The most recommended Navajo books

Everything about this book steals my heart, from Chloe's tenderness with horses to the Diné (Navajo) children who don't have enough books at their school.

But let me back up and tell you that Chloe is pregnant with Hank's child. She shouldn't be riding horses at all, but the call is too strong. Hank's a good guy who can't find professor work in Arizona, ends up teaching the Diné children, and finds he loves them more than working at a university.

It should be a happy ending between Hank and Chloe and the upcoming baby, except the horse belongs to an artist named Junior Whitebear, who returns to town and forms an instant, overpowering connection with Chloe. Mapson writes so well that she makes me ache.

Another unlikely heroine, but only because she sees ghosts—okay, okay, maybe also because seeing ghosts or even talking about them is strictly forbidden in Rita Todacheene’s Navajo culture.

I loved this book so, so much for both its detail and its unusual premise. Todacheene’s ghosts haunt her and play an active part in her investigations as a forensic photographer. And, since the author was a forensic photographer herself, the work rings true and sharp. Ghosts aside, she also has to contend with her own culture, a struggle with which I’m intimately familiar.  

I also loved the way that Emerson structured this book—Todacheene’s beloved cameras, acting as framing devices, guide us through her timeline, and she keeps on learning things about herself even as we go from the most advanced camera to the oldest possible film-based option. I can’t wait to read the second in this series to see what our… show more.

You would probably recognize the landscape of Monument Valley from classic Westerns and other films. Stagecoach, the HBO series Westworld, 2001: A Space Odyssey, and Forrest Gump are just a few! But aside from a film set, this iconic setting is, first and foremost, the home of the Navajo people.

Based on extensive interviews with Navajo residents of Monument Valley, this book weaves together a portrait of the place and people, from Indigenous cultural traditions and the dawn of Hollywood to mining and the significance of the monuments themselves. 

I am a huge fan of Tony Hillerman’s Leaphorn and Chee novels. I was privileged to meet Mr. Hillerman at a writers convention. He was gracious and supportive of other authors and I learned a lot from his presentation. The main characters of his series are two male Navajo police officers but in The Fallen Man he introduced Bernadette “Bernie” Manuelito. In that story she is a new officer with the tribal police but in Skeleton Man she has become a federal Customs Patrol officer. Smart and capable, she holds her own, be it in the office with senior male officers or in the harsh, challenging American Southwest desert territory that is her “beat.” As an indoor girl, I was almost more impressed with the latter as I was with her role in solving the case.

Thankfully, not all Indian stories are written or recounted by men. Irene Stewart, born at the base of Canyon de Chelly in 1907, grew up in the shadow of her father, a medicine man who had her kidnapped and taken against her will to boarding school. She survived three of those schools, including Haskell Institute, where she learned to bob her hair, studied home economics, and later became a Presbyterian. But this is no simple tale of assimilation. Like many of her schoolmates, she remained attached to tribal ways and remained true to Navajo tradition even while transforming herself for the world beyond the rez. 

Pasternak was one of several journalists who became immersed in the cause of assembling information on exposure of Navajos and other Native American peoples to lethal doses of uranium as a result of mining.

As a veteran who worked with the Los Angeles Times for 24 years, she played an important role in achieving compensation. Yellow Dirt is especially strong on ways in which uranium had pervaded the lives of the Navajo, from the clothes they wore to the food they ate, to the air they breathed.

LaFarge’s first novel, Laughing Boy, about the love affair between a reservation Indian and one who had been raised in a religious school, won the 1930 Pulitzer Prize. LaFarge spent much of his life fighting for Native American rights, sometimes in the “dark of Washington.” I wanted to grow up to be an Indian. I still do.

Dineh took me inside the experience of a young girl growing up in the “Fiddler on the Roof” world at the turn of the 20th Century.

Like James Joyce’s Dubliners, it begins in the mindset of a very young child whose world gradually opens up and opens out as she grows up. The book is chock-full of everyday life -- details about household tasks, farm animals, and country landscapes --  and also teeming with family drama and the pressures of the larger world.

My favorite scene is reflected on the book’s cover. A tree growing beside the girl’s bedroom is so close that in summer, the branches grow right into the room, bringing the natural world right into her dreams.

I was inspired by his descriptions. He captures the ethos of a place, the unique attributes that elevate mere locations to sensory experiences. I use the five senses as a guideline when writing descriptions. Tony Hillerman can place the reader in the scene, and I’m inspired to accomplish the same thing.

If I had to recommend just one picture book about languages, I’d choose this one, because it does so much. First, of course, it shares a long-secret episode in American history—the triumph of the Navajo “code talkers” in World War II. (Not the first time bilingual heroes came to our country’s rescue: see my own picture book Gingerbread for Liberty! How a German Baker Helped Win the American Revolution.)  But this book also addresses language justice in a way that kids will find easy to understand. Through Chester, we feel the pain and confusion of being told one’s own language is “bad” and worthless, and the pride of having it finally treated with respect. We also see how language isn’t just a set of words, but carries culture, tradition, religion, a whole way of life.