I am an award-winning children’s book author who writes stories about ordinary people, like you and me, that discovered their unique gifts and used those gifts, plus perseverance, to make the world a better place. All my books come with free teacher guides, resources, and projects on my website where kids can share photos of the great things they do.
Many kids love the Disney animated film Bambi, but how many know they have a Chinese American immigrant to thank for its lush and lovely look? Author Julie Leung tells the moving story of a boy named Wong Geng Yeo who traveled across an ocean from China to America with little more than the immigration papers he needed to start his new life. Chris Sasaki’s delicate illustrations detail how Wong dreamed of making art even as he worked as a janitor at night to pay the bills. The love and care that Tyrus Wong poured into what would become one of the great movies of love, friendship, and, years before The Lion King, of the circle of life, Paper Son is an exquisite reminder of the great gifts that immigrants have brought to America.
Winner of the American Library Association's 2021 Asian/Pacific American Award for Best Picture Book!
An inspiring picture-book biography of animator Tyrus Wong, the Chinese American immigrant responsible for bringing Disney's Bambi to life.
Before he became an artist named Tyrus Wong, he was a boy named Wong Geng Yeo. He traveled across a vast ocean from China to America with only a suitcase and a few papers. Not papers for drawing--which he loved to do--but immigration papers to start a new life. Once in America, Tyrus seized every opportunity to make art, eventually enrolling at an art institute in Los…
I am a historian of the American West and a professor at the University of Southern California. I also direct the Huntington-USC Institute on California and the West. I love the way very smart and ambitious family histories illuminate the fascinating (or sometimes mundane) lives of people in the past and, at the same time, use those stories to help us understand bigger-picture issues, eras, and all the turbulence of American life. That little-girl-in-the-well book I wrote is the first time I’ve attempted family history. It was so hard to try to get it right but, at the same time, exhilarating to think that maybe I did.
Richly woven history of immigration, family, and the California Dream as refracted through Chinese newcomers and their Chinese American descendants. The author has two very powerful tools at her disposal – penetrating historical sensibility and a great novelist’s ear for language. Across time and space, family stories, and passed-down memories endure. They all come together in this wonderful book in which California alternates between background and foreground through both hope and disappointment.
Out of the stories heard in her childhood in Los Angeles's Chinatown and years of research, See has constructed this sweeping chronicle of her Chinese-American family, a work that takes in stories of racism and romance, entrepreneurial genius and domestic heartache, secret marriages and sibling rivalries, in a powerful history of two cultures meeting in a new world. 82 photos.
I dig into family dramas of the past. But these dramas interest me most when I understand how personal stories intersected with the legal and policy structures that shaped what was possible for families. Overall, I am interested in the many ways that inequality—between races, genders, and classes—began at home. I am now working on a project on sex across class lines in the 20th century United States. I am an associate professor in the Federated History Department at the New Jersey Institute of Technology and Rutgers-Newark.
Mary Lui’s fascinating book hinges on a hook that nearly always works—a murder mystery. In this case, the victim was Elsie Siegel, a young white woman from a good family who did missionary work with the Chinese American community in New York City. She was the picture of innocence until her body was found bound up in a trunk in a Chinese American man’s apartment. Further investigations uncovered a set of love letters not only to this man but also to another Americanized Chinese immigrant. Seemingly one of her lovers had killed her out of jealousy. What followed was not only a manhunt for her killer but also a backlash against the Chinese American community including the many hand laundries scattered throughout New York City. Elsie Siegel’s death prompted rumors that these laundries allowed widespread assaults against white women and girls. Lui paints us a heartbreaking account of the suffering…
In the summer of 1909, the gruesome murder of nineteen-year-old Elsie Sigel sent shock waves through New York City and the nation at large. The young woman's strangled corpse was discovered inside a trunk in the midtown Manhattan apartment of her reputed former Sunday school student and lover, a Chinese man named Leon Ling. Through the lens of this unsolved murder, Mary Ting Yi Lui offers a fascinating snapshot of social and sexual relations between Chinese and non-Chinese populations in turn-of-the-century New York City. Sigel's murder was more than a notorious crime, Lui contends. It was a clear signal that…
I love books that deal with justice and make you feel
strong emotions. This book did that and more.
The story included discrimination
against Chinese and Black Americans in the South in the early 1900s. The plot was
moving, riveting and the writing was impeccable.
I'd often stop and be amazed
at the wonderful way the author strung her words together. Stacey Lee is a
talented and unique writer. It was filled with love, hope, and surprises.
A Reese's Book Club YA Pick and New York Times Bestseller
From the critically acclaimed author of Luck of the Titanic, Under a Painted Sky, and Outrun the Moon comes a powerful novel about identity, betrayal, and the meaning of family.
By day, seventeen-year-old Jo Kuan works as a lady's maid for the cruel daughter of one of the wealthiest men in Atlanta. But by night, Jo moonlights as the pseudonymous author of a newspaper advice column for the genteel Southern lady, "Dear Miss Sweetie." When her column becomes wildly popular, she uses the power of the pen to address…
I never set out to be a historian of sexuality, but the more I read, the more convinced I became of the centrality of sex to politics, culture, religion, and social change. I am fascinated by histories of sexuality in the making and shaping of individual identities and behaviors, and I’m also drawn to histories of other topics—politics, religion, enslavement, leisure—that also teach us something about the history of sex and sexuality. These interests drew me to the podcast Sexing History, where I edit the stories and help produce the episodes. I love to read widely to find histories of sex in unexpected places.
You will never look at (or wear) a kimono the same way after reading Amy Sueyoshi’s ingenious investigation into the making of an American leisure culture awash in stereotypes of Japanese and Chinese sexuality. With a focus on San Francisco, Sueyoshi’s book reveals how Anglo-European Americans appropriated “Oriental” dress and design aesthetics, even as the white press and legal system displayed overt hostility toward people of Asian descent. This book is one of my very favorites among a growing body of work that centers on the making of racial identities within histories of sexuality. Sueyoshi is a superb writer, and in this book, she excels at honoring the humanity of Asian-descended people within a white leisure culture that insisted on their inferiority.
Freewheeling sexuality and gender experimentation defined the social and moral landscape of 1890s San Francisco. Middle class whites crafting titillating narratives on topics such as high divorce rates, mannish women, and extramarital sex centered Chinese and Japanese immigrants in particular.
Amy Sueyoshi draws on everything from newspapers to felony case files to oral histories in order to examine how whites' pursuit of gender and sexual fulfillment gave rise to racial caricatures. As she reveals, white reporters, writers, artists, and others conflated Chinese and Japanese, previously seen as two races, into one. There emerged the Oriental-a single pan-Asian American stereotype weighted…
Author Greil Marcus’ phrase “the old, weird America” gave me exactly the right words for something I’ve always felt: that there is a specific weirdness to the American landscape, an uncontrollable current of strange that runs beneath the carefully cultivated surface of heroes and neighbors and shared, stable dreams. Of course, as William Faulkner observed, the past isn’t past, and America is as weird as it’s ever been. Maybe weirder. Look at the news. Look out your window. No surprise, then, that I’m drawn to such a perspective when I read other people’s stories, and seldom get completely away from it when I write my own.
When talking with younger writers, sooner or later I ask them to name a writer or a book they can point to and say, “That’s the goal. That’s what I care about. That’s what I want to do.” If I asked myself this question, one of my answers would be Karen Joy Fowler’s first novel, a pitch-perfect account of 19th-century America and the mysterious title character, a weird woman whose weirdness confirms how weird everything else already is.
In the Old West in 1873, a woman of indeterminate age and great ugliness appears without warning in the camp of Chinese railway workers, babbling incomprehensibly. Chin Ah Kin thinks she may be an immortal sent to enchant him - his more practical uncle sees trouble.
Ying Chang Compestine is the multi-talented author of 25 books including fiction, picture books, and cookbooks. Frequently sought after by the media, Ying has been featured on numerous national television programs, is regularly profiled in prestigious news media outlets, and has been named one of the "50 Great Writers You Should Be Reading" by The Author's Show. Her keen interest in cuisine has led her to weave food into all of her writing–including cookbooks, novels, and picture books for young readers. Ying grew up in Wuhan, China during the Chinese Cultural Revolution. She uses these experiences, as well as her passion for food, in all her writing.
The middle-grade novel, New from Here, really hits home for me. The main character, Knox, a resilient young boy protecting his friends during the COVID-19 pandemic, makes this book incredibly relatable to young readers.
The book combats racism and promotes togetherness, issues that I am passionate about in my own writing.
Don't miss the stunning no.1 New York Times bestseller. New country. New life. Whole new world . . .
When the coronavirus hits Hong Kong, ten-year-old Knox's mom makes the last-minute decision to move him and his siblings to California, where they think they will be safe from the virus.
But life in America isn't easy. At Knox's new school, the other kids think that because he is from Asia, he must have brought over the virus. At home, Mom's freaking out because she just got fired, and Dad doesn't know when he'll see them all again, because all flights…
As a writer and child therapist, I believe in the importance of connecting with our families. Sometimes that means making sacrifices for our loved ones who need our support. When my parents moved to be near our family, we learned how to adapt to their changing needs. Like the books I choose, sometimes a grandparent moves in with you, sometimes you navigate them being grumpy, or other times you just listen to their wishes. But mostly, it’s just being there in the moment with a grandparent that opens our eyes, and heart, to something larger than ourselves.
If you know a grumpy grandpa, you’ll enjoy this one!
Daisy is thrilled her grandpa is visiting from China. While Daisy has many fun things planned, her grandpa is well… grumpy! He likes things a certain way and Daisy can’t dissuade him otherwise. (I can relate to that!) That is, until she discovers what he really likes and helps make him feel right at home.
A fabulous picture book that explores connection and fosters an understanding of others.
Daisy's Yeh-Yeh is visiting from China, and try as she might, Daisy can't get her grumpy grandpa to smile!
Daisy's Yeh-Yeh is visiting for the first time from China, and Daisy is so excited to meet him! She has big plans for all the fun they'll have together, like tea parties and snow angels, but when Yeh-Yeh arrives, Daisy finds him less jolly than she imagined. Throughout the week, she tries all sorts of things to get him past his grumpiness. Will she be able to make him smile before he goes home?
I have 7 sisters and 1 brother. I was the 9th child in my family. To get a son who would carry on the family heritage, my parents tried 7 times without any success. After 7 unwanted daughters, my brother finally arrived. Then they had me as the second boy in the family. The plot twist was: I am gay. I turned out to be the 8th unwanted daughter because of my sexuality. Coming from this small-town big family full of superstitions and secrets, I am naturally drawn to dramatic family stories with many dark and psychological twists.
An ugly cry is inevitable for this book. I read this book with good friends in a book club. We all saw the film adaptation and decided to read the book together. We shared our bawling moments as we discussed the story.
Yes, we all cried. The moms and daughters in this book demanded tears. Even the coolest friend in the book club, who never cried, succumbed to the diaspora in the book. I must confess that crying together in a book club was simply a cathartic experience.
'The Joy Luck Club is an ambitious saga that's impossible to read without wanting to call your Mum' Stylist
Discover Amy Tan's moving and poignant tale of immigrant Chinese mothers and their American-born daughters.
In 1949 four Chinese women, recent immigrants to San Francisco, meet weekly to play mahjong and tell stories of what they left behind in China. United in loss and new hope for their daughters' futures, they call themselves the Joy Luck Club.
Their daughters, who have never heard these stories, think their mothers' advice is irrelevant to their modern American lives - until their own inner…
I’m the author of children’s books about Asian history and culture. My two kids are the main reason I started writing books. When they were little, I had to delve into my Chinese roots for a family reunion. That’s when I stumbled on the most amazing stories about the emperors, warriors, artists, and inventors that make up the long and colorful culture and history of China. I decided to bring these stories to life so that my kids could learn more about their heritage. No dates, no dry details – just interesting stories that they could enjoy and learn in the process. Luckily, they liked them so much that they encouraged me to share my stories with the world.
I love all of Grace Lin’s books – we share the same surname after all! Bringing in the New Year is another great one of hers. This board book is meant for the very young (0-3 years), but older kids will learn from it too. It describes how a Chinese family prepares for the Chinese New Year - decorating the house, making dumplings, and wearing new clothes. Celebrations follow with fireworks and lion dancers to scare away the previous year’s bad luck. The fun color illustrations will be a hit with the little ones, especially the fold-out dragon at the end of the book.
This exuberant story follows a Chinese American family as they prepare for the Lunar New Year. Each member of the family lends a hand as they sweep out the dust of the old year, hang decorations, and make dumplings. Then it’s time to put on new clothes and celebrate with family and friends. There will be fireworks and lion dancers, shining lanterns, and a great, long dragon parade to help bring in the Lunar New Year. And the dragon parade in our book is extra long–on a surprise fold-out page at the end of the story. Grace Lin’s artwork is…
