The most recommended books on the history of lynching

We must remember that 1919 also saw unprecedented widespread bloodshed in attacks on Black communities. This wave of violence is remembered as the Red Summer not because it coincided with the Red Scare, but because the worst of it occurred in and around that summer. Krugler gives us the national saga but helpfully zooms in to some of the major clashes to help us understand why and how they occurred – and most of all – how Blacks fought back through self-defense, the Black press, and the courts.

This Black sociologist demands that we take a deep look into the religious basis of American racism.

Of 5,000 cases of lynching reported between 1880 and 1930, at least 40% functioned as actual human sacrifices, very large communal rituals that identified certain individuals as the source of the community’s problems and eliminated them. The sacrifice created a compact between the people and their deities, expiating their sins and reinforcing their values.

"The victim mediated between the sacred and the profane...the burning cross distilled it all: sacrificed Negro joined by the torch with sacrificed Christ, burnt together and discarded...” Well into the 20th century, “The cross – Christianity’s central symbol of Christ’s sacrificial death – became identified with the crucifixion of the Negro.” Forced to carry all the projections of the white unconscious, the Black man became the American Dionysus.

Patterson observes that in recent generations the stereotype of America’s internal… show more.

A bravura performance by a brilliant author with total control of her writing skills and an exhaustive mastery of literary traditions, which she deploys with the panache of Horowitz playing Chopin.

Oates has written a neo-Gothic novel filled with demonic manifestations and overwhelming passions that take place against the background of American society (and Princeton University) with all its salient characteristics and problems in the first decade of the 20th century. 

The novel is also, and not incidentally, filled with wonderful, three-dimensional portraits of major American cultural and political figures of the time—Woodrow Wilson, Upton Sinclair, Mark Twain, Teddy Roosevelt, Jack London, and others. Oates’ emotional range is marvelous, and she can communicate the feelings and psychic churnings of a stiff Calvinist on a pulpit as readily as those of a tremulous young woman in a rose garden.

A funny, eerie, assured, and extraordinarily entertaining work.

In my own work, I draw extensively on the lynching to document and analyze racial dehumanization. From the time of the collapse of reconstruction during the late nineteenth century until well into the twentieth century, thousands of African Americans, most of them men, were murdered by white mobs. If you are like most people, you think of lynching as nothing more than extrajudicial execution, but in fact it often involved hours of the most hideous torture imaginable, ending with the victim being burned alive before a crowd of hundreds or even thousands of avid spectators. Philip Dray’s book is a fine entry point into the historical literature on lynching.

“War is hell” is a phrase heard often enough that’s now a bloodless abstraction you think but never feel. This epic World War II novel by the Pulitzer-winning columnist does not let readers off so easily.

The book’s title refers to humanity and sense of self, serving up graphic descriptions of the sort of brutality usually described in politely neutered legalese. But not here. And it does the same with Jim Crow-era lynchings in the American South, connecting everything as part of the human race’s ongoing struggle.

The best “difficult” read I’ve encountered in years.

This is a poet's novel, but it plunges me into a world that is all too real; East Texas a century ago, and at the same time the problems of identity and prejudice and cruelty that still haunt us today.

It is also a moving love story. Half Choctaw, half white, the conflicted hero finds the woman of his dreams; but she is white, and they must flee a lynching. Revised and republished, this book combines delicate psychological and historical insights with searing suspense.

In A Wreath for Emmett Till, Marilyn Nelson reminds us of the unique beauty of a life, of the vibrancy of youth at 14 years old. Written as a “crown of sonnets,” where the last line of one sonnet becomes the first of the next, it is a book that bears witness and conveys huge themes of justice, loss, and remembrance while focussing on small moments, gestures, and images. I am in awe of Nelson’s ability to use a very formalized writing style to depict one of the most brutal murders of the twentieth century.

Don’t be fooled by the fact that this is a tiny book – a novella, really, and a short one at that. It is no less creepy or affecting than the others on my list.

This is the story of a small French town gripped, briefly, by an illogical and insurmountable hysteria, and the way that played out for one very unfortunate man. Eat Him If You Like is both graphic and incredibly horrible, but the growing creepiness of the story comes from the fact that it is based on a real and brutal occurrence in nineteenth-century France.

You will be unable to turn away from how this unfolds, but those without strong stomachs – approach with caution!

Throughout the 1960s, NASA tried in vain to lure Black engineers to its Southern Centers.

The agency had its excuses, but as I began to talk to NASA’s Black pioneers, I began hearing vivid descriptions of the terror that kept their friends from going to work with them at NASA. This thought-provoking examination of one of the darkest chapters in American history helps lay out a source of their reticence.

The book delves deep into the socio-political, racial, and cultural factors that led to the widespread practice of lynching. Brundage skillfully portrays the complex web of prejudice, fear, and power dynamics that fueled this brutal form of violence. Through his detailed analysis, we gain a chilling picture and the backstory of what kept NASA so White.

In 1946, two African American couples were lynched in rural Georgia by a white mob. Grooms fictionalized that account from the perspective of one of the victims, perpetrators, and a pre-teen eyewitness and in the process comes to terms with redemption, race, and violence not only in the South but in the nation as well. Grooms has the ability to juxtapose the beauty of the Southern landscape with the horrors that have occurred there with breathtaking imagery and conciseness. This book not just deals with the victims of such horrific acts, but the often untold damage done to the progeny of those who perpetrated the act. This is a fiction that will always be relevant as long as a nation struggles with injustice, oppression, and white supremacy.