100 books like Everything, Everything

First off, it’s set in the 80s. This is my generation. No smartphones. No social media. Just pure teenage angst.

Mostly, I love the back-and-forth conversation and inner thoughts of Eleanor and Park. Rowell nails the authenticity of teens. Their strange humor and insecurities. I want to throw my arms around them and shelter them from the cruel bullies haunting them.

Rowell sucks you into their lives, and it feels so real and raw that you remember the wonder and horror of your own teenage years. The dialogue is rich in its realness, and the tender little moments between Eleanor and Park are precious.

Honestly, this book crushed me, but in the most beautiful way possible.

It taught me that love can be found in the most unexpected places, even when faced with life's harshest realities. This narrative made me appreciate the small but significant moments in life, a lesson I try to convey in my own writing.

In the blink of an eye everything changes. Seventeen-­year-old Mia has no memory of the accident; she can only recall what happened afterwards, observing her broken body being taken from the wreck. Little by little she struggles to put together the pieces—to figure out what she’s lost and what she has left. If I Stay carefully walks the line on being an afterlife story because Mia is suspended--caught between life and death. But we’re suspended too, waiting for her to decide. I love books with tough choices, stories where there are no right or wrong answers, just decisions. This one is perfectly imperfect.

“Sometimes you make choices in life and sometimes choices make you.”

I couldn’t compile a list of books without including Judy Blume. In the forty years since I read my first Blume novel, a lot of things have changed, and—many have stayed the same.
Forever, first published in the mid-70s, is mildly erotic—and raw, and sensuous, and tender, and all the things that love and sex are. The sensual scenes are peppered in with great dialogue between the characters.

I especially love this book because no matter how many experiences I’ve had, I can still find a small piece of myself in protagonist Katherine—first sex, first love, first breakup, first death, and the many “firsts” that I’ve carried through my own life (divorce, pandemic, post-divorce love).

Forever may not always last, but it never fails to define chunks of our lives—always. 

This is the most beautiful, poetic book packed with exquisite descriptions of the English countryside as we meet the seemingly perfect country family of mother and homemaker, Tess; her gardener husband, Richard; and the very non-identical twins, Sonny and Max.

Because Tess is a Londoner of Jamaican heritage–a pregnant bride that Richard brought back to his West Country family home after their student love affair–Sonny is dark and curly-haired like his mother while Max could ‘pass’ because he looks so much like his father.

This was an uncomfortable read for me–the micro-aggressions and casual racism of rural life stirred up unhappy memories–but it is also a hopeful story about what really counts and those times when actions speak louder than words.

This book, justly honored with the Pulitzer Prize, surprised me with its formal range and intensity of experience.

Trethewey is celebrated as a chronicler of our collective history, but I was far more taken with the poems of personal history—and, more specifically, personal loss. The poems that examine the absence left by her mother’s untimely death are, to me, the defining poems of the book. These often exemplify her gift for presenting the most telling detail or selecting the word that will resonate on the broadest level.

Let me hone in on one poem, “Myth,” a recasting of the Orpheus story. What astonished me about this poem was the formal structure. It consists of two sections of nine lines, each arranged in terza rima stanzas. The second section rewrites the first half—in reverse! The effect is to convey the experience of descending into the darkness of the underworld and then… show more.

Not a hidden gem, for sure — for me, Follett is always the usual suspect to revert to whenever I need to do historical research and find myself too lazy to read a non-fiction book about the period. I’ve read a lot of books about the Stasi, but nothing beats being reminded, through one individual’s account - even if fictional, still based on true events - of how ruthless the Stasi was. Imagine finding out that you’ve been spied on for years by the Stasi - and then to top this off, finding out that the one spying on you was no less than your own husband? Sounds like the German version of the film Sleeping with the Enemy with Julia Roberts playing the abused wife, right? This role in Follett’s novel is played by Rebecca Hofmann, who flees when the Wall goes up in 1961 — causing insurmountable troubles… show more.

Magical doors that appear out of nowhere, a fantastical book that may not be fiction, some truly sketchy villains, a quest, and an intrepid heroine.

The author had me at fantastical book, but what I love about this novel is the world and character building, that feeling of opening the cover and being somewhere that has nothing to do with ordinary life.

And yet, there is mystery. And romance. A lost father. A daring daughter. You’ll want to race through it, but slow down at the same time, just to savor the ride.

I’m one of those rare English teachers who was never much of a fan of Austen, but Pride is such an incredibly powerful YA read that it had me looking back at the original with fresh eyes when I finished it. A contemporary, diverse retelling of Pride and Prejudice, it tackles issues of race, culture, heritage, and gentrification head-on, all set against the familiar backdrop of first love. Brilliantly showcasing the power and importance of not only the YA genre, but also the original novel which inspired it, I found Pride to be a massively thought-provoking and hugely important twist on the classic. (If I had my way, I’d make it required reading alongside its predecessor!)

This book is a poignant portrayal of trauma, resilience, and the enduring quest for healing. Trethewey's memoir delves into the deeply personal aftermath of a crime, exploring themes of loss, memory, and the complexities of identity.

Her lyrical prose, emotional depth, and narrative richness resonated with me as I wrote my own true crime memoir, offering readers a profound exploration of the human spirit's capacity to confront tragedy and find moments of grace amidst adversity.