100 books like The Sellout

This book is set during World War II. Captain John Yossarian, bombardier, has a hard time maintaining his sanity, let alone keeping alive. His crazed commander demands that the crew fly ever more dangerous missions. Yossarian realises a terrible truth: “The enemy is anybody who's going to get you killed, no matter which side he's on.” When men request leave because they are going crazy, the camp doctor explains the catch-22. "Anyone who wants to get out of combat duty isn't really crazy."

Yossarian’s predicament was more extreme, his adults more dangerous, but like my other big brothers, he insisted on doing things his way.

In the most elegant piss-take on the travel writing genre ever crafted, Swift’s hero traverses lands impossibly strange and, well, just impossible, giving satire a whole new modus operandus: expanding the cosmos!

Whenever I start to feel blue about living in an era that seems to underrate imaginativeness – especially in literature, I go back to Swift, who always reminds me that there is a path veering toward the limitless, and that path will never disappear. 

The whimsy and humor of this book make it an easy choice to round out an otherwise serious list! An engrossing story lurks behind the comedy, which is no doubt why this book has transcended generations and cultures to persist as a worldwide fan favorite.

The truth is that we have no idea what humanity’s first encounter with aliens will look like, even if Arthur Dent’s experience with the bureaucratic Vogons is a little more tongue-in-cheek than those in our more “serious” picks.

Have you ever been a teacher? If you have, you will roll on the floor with laughter reading this book.

The author, Julie Schumacher, has absolutely nailed what faculty life on campus, with all its stupidity, pettiness, and rivalries, is like. After I read it, all I wanted to do was get other people to read it. Amazingly, so many already had!

Finding other fans of the novel was a way to sort of relive the experience of reading it, with a lot of “How about the part where...” There is a wonderful curmudgeon in the book, my favorite sort of person.

When we think of scary animals we think of gnashing teeth and tearing claws, but obviously Orwell’s famous parable presents a very different kind of malevolence: that of overweaning ambition and our deep-seated instinct to control.

The pigs that present themselves as heroes and then slowly, greedily, inexorable turn into murderous dictators, forcing the other animals to do their bidding and then slaughtering them when they become too old, are of course not really pig-like at all—they are human-like, and therefore all the more terrifying. 

Carrie Fischer became an icon after playing Princess Leia in the original Star Wars trilogy, but there’s a whole subpopulation of women who idolize Carrie and still mourn her death for an entirely different reason. We love her writing, and also who she was – honest, vulnerable, subversive, and hilarious. In my 20s, I read three Carrie Fischer novels in a row. Sometimes you have that youthful moment when you connect with the voice of a writer so strongly, that you become forever devoted to them. For me, this author was Carrie Fischer. The novel is about an actress who goes to rehab, so, like the others mentioned here, there’s an autobiographical thread running through it. I love Carrie’s honest writing, her wicked insights into the human condition, and her heroic sense of humor in the face of being a woman in Hollywood and on the planet. 

No living writer rivals Hillary Mantel in terms of sheer accomplishment and talent, so it might be annoying for us mortals to learn that on top of it all, she is also very, very funny. Fludd was a wonderful surprise for me after reading her previous works. A mysterious curate joins the parish of a small, bleak British and Catholic town whose priest has lost his faith and whose parishioners are wallowing in superstition. What could possibly go wrong? Mantel elegantly satirizes the eccentricities and harsh judgments of the religious townsfolk, while giving us a thoroughly pleasurable read about faith and love.    

This is a masterclass in satirical writing but also just in novel writing. Coe manages to combine a gripping narrative and murder mystery with a scathing indictment of Great Britain in the 80s, when venal wealth was king and the country lost its soul. This was one of those books where I felt like I learned so much, about British culture, politics, corruption, and a 1961 comedy horror movie that shares its name with the book title, but I didn’t notice it because I was having such a good time. There are so many layers to the plot – and inventive dimensions to the way the story is told - and it’s one of my favorite books of all time.  

I was able to be on a couple of panels with Mr. Greer where he discussed this novel and its sequel, Less is Lost. The first book, Less, is a queer novel that won the Pulitzer Prize, a well-deserved accolade for this story about second chances in life—or third or fourth chances, depending upon the situation.

It’s remarkable to see a novel like this win such a major literary prize. Mr. Greer deserves it for his dynamic work.

Just to get this out of the way: Adam is one of my closest friends. We both started our second novels New Year’s week of 2014 on a trip we took for the explicit purpose of starting new novels. I spent the next ten years trying to write my book, but Adam finished Sensation Machines in a more reasonable time frame. It was published in the summer of 2020, a basically impossible time to promote a book because we were all in lockdown. (Yes, I know, it wasn’t the worst thing that happened that summer, but still.)

It is a marriage story, a murder mystery, a cultural satire, a tech farce, and a reckoning with all the lessons we failed to learn from the last financial crisis. And it’s a great Brooklyn novel, in the tradition of Zadie Smith’s The Autograph Man (also a second novel!) and Jonathan Lethem’s The… show more.