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Rules of Civility.
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I am fortunate to have been blessed with a positive disposition. When my toast falls on the floor I like to believe it will land butter side up. I learned at a very early age that owning one's mistakes and airing them out loud could bring on laughter or a smile of recognition that many of us suffer the same fears as we navigate this often uncharted life with our fingers crossed or hands in prayer, that we will mostly get it right. This is why I write the books I write. By nature, I am a happiness ambassador… And humor is my weapon of choice.
I loved reading this book before it became tainted by fact checkers. That being said, it remains a fascinating, raw, and gripping read. His use of language as falls deeper and deeper into becoming hooked is similar to being a storm chaser. He can’t help himself chasing the highs, knowing full well the low may be the last one. “I want a drink. I want fifty drinks. I want a bottle of the purest, strongest, most destructive, most poisonous alcohol on Earth. I want fifty bottles of it. I want crack, dirty and yellow and filled with formaldehyde. I want a pile of powder meth, five hundred hits of acid, a garbage bag filled with mushrooms, a tube of glue bigger than a truck, a pool of gas large enough to drown in. I want something anything whatever however as much as I can.”
At the age of 23, James Frey woke up on a plane to find his front teeth knocked out and his nose broken. He had no idea where the plane was headed nor any recollection of the past two weeks. An alcoholic for ten years and a crack addict for three, he checked into a treatment facility shortly after landing. There he was told he could either stop using or die before he reached age 24. This is Frey’s acclaimed account of his six weeks in rehab.
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Some first person voices are just so naturally nostalgic, like you’re sitting around a campfire listening to someone telling you a story.
“The year my mother started hearing voices from her dead brother Clyde,” or “But Gigi was the first to fly.” So many moments to hold onto in this novel, each an introduction to another tale, or a memory you can’t wait to listen to and run off down the street to share it for yourself.
The voice of August is so real and clear and poetic that one forgets there’s even a writer behind it. This close first-person voice lets us in, welcomes us into the secrets of the street. “Everywhere we looked we saw the people trying to dream themselves out.” And dream I did, along every glorious page, only I never wanted out.
THE NEW YORK TIMES BESTSELLER FROM A NATIONAL BOOK AWARD WINNING AUTHOR
A TIME MAGAZINE TOP 10 NOVEL OF 2016 | SHORTLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2016
FROM THE WINNER OF THE ASTRID LINDGREN MEMORIAL AWARD 2018
They used to be inseparable. They used to be young, brave and brilliant - amazingly beautiful and terrifyingly alone. August, Sylvia, Angela and Gigi shared everything: songs, secrets, fears and dreams. But 1970s Brooklyn was also a dangerous place, where grown men reached for innocent girls, where mothers disappeared and futures vanished at the turn of a street corner.
I’d thought I was writing a novel about someone putting a life back together after everything fell apart but, when I’d finished, readers told me I’d written a book about vivid, authentic friendships. It was a welcome surprise. From Charles Dickens to Sylvia Plath, nuanced characters have always interested me and so, when writing, I set myself the task of believable dialogue and interactions which readers can relate to like it’s their own friends sitting around a table; laughing, crying, or bickering. When a life falls apart it’s often friendships that are tested to breaking but then become stronger as a result.
It’s never the plot that draws me to a novel; it’s always other ingredients like people and place and, in these regards, Cranford is a stellar delight. The protagonist is a frequent house guest in the small town of Cranford, giving readers intimate access to the quirky social codes of its mostly female population. From the ones who care about social mores to the ones who care less, these wonderful vignettes document their attempts to outwit a visiting magician, or foil rumored night-burglars, or adapt to the losses of loved ones. Each woman has had a journey in some way stifled by the patriarchy of the 1800s but these ladies’ timeless and absorbing intelligence, compassion, loyalty, ingenuity, forbearance, and above all, wit, shine through.
Elizabeth Gaskell was a British author during the Victorian era. Gaskell's novels are notable for detailed descriptions of the different classes of society in 19th century Britain. Cranford is a novel about a fictional town modeled closely after one Gaskell was familiar with. The story features a series of episodes in the life of Mary Smith.
Four years old and homeless, William Walters boarded one of the last American Orphan Trains in 1930 and embarked on an astonishing quest through nine decades of U.S. and world history.
For 75 years, the Orphan Trains had transported 250,000 children from the streets and orphanages of the East Coast into homes in the emerging West, sometimes providing loving new families, other times delivering kids into nightmares. Taken by a cruel New Mexico couple, William faced a terrible trial, but his strength and resilience carried him forward into unforgettable adventures.
Whether escaping his abusers, jumping freights as a preteen during the Great Depression, or infiltrating Japanese-held islands as a teenage Marine during WWII, William’s unique path paralleled the tumult of the twentieth century—and personified the American dream.
WINNER, DA VINCI EYE AWARD FOR COVER DESIGN, ERIC HOFFER BOOK AWARDS
HONORABLE MENTION, ERIC HOFFER BOOK AWARDS, E-BOOK NONFICTION
FINALIST, NEXT GENERATION INDIE BOOK AWARDS, E-BOOK NONFICTION
FINALIST, NEXT GENERATION INDIE BOOK AWARDS, MEMOIRS (Overcoming Adversity)
HONORABLE MENTION, READERS' FAVORITE BOOK AWARDS, GENERAL NONFICTION
From 1854 to the early 1930s, the American Orphan Trains transported 250,000 children from the streets and orphanages of the East Coast into homes in the emerging West. Unfortunately, families waiting for the trains weren’t always dreams come true—many times they were nightmares.
I am fortunate to have been blessed with a positive disposition. When my toast falls on the floor I like to believe it will land butter side up. I learned at a very early age that owning one's mistakes and airing them out loud could bring on laughter or a smile of recognition that many of us suffer the same fears as we navigate this often uncharted life with our fingers crossed or hands in prayer, that we will mostly get it right. This is why I write the books I write. By nature, I am a happiness ambassador… And humor is my weapon of choice.
Rick Mercer is an authentic storyteller because all his stories are true. He has fought against the odds because he didn’t know he shouldn’t. He’s like a self-cleaning oven. He just shimmers every time he tells a tale of his climbing over the shards of a prior failure. They are his gold, that and his sharp wit and clear-eyed understanding of the human condition. He’s laugh-out-loud funny and deeply relatable as he doesn’t know to cover up any of the disasters that could have felled almost everyone else. All that and he is also whip-smart.
I am a dress designer, actress, author, and ‘inspirational’ speaker whose major talent is in revealing my failings. There are many… They are also what have given me a measure of success. I didn’t know any better not to. I like people who have taken chances against all odds. Rick Mercer is one of those…
Canada's beloved comic genius tells his own story for the first time.
What is Rick Mercer going to do now? That was the question on everyone's lips when the beloved comedian retired his hugely successful TV show after 15 seasons—and at the peak of its popularity. The answer came not long after, when he roared back in a new role as stand-up-comedian, playing to sold-out houses wherever he appeared.
And then Covid-19 struck. And his legions of fans began asking again: What is Rick Mercer going to do now? Well, for one thing, he's been writing a comic masterpiece. For…
I'm a veteran author, journalist, and journalism professor who has taught over 1000 students. At the age of 50, through a memoir I began writing, I fell down a rabbit hole of memory and began to suspect I had been sexually abused as a child. The man was a close family friend, who liked to call himself my grandfather. He did not speak English. My parents were immigrants and the usual difficulties of retrieving memories from childhood were complicated by the fact that they were all in the Czech language. For years I read everything I could find about childhood sexual abuse and then everything I could read about psychoanalysis.
This book narrates many kinds of trauma but the essay on sexual assault is worth buying the book.
A Canadian actor, director, and writer, Polley recounts her three-decade-long silence about Jian Ghomeshi, the hip, popular host of a hit CBC talk show. She moves from the ’90s to 2017, zeroing in on her flickering memories of assault, her reluctance to speak about it, her examination of that reluctance, her interrogation of other women in her situation, of lawyers, and her thoughts about it now.
It begins when she is outed on Twitter: “Wonder why Sarah Polley never spoke out about being assaulted by Jian Ghomeshi. #HerToo. She was the woman who stayed silent. Ask her.” Brilliant account of why women who are sexually abused do not speak out.
“A visceral and incisive collection of six propulsive personal essays.” – Vanity Fair
*A New York Times Book Review Editors' Choice*Named a Most-Anticipated Book of 2022 by Entertainment Weekly, Lit Hub, and AV Club*
Oscar-nominated screenwriter, director, and actor Sarah Polley’s Run Towards the Danger explores memory and the dialogue between her past and her present
These are the most dangerous stories of my life. The ones I have avoided, the ones I haven’t told, the ones that have kept me awake on countless nights. As these stories found echoes in my adult life, and then went another, better way…
Growing up on a small farm in southern Ohio, I was the first generation of my family to attend both high school and college. Literature, reading it, talking about it, studying it, was my entry into a world of larger possibilities than my family’s somewhat straitened circumstances had allowed me. Faulkner attracted me because the rural enclave in which we lived, and my neighbors, resembled locales and characters in his fiction. Shakespeare attracted me for many reasons, most notably the beauty of his language and the ability of his plays to reveal new meanings as my life experiences changed.
This, Sally Rooney’s first novel, was greeted with widespread critical acclaim. Fresh, witty, knowing, and au courant in its exploration of present-day sexual and romantic entanglements, the novel was clearly the work of a major talent.
Both Conversations and Rooney’s highly popular second novel, Normal People, have been adapted for television. Perhaps you’ve seen one or both and have read the novels as a result. If not, I urge you to do so, beginning with Conversations.
I haven’t yet watched either adaptation, but I believe that watching and reading have different sorts of advantages. Against the immediacy and vividness of watching TV shows, reading the novel will allow you to move at your own pace, to savor Rooney’s verbal dexterity, to revisit earlier scenes, and to discover their added significance. Watch (if you haven’t already), read, enjoy!
'This book. This book. I read it in one day. I hear I'm not alone.' - Sarah Jessica Parker (Instagram)
'Brilliant, funny and startling.' Guardian
'I really like Conversations with Friends. I like the tone [Rooney] takes when she's writing. I think it's like being inside someone's mind.' - Taylor Swift
'A sharp, darkly funny comment on modern relationships.' Sunday Telegraph
Frances is twenty-one years old, cool-headed and observant. A student in Dublin and an aspiring writer, at night she performs spoken word with her best friend Bobbi, who used to be her girlfriend.…
I’d thought I was writing a novel about someone putting a life back together after everything fell apart but, when I’d finished, readers told me I’d written a book about vivid, authentic friendships. It was a welcome surprise. From Charles Dickens to Sylvia Plath, nuanced characters have always interested me and so, when writing, I set myself the task of believable dialogue and interactions which readers can relate to like it’s their own friends sitting around a table; laughing, crying, or bickering. When a life falls apart it’s often friendships that are tested to breaking but then become stronger as a result.
How are women supposed to behave, discreetly? Are their friendships always a saccharine Hallmark card? Not in this novel. Living loudly, louchely, in chaos, with hedonistic nights out and all-day hangovers, Laura and Tyler are a tight, whip-funny twosome… except one has a wedding on the horizon to a teetotal stable man, and she’s wrestling with whether marriage is a legitimate life milestone anymore. The friendship portrayal here is a messy, clever, and foul-mouthed foray into the moment when inseparable friends face the prospect of their familiar relationship disappearing through the unstoppable forces of adult life. And we’ve all had impossible choices when we haven’t known which loyalties to put first – one’s duty to oneself or to one’s best friend?
“An utterly triumphant ode to female friendship, in all its intense, messy and powerful beauty” from the internationally bestselling author of Grown Ups (Elle).
It is the moment every twenty-something must confront: the time to grow up. Adulthood looms, with all its numbing tranquility and stifling complacency. The end of prolonged adolescence is near.
Laura and Tyler are two women whose twenties have been a blur of overstayed parties, a fondness for drugs that has shifted from cautious experimentation to catholic indulgence, and hangovers that don’t relent until Monday morning. They’ve been best friends, partners in excess, for the last…
I am fortunate to have been blessed with a positive disposition. When my toast falls on the floor I like to believe it will land butter side up. I learned at a very early age that owning one's mistakes and airing them out loud could bring on laughter or a smile of recognition that many of us suffer the same fears as we navigate this often uncharted life with our fingers crossed or hands in prayer, that we will mostly get it right. This is why I write the books I write. By nature, I am a happiness ambassador… And humor is my weapon of choice.
Epic is not a word I use lightly but in the case of The Last Crossing, it’s not an overstatement. At its core it’s a story of family, A cruel father, power, and his three sons, all of whom bare the scars from their upbringing. Loyalty, betrayal, insecurity, and often cruelty. Flaws and frailty live within us all but never quite so viscerally It’s the 1800s, set in the uncharted Canadian west, a wild and dangerous place but breathtakingly beautiful - strikingly different from the opulence of England playing out in opposition. There was also so much research put into this journey that while being taken on the adventure, I learned so much without ever feeling the lessons.
Reading this novel, I was stunned at its scope. History comes alive on this journey, which is often so uncomfortable, with a cast of characters that on occasion repelled me but…
Charles and Addington Gaunt must find their free- spirited brother, Simon, who has gone missing in the wilds of the American West. They enlist the services of a guide to lead them on their journey across a harsh and unknown landscape. This is the enigmatic Jerry Potts, half Blackfoot, half Scottish, who suffers his own painful past. They are joined by Lucy Stoveall, a woman filled with rage and sorrow over the loss of her young sister Madge who was brutally murdered. She is on a vengeful mission to track down and kill the murderous Kelso brothers. The group is…
I love a romance where the hero has his viewpoint changed by the woman he falls in love with. He might become a better family man, or transform his politics, or change his priorities, but it all cases loving her alters him. Additionally, I love a heroine who is exceptional in a distinct way but overlooked or dismissed by others. They can be bluestockings or spinsters, reformers or quiet and shy, but they’re all steadfast and they all derive strength from the hero’s support. In short, the love they find together makes them better people.
This is a great book because love makes Mulligan reevaluate what matters most.
Mulligan isn’t a villain exactly, but he does less than admirable things. He believes money is the way to accrue power, and he tries to fix Justine’s problems with bribery. She can’t accept his methods as a way to solve problems, and he is faced with the choice to either rule the criminal world or love the girl.
Obviously, he picks the girl. His story arc is so satisfying because he will do anything for her!
"Nothing makes me happier than a new book from Joanna Shupe!"-Sarah MacLean
The final novel in Joanna Shupe's critically acclaimed Uptown Girl series about a beauitful do-gooder who must decide if she can team up with one of New York's brashest criminals without losing something irreplaceable: her heart.
Manhattan kingpin.
Brilliant mastermind.
Gentleman gangster.
He's built a wall around his heart...
Orphaned and abandoned on the Bowery's mean streets, Jack Mulligan survived on strength, cunning, and ambition. Now he rules his territory better than any politician or copper ever could. He didn't get here by being soft. But in uptown…
I have been fascinated by the role of power dynamics and psychological games in relationships for as long as I can remember, frequently seeking out entertainment and exploring these topics to make sense of what was happening in the world around me. Now as a writer of 42 novels, many of my stories center around these themes and their consequences and complications, always from a point of view that empowers women. Dirty Filthy Rich Men, and its follow-up Dirty Filthy Rich Love, specifically focus on the difference between the devastating act of rape and consensual rape play, with the intention of validating women who are drawn to edgier fantasies in fiction.
I could not put this book down. Already a favorite author of mine, Nikki Sloane surprised me with this sensual fairytale of a novel. It’s both inventive and twisted, deftly handling the love triangle as well as the power dynamics. Not only does Sloane knock the kink out of the park in this one, she also conveys all the fantasy of the uber-rich life without missing a thing.
No one knows how new members are selected to the board of Hale Banking and Holding. But there are rumors of a sordid rite of initiation.
Whispers how one woman and nine men disappear into a boardroom.
This time, that woman will be me.
The Hale family owns everything—the eighth largest bank in the world, everyone in our town, even the mortgage on my parents’ mansion. And now Royce Hale wants to own me.
He is charming. Seductive. Ruthless. But above all, he’s the prince of lies. My body may tighten with white-hot desire under his penetrating gaze, but I…
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