I grew up in New York City on the corner of 16th Street and 7th Avenue in an apartment on the 11th floor. I loved the city’s pace, diversity, and freedom. So, I decided to study New York Jews, to learn about them from not just from census records and institutional reports but also from interviews. After publishing my first book, I followed New York Jews as they moved to other cities, especially Miami and Los Angeles. Recently, I’ve been intrigued by what is often called street photography and the ways photographs let you see all sorts of details that potentially tell a story.
Goldstein’s and Weiner’s history of Jews of Baltimore is an unconventional account of this border city. Jews in Baltimore were definitely located in the middle between white Christians on the one hand and Blacks on the other. The book does not flinch from uncovering just what this middle ground meant, how the antisemitism that pervaded Baltimore propelled some Jews toward conservatism (including the support of slavery) and others toward progressivism (including abolition). At the same time, the book explores the rich diversity of Jewish religious life in the city that parallels Jewish participation in building important elements of Baltimore’s economy. I loved learning about a city that was new to me.
A model of Jewish community history that will enlighten anyone interested in Baltimore and its past.
Winner of the Southern Jewish Historical Society Book Prize by the Southern Jewish Historical Society; Finalist of the American Jewish Studies Book Award by the Jewish Book Council National Jewish Book Awards
In 1938, Gustav Brunn and his family fled Nazi Germany and settled in Baltimore. Brunn found a job at McCormick's Spice Company but was fired after three days when, according to family legend, the manager discovered he was Jewish. He started his own successful business using a spice mill he brought over…
As a longtime reporter in a small state with big politics, I’ve become fascinated by how sly intrusions of power can distort what should be routine police investigations. One of my sources observed, “Sometimes the cover-up is more interesting than the crime.” With that in mind, I began writing books to examine cases whose outcomes didn’t seem to make sense. It’s become a genre I call “crime after crime.”
Fenton climbed a mountain here and reached the top. Freddie Gray has died in the back of a police van in Baltimore. Something’s wrong with that picture, but who’s going to question the city’s elite Gun Trace Task Force—a vanguard unit in the war on crime—when most civic leaders hold it in awe? Fenton, a reporter for the Baltimore Sun, digs in, doing the meticulous research and insightful writing that expose powerfully guarded secrets and plant a flag for accountability.
NEW YORK TIMES EDITORS’ CHOICE • The astonishing true story of “one of the most startling police corruption scandals in a generation” (The New York Times), from the Pulitzer Prize–nominated reporter who exposed a gang of criminal cops and their yearslong plunder of an American city
NOW AN HBO SERIES FROM THE WIRE CREATOR DAVID SIMON AND GEORGE PELECANOS
“A work of journalism that not only chronicles the rise and fall of a corrupt police unit but can stand as the inevitable coda to the half-century of disaster that is the American drug war.”—David Simon
I am a professor of creative writing who knows when readers stop feeling, they stop reading. We all want to feel, to live vicariously. To experience the unimaginable. I’ve lived large. I’ve raced on the back of an ostrich, rode an elephant through the jungles of Thailand, raced catamarans in the Caribbean, and danced with the Shaka Zulu in Africa. The best books are those that feel like memories…that touch us…that make us feel.
I rarely read a book twice. I read this one three times. The romance between Ramelle and Celeste always makes me swoon and reminds me of the kind of love I want in my life.
Brown is an outstanding story-teller, and I loved all of the Southern malpropisms, traditions, and memes scattered throughout the novel. I enjoyed the romance, the mystery, and the characterization of the South, this book pushed me to visit Savannah, where her words came to life.
Perched right on the Mason-Dixon line, tiny Runnymede, Maryland, is ripe with a history almost as colorful as the women who live there—from Celeste Chalfonte, headstrong and aristocratic, who murders for principle and steals her brother’s wife, to Fannie Jump Creighton, who runs a speakeasy right in her own home when hard times come knocking. Then of course, there’re Louise and Julia, the boldly eccentric Hunsenmeir sisters. Wheezie and Juts spend their whole lives in Runnymede, cheerfully quibbling about everything from men to child-rearing to how to drive a car. But they never let small-town life keep them from chasing…
We discovered this book at a Little Free Library and were pleasantly surprised by how historically researched it was while also being a time-traveling book about a beloved dog.
Per my child, he loved the fact that Ranger is a time-traveler that can go back in time super fast—in this case, to the pre-Civil War era to help a pair of siblings escape slavery.
Ranger, the time-traveling golden retriever, is back for the third book in Kate Messner's new chapter book series. This time, he helps two kids navigate the Underground Railroad!
Ranger is a time-traveling golden retriever with search-and-rescue training. In this adventure, he goes to a Maryland plantation during the days of American slavery, where he meets a young girl named Sarah. When she learns that the owner has plans to sell her little brother, Jesse, to a plantation in the Deep South, it means they could be separated forever. Sarah takes their future into her own hands and decides there's only…
I never set out to be a historian of sexuality, but the more I read, the more convinced I became of the centrality of sex to politics, culture, religion, and social change. I am fascinated by histories of sexuality in the making and shaping of individual identities and behaviors, and I’m also drawn to histories of other topics—politics, religion, enslavement, leisure—that also teach us something about the history of sex and sexuality. These interests drew me to the podcast Sexing History, where I edit the stories and help produce the episodes. I love to read widely to find histories of sex in unexpected places.
What does it mean to be free—and how can you prove that you are? Millward’s utterly engrossing book demonstrates how significant Black women’s reproductive sexuality was to their pursuit of freedom. Following the formal end of US participation in the international slave trade in 1808, white enslavers placed unprecedented demands on enslaved Black women to bear more children. Because the laws defined the child according to the mother’s free or unfree status, enslaved women literally birthed the property of white enslavers. But what if a currently enslaved person proved that the womb from which they entered the world belonged to a free person? Millward shows how Black women and their descendants paved their own pathways to freedom.
Finding Charity's Folk highlights the experiences of enslaved Maryland women who negotiated for their own freedom, many of whom have been largely lost to historical records. Based on more than fifteen hundred manumission records and numerous manuscript documents from a diversity of archives, Jessica Millward skillfully brings together African American social and gender history to provide a new means of using biography as a historical genre.
Millward opens with a striking discussion about how researching the life of a single enslaved woman, Charity Folks, transforms our understanding of slavery and freedom in Revolutionary America. For African American women such as…
I remember my first ever houseplant—doesn’t everyone? It was a spider plant, just a small one grown as an offset from my mother’s vast ‘mother’ plant. Yes—two mothers! The plant and my green-fingered mother got me hooked on houseplants. As a social historian, I’ve written about all things to do with the home—clothes, gardens, even gardeners themselves but houseplants? Why was there no social history of plants in the home? Where did that spider plant come from? And when? The answer is Japan in the late 18th century. But the truth is that plants have been brought into homes for centuries and their stories are fascinating.
Sometimes you don’t need glossy colour photographs of plants to be transported to green pastures. Ruth Kassinger charts her journey from complete plant novice to houseplant addict enchantingly with stories of visits to nurseries across the US as she learns about the plants she longs for and how they are grown. Before long, her conservatory fills with treasures, each with a story to tell. You come away inspired and encouraged to follow in her footsteps to create your own green patchwork of plants even if you live in the smallest apartment in the most inhospitable climate.
Paradise Under Glass is a witty and absorbing memoir about one woman's unlikely desire to build, stock, and tend a small conservatory in her suburban Maryland home. Ruth Kassinger's wonderful story of the unique way she chose to cope with the profound changes in her life-a book that will delight readers of Eat, Pray, Love and I Feel Bad About My Neck-is interwoven with the fascinating history of conservatories from the Renaissance orangeries to the glass palaces of Kew.
I’ve been putting my passport to good use for the last thirty years or so. Few things make me happier than showing up in an unfamiliar place – whether a village in Ecuador, a town in Ireland, or a city in Ghana – and trying to become familiar with the people, the customs, the food, all of it. But I suppose what I love most is a good story. During those three decades, I’ve also become a Professor of English at Arizona State University, where my research has increasingly focused on how artists and ideas move across geographical and cultural boundaries. In my latest book, License to Travel, these various interests come together.
This book moves me whenever I open it, no matter the chapter, no matter the page.
It presents the harrowing tale of Douglass’s flight from slavery as a young man with a degree of urgency and detail that is not found in his other writings.
But it is the account of his travels through Europe and North Africa as a man of almost seventy, finally free to pursue his lifelong wanderlust, that is perhaps most poignant: “I had strange dreams of travel even in my boyhood days,” he writes. “I thought I should some day see many of the famous places of which I heard men speak, and of which I read even while a slave.”
In between Paris and the pyramids, Douglass repeatedly compares what he sees in the Old World with what he knows so well, and often so painfully, of American ideals, values, and aspirations.
This richly illustrated edition of this classic American autobiography sheds new light on Douglass's famous text for a new generation of readers.
Famous orator and former slave Frederick Douglass published his third and last autobiography, Life and Times of Frederick Douglass, in 1881. No longer in danger as an escaped slave, it goes into greater detail and encompasses Douglass's entire life, from his early years living with his grandmother in Maryland to the events during and after the Civil War, including his meetings with presidents and dignitaries and his deep involvement with the burgeoning suffragist movement. His account reveals what…
As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
The history that matters most to me is the history that can help explain the world we live in now. The editors of Baltimore Revisited, a collection of brilliant essays about the city, takes that to heart. Fascinating chapters trace the War on Drugs back to the 1910s, when the city outlawed cocaine, examine how Johns Hopkins University’s growth has displaced Black residents for decades, and surprise us with the fact that Maryland was home to the longest-running movie censorship board in the country (which only closed shop in 1981). More than curiosities, though, these authors reveal how race, gender, sexuality, and class have affected Baltimore.
Most importantly, the book focuses on how everyday people fought back against discrimination through acts as varied as pickets against segregation to dancing in gay bars. The book is good history, yes, but also a call to action.
Nicknamed both "Mobtown" and "Charm City" and located on the border of the North and South, Baltimore is a city of contradictions. From media depictions in The Wire to the real-life trial of police officers for the murder of Freddie Gray, Baltimore has become a quintessential example of a struggling American city. Yet the truth about Baltimore is far more complicated-and more fascinating.
To help untangle these apparent paradoxes, the editors of Baltimore Revisited have assembled a collection of over thirty experts from inside and outside academia. Together, they reveal that Baltimore has been ground zero for a slew of…
This book has a few quirky characters that are flat-out hilarious and kept surprising me as I turned the pages.
Bottom line it’s a book about a man who thinks he was made for a clearance sale—where everything nobody wanted to buy ends up. But he’s also the most valuable person, in a way he doesn’t see, in every room he walks into, every person he follows, haunts, and helps.
I liked the book because it was funny as well as a worthwhile reminder that truth and grace are meant to be partnered. Sometimes grace opens the door for truth and sometimes grace opens the door for truth. This book made me laugh a lot, and pray more for a few quirky people I know and don’t appreciate like I should.
A NEW YORK TIMES NOTABLE BOOK •NEW YORK TIMES BESTSELLER • The beloved Pulitzer Prize–winning author tells the story of a lovable loser who's trying to get his life in order.
Barnaby Gaitlin has been in trouble ever since adolescence. He had this habit of breaking into other people's houses. It wasn't the big loot he was after, like his teenage cohorts. It was just that he liked to read other people's mail, pore over their family photo albums, and appropriate a few of their precious mementos.
But for eleven years now, he's been working steadily for Rent-a-Back, renting his…
As an emigrant myself (I left Ireland in the late 1980s), I’ve always been interested in understanding the process of moving from one place to another; of existing in that liminal space between “being here” and “being there.” I spent several years researching the letters and diaries of nineteenth-century Irish migrants for my book, The Coffin Ship, but found the answers led to new questions on how other peoples, in other places, have managed being somewhere between “here” and “there.” These are some of the books that have helped me along that long, emotional journey.
Because the nineteenth-century sailing ship was such a male-dominated space, women were largely invisible in traditional histories of life at sea. Although Edith Ziegler’s book does not simply focus on the voyage itself (it includes analysis of female convicts’ lives before and after the journey as well), it does show how women combatted the “sexual opportunism and exploitation” that was endemic on convict transports. What’s great about this book is that even though many of its subjects were illiterate (and thus left precious few letters and diaries behind), Ziegler manages to unearth the women’s voices in authentic and moving ways.
In Harlots, Hussies, and Poor Unfortunate Women, Edith M. Ziegler recounts the history of British convict women involuntarily transported to Maryland in the eighteenth century.
Great Britain's forced transportation of convicts to colonial Australia is well known. Less widely known is Britain's earlier programme of sending convicts - including women - to North America. Many of these women were assigned as servants in Maryland. Titled using Basing much of her powerful narrative on the experiences of actual women, Ziegler restores individual faces to women stripped of their basic freedoms. She begins by vividly invoking the social conditions of eighteenth-century Britain,…
