. And as a burgeoning writer, writing short stories was the best way for me to learn the craft of storytelling. While I started out writing supernatural horror, I gradually found myself combining horror, fantasy, and science fiction with dark comedy and social satire, creating a blend of genres. Several of the short story collections I recommend here were instrumental in my evolution as a short story writer and inspired a number of the stories in my latest collection, Lost Creatures.
I love reading novels and stories that make me wish I’d written them, and this collection by Kelly Link made me wish that time and time again. This book also introduced me to the concept of fabulism, a form of magical realism where elements of the fantastic occur in everyday settings, which is something I find compelling both as a reader and as a writer. Link combines humor, fantasy, magical realism, and more than a touch of horror to create a collection of stories that is unique, weird, and wonderful.
Fantastic, fantastical and utterly incomparable, Kelly Link's new collection explores everything from the essence of ghosts to the nature of love. And hurricanes, astronauts, evil twins, bootleggers, Ouija boards, iguanas, The Wizard of Oz, superheroes, the pyramids . . .
With each story she weaves, Link takes readers deep into an unforgettable, brilliantly constructed universe. Strange, dark and wry, Get in Trouble reveals Kelly Link at the height of her creative powers and stretches the boundaries of what fiction can do.
The End of the World is Flat is my fifth novel. All my previous work has used comedy to help tell a story, often viewing historical lives and themes through a light-hearted modern prism. This one reverses the process, using historical material – various accounts of Columbus’ first voyage to the Caribbean – to explore a bizarre modern movement. Because I’m critiquing gender ideology – a taboo undertaking in most of the publishing world – I’ve deliberately borrowed the allegorical methods of Bulgakov, Kadare, and, especially, Orwell. I hope the ‘samizdat’ way in which my novel has become a word-of-mouth bestseller makes that homage all the more fitting.
Bulgakov, a Russian born in Kyiv, wrote The Heart of a Dogin 1925 when the Soviet Union was in its infancy. It’s the breezy tale of a surgeon who transplants a human gland into a stray dog, turning an amiable mutt into a vile man.
There’s a punning reference to Stalin in the name of the least flattering character, and the author was clearly inviting his readers to read between the lines: this was an early satire on the Bolshevik social experiment.
It was rejected for publication and circulated instead in samizdat form. Remarkably though, Stalin took the writer under his wing and, while Bulgakov died young, he did so in his own bed. A political satirist can get away with a lot if they do it with charm.
I first read Mikhail Bulgakov's The Master and Margarita on a balcony of the Hotel Metropole in Saigon on three summer evenings in 1971. The tropical air was heavy and full of the smells of cordite and motorcycle exhaust and rotting fish and wood-fire stoves, and the horizon flared ambiguously, perhaps from heat lightning, perhaps from bombs. Later each night, as was my custom, I would wander out into the steamy back alleys of the city, where no one ever seemed to sleep, and crouch in doorways with the people and listen to the stories of their culture and their…
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