Born in the Philippines and raised in the US from the age of 4, Renee didn't see the stories of her culture reflected in books until she was a freshman in college at UC Berkeley. Renee wrote her first novel, The Hour of Daydreams, which was inspired by the ghost stories her family told. It received the inaugural Institute for Immigration Research New American Voices Finalist award. Her children’s book One Hundred Percent Me is the book she wishes she could’ve read to her own daughters.With her latest book, The ABCs of Asian American History, Renee hopes young readers will celebrate the vast contributions of Asian Americans to US culture, politics, arts, and society.
Alvar’s stories of men and women of the Philippine diaspora take place all over the globe, shedding insight on the export of labor.
As they separate from the safety and familiarity of family, the characters’ longing and aspirations are universal. This is an important book that helps to illuminate a fascinating and often painful experience of leaving, losing, and searching for home.
In these nine globe-trotting tales, Mia Alvar gives voice to the women and men of the Philippines and its diaspora.
From teachers to housemaids, from mothers to sons, Alvar’s stories explore the universal experiences of loss, displacement, and the longing to connect across borders both real and imagined. In the Country speaks to the heart of everyone who has ever searched for a place to call home—and marks the arrival of a formidable new voice in literature.
Romeo and Juliet, Lancelot and Guinevere, Antony and Cleopatra—the greatest love stories in human history are awash with forbidden feels. While I shun the icky taboo, I’m easily reeled in by the rush of healthy forbidden attraction, and the higher the stakes, the better. Of course, everything is more fun when it’s not allowed! What attracts me to forbidden romance isn’t only the complicated dynamics, intense storylines, and angsty drama, but the “we can’t have each other but want each other so badly” burn. Give me all the stolen glances, fleeting touches, and breathless kisses. Nothing does sexual tension like forbidden romance.
Angelo is a Catholic priest, and Eva is a Jew in Nazi-occupied Italy. It doesn’t get much more forbidden than a Catholic priest falling helplessly in love. So is the case in this beautifully written novel by Amy Harmon. Set in WWII Italy, it’s a gripping and at times brutal read about the persecution of Italian Jews by the Gestapo. This powerful setting gives rise to a butterflies-inducing romance between a young priest and his Jewish friend that he tries so desperately to protect. The scenes in which Eva and Angelo begin to succumb to their feelings will leave you breathless, and there is an “I can’t believe I’m kissing you” scene that you won’t want to end.
"Confession: I am nineteen years old, and I’ve been kissed many times. But I’ve never been kissed like that."
Italy, 1943-Germany occupies much of the country, placing the Jewish population in grave danger during World War II.
As children, Eva Rosselli and Angelo Bianco were raised like family but divided by circumstance and religion. As the years go by, the two find themselves falling in love. But the church calls to Angelo and, despite his deep feelings for Eva, he chooses the priesthood.
Now, more than a decade later, Angelo is a Catholic priest and Eva is a woman with nowhere to turn. With the Gestapo closing in, Angelo hides Eva within the walls of a convent, where Eva…
I’ve written seven books, all along the theme of adventure in one way or another, but my best-known work is that of my novels of the Ojibwe Indians. As a child, I grew up on a farm where my dad discovered scores of arrowheads and artifacts while plowing the fields. This was a deep revelation for me as to the extent of Indian culture and how little we know of its people. In my books, Windigo Moon and The Wolf and The Willow, I try to bring the world of the 1500s and its Native peoples to life.
Grounded in historical fact, The Orenda (The Magic) tells the story of Jesuit missionaries caught up in the war between the Wendats (Hurons) and the Haudenosaunee (Iroquois) living on the shores of Lake Huron in the mid-1600s. It’s a very dark book, with its depictions of ritual torture not for the squeamish, but it perfectly captures the time and culture of two very different civilizations, grappling to understand one another. Bowden does an excellent job of capturing the thoughts and outlook of the Wendat war chief Bird, and the French missionaries struggling to Christianize his village.
I loved this book because it helped me to understand the Indians’ way of thinking and their outlook on the world.
WINNER OF THE LIBRIS AWARD — FICTION BOOK OF THE YEAR
In the wilds of seventeenth-century North America, the lives of a Jesuit missionary, a young Iroquois girl, and a great warrior and elder statesman of the Huron Nation become entwined.
The Huron have battled the Iroquois for generations, but now both tribes face a new, more dangerous threat from another land. Uneasy alliances are made and unmade, cultures and beliefs clash in the face of precipitous change, and not everyone will survive the march of history. Joseph Boyden’s magisterial novel tells this story of blood and hope, suspicion and…
Children were seen and not heard when I was growing up in Flushing, Queens, where I had one tree in front of my house. I moved to Connecticut as an adult and now I look out on woods and bears sneaking into my garage. The result of my silent childhood is I’m an excellent listener and an even better eavesdropper—superb traits for a writer. I owned a Connecticut advertising agency for most of my adult life then realized I could make less money if I became an author. My first book was published when I turned 63—which is amazing because I'm only 40.
Boris Fishman made his debut with the story of Salva, a journalist for a long famous magazine asked to forge Holocaust-restitution claims—by and for his grandfather, a Russian immigrant living in South Brooklyn. Soon Salva achieves the American dream—a something from nothing business writing false claims. It seems there’s a neighborhood full of people who can use his writing services. I loved this novel, a tender and wise study in the meaning of family, loyalty, and justice. Tragedy meets comedy in A Replacement Life.
A failing young Russian American journalist's life is unexpectedly transformed when he forges Holocaust restitution claims for his rogue grandfather and his friends
Young Russian immigrant Slava Gelman wants to be a great American writer, but is only a researcher at a New Yorker-style magazine. When his beloved grandmother, a Holocaust survivor, dies, his grandfather corners him with a request: could he forge a few Holocaust restitution claims? Slava resists at first, but eventually his semi-fictional accounts turn out to be the best writing he has ever done. Although he lives in fear of discovery and continues to stumble from…
Born to three generations of poets, I’ve always appreciated a certain quality in the prose I read: lyricism. I want to catch my breath at a beautiful turn of phrase or gasp when I figure out a metaphor’s double meaning. My own writing seeks to reproduce that joy of discovery while preserving the plot-forward conventions of good speculative fiction. The books in this list balance literary style and genre expectations. Snatches of song, poetic prophesies, the perfect comparison—I hope these jewels delight my readers as much as they’ve delighted me in these works.
In this short story collection, SFWA Grand Master Nalo Hopkinson gives us heaps of imagery to roll around in with delight and horror. Calling a snowflake “six-clawed” or relating a tree’s memory of how it “felt to unfurl your leaves to the bright taste of the sun” all add to the mood-heavy stories of a teenager overcome by her desires after swallowing a cherry pit, children who must survive their parents’ frightening transformations, and more. Through all the tales, humanity shines through, our rough edges and our beautiful scars. And the characters themselves play with language to pass the time.
An alluring new collection from the author of the New York Times Notable Book, Midnight Robber
Nalo Hopkinson (Brown Girl in the Ring, The Salt Roads, Sister Mine) is an internationally-beloved storyteller. Hailed by the Los Angeles Times as having "an imagination that most of us would kill for," her Afro-Caribbean, Canadian, and American influences shine in truly unique stories that are filled with striking imagery, unlikely beauty, and delightful strangeness.
In this long-awaited collection, Hopkinson continues to expand the boundaries of culture and imagination. Whether she is retelling The Tempest as a new Caribbean myth, filling a shopping mall…
When I first met Michael Majok Kuch and he asked me if I was interested in writing his life story, I knew nothing about South Sudan. Over the next several years, we met weekly. I’d interview him, write a chapter, research it, and then show it to him for his approval. I read everything I could find on South Sudan and the adjacent countries. In fact, I became so obsessed with Michael's culture that once I read Francis Mading Deng's Dinka Folktales, Mike’s sister arranged a meeting between Francis Mading Deng and me. These books prepared me for writing How Fast Can You Run, helping other “Lost Boys” of Sudan reunite with their mothers.
I was a religious studies minor in college and love reading about traditional religious practices. When I met Nigerian American author Okey Ndibe at a writing retreat in Kenya, I couldn’t wait to get my hands on a copy of his second novel. This satirical novel gives new life to the meaning of worship. When statue buyer, Ike Uzondu steals an African sculpture from a New York shop and sells it in his ancestral village in Nigeria, the two worlds collide and we witness the cost of modernity to the human spirit
From a disciple of the late Chinua Achebe comes a masterful and universally acclaimed novel that is at once a taut, literary thriller and an indictment of greed’s power to subsume all things, including the sacred.
Foreign Gods, Inc., tells the story of Ike, a New York-based Nigerian cab driver who sets out to steal the statue of an ancient war deity from his home village and sell it to a New York gallery.
Ike's plan is fueled by desperation. Despite a degree in economics from a major American college, his strong accent has barred him from the corporate world.…
Though from different backgrounds, we share a profound passion for Native culture. As an enrolled member of the White Earth Chippewa Tribe of Minnesota, Gordon’s poetry and fiction draw deeply from his Anishinabe heritage and contribute to the current flowering of Indian writing. Ivy is the grandchild of Jewish immigrants from Eastern Europe. As a scholar and teacher, she was appalled that Native writers are largely excluded from the American canon and worked to right that wrong. They met through their shared interest in Samson Occom, an 18th-century Mohegan writer, and decided to collaborate on increasing awareness of the necessity of Native writing to sustaining our future.
We greatly admire this born-digital “scalar book” for its attempt to build a decolonizing “counter-archive” out of one of the most in/famous western archives of Indigenous materials. Edward S. Curtis was an early 20th-century photographer, whose major collection, The North American Indian, defined the stereotypic image of the vanishing Native. It succeeded in capturing and “othering” Natives as somehow heroic and stoic, but also primitive and gone. In consultation with many Native tribes, this digital book reveals how Curtis’s work “performs,” or does that work of western archives. By juxtaposing his compelling images with short essays that contextualize and thus humanize his photographic subjects, this project allows us to acknowledge and repair the injustices of the past in the present.
I’m a trans, Latinx yoga teacher, writer, and musician who transitioned at the age of 40. Before that, I’d spent most of my life trying to live by someone else’s rules…only to realize, when my dad was dying, that I was not truly living. The funny thing is, as an artist and teacher, I’d dedicated myself to helping others live their lives to the fullest but had not granted myself the same courtesy. Sometimes, our lessons are hard-won. The books on this list have been beacons of hope and treasure trove chests of inspiration for me, as I hope they will be for you, too.
Ocean’s book is vulnerable, intimate, and heartbreaking in the most life-affirming way.
The way he writes about love between a mother and son, and a son and another boy, feels so universal and delicate, like the scent of a rose that is here one moment but just as suddenly drifts away. As an immigrant myself, I felt the starkness in the way Ocean describes the hardship of living in a land not one’s own.
I finished the book feeling like I needed to go hug my mom and tell her I love her. Those bonds of family are so shattering yet important. Ocean’s book reminds me to allow myself all the depth of feeling because life is hard, but whoa, it is also gorgeous.
Longlisted for the 2019 National Book Award for Fiction, the Carnegie Medal in Fiction, the 2019 Aspen Words Literacy Prize, and the PEN/Hemingway Debut Novel Award
Shortlisted for the 2019 Center for Fiction First Novel Prize
Winner of the 2019 New England Book Award for Fiction!
Named one of the most anticipated books of 2019 by Vulture, Entertainment Weekly, Buzzfeed, Los Angeles Times, Boston Globe, Oprah.com, Huffington Post, The A.V. Club, Nylon, The Week, The Rumpus, The Millions, The Guardian, Publishers Weekly, and more.
"A lyrical work of self-discovery that's shockingly intimate and insistently…
A combination of things led me to this topic: My father was forced to leave his home in northern India during partition and was therefore a child refugee. In 2016, I was filming in Ukraine and became hugely interested in what was happening there. I have looked for a way to help ever since then. Discovering Monica Stirling’s novel about refugees from East Europe, I realised that here was an opportunity to help give voice to the refugee experience; to help raise funds for Ukraine, and to help bring back to life an incredible story written by an author who deserves to be rediscovered.
The book is a dizzying mix: the grim realities of displacement are intertwined with speculative fiction – fantasy even.
A love story of two migrants, Saeed and Nadia, who traverse the globe to escape conflict and try and find a way to be together. Oftentimes, they find their way across borders through a series of ‘doors’ – a device reminiscent of CS Lewis (in The Lion, The Witch and The Wardrobe) and one which takes the protagonists across the world. Elegant, spare prose; brutal realities, and electrifying flights of fancy – Exit West has it all.
One reason I like the book is that the author, Mohsin Hamid, has found a way to bring the desperate, timely topic of refugees out to a wider audience. His previous book, The Reluctant Fundamentalist, was made into a film and Exit West is being adapted for Netflix.
I “discovered” historical fiction when a teen and have devoured it ever since. When my parents took me to the Cowpens National Battlefield in South Carolina in 9th grade, I realized just how much I enjoyed learning about history in real life. I found that reading historical fiction breathed life into what can be a very dull read, so I wanted to bring history to life with my own words. Visiting historical properties has become a big passion of mine! Every trip I take includes a visit to some historical site or another. I’ve been writing historical fiction/romance/fantasy since the late 1990s.
This highly recommended story is a love story between two people who should have been together all along but obstacles prevented them from sharing a life. Those obstacles include political and personal forces, but I won’t elaborate as that would count as giving away the story. I was intrigued by life in Iran back in the 1950s and how girls/women were treated then. How they were expected to behave even as those expectations began to shift to be more Western in nature. Dealing with change is never easy, especially for those who resist new ideas. I haven’t studied this time period nor this country so experiencing Kamali’s story gave me a level of awareness of the culture and the politics of the time in an easy-to-understand form.
A poignant, heartfelt new novel by the award-nominated author of Together Tea—extolled by the Wall Street Journal as a “moving tale of lost love” and by Shelf Awareness as “a powerful, heartbreaking story”—explores loss, reconciliation, and the quirks of fate.
Roya, a dreamy, idealistic teenager living amid the political upheaval of 1953 Tehran, finds a literary oasis in kindly Mr. Fakhri’s neighborhood stationery shop, stocked with books and pens and bottles of jewel-colored ink.
Then Mr. Fakhri, with a keen instinct for a budding romance, introduces Roya to his other favorite customer—handsome Bahman, who has a burning passion for justice…
