Considered one of the foremost explanatory writers and literary stylists in American journalism, Margalit Fox retired in June 2018 from a 24-year-career at the New York Times, where she was most recently a senior writer. As a member of the newspaper’s celebrated Obituary News Department, she wrote the front-page sendoffs of some of the leading public figures of our age. The author of three previous books, Conan Doyle for the Defense, The Riddle of the Labyrinth, and Talking Hands, she lives in Manhattan.
In January 1971, the Scotsman Dougal Robertson embarked with his wife and children on what was to be the dream of a lifetime: an extended sea voyage aboard their 43-foot wooden schooner, the Lucette. Eighteen months later, as she plied the Pacific some 200 miles west of the Galapagos, the Lucette was rammed by a pod of killer whales; the Robertsons had barely enough time to flee the ship before it sank. They spent the next 37 days adrift, first in the ship’s inflatable raft and later, after the raft gave out, in its tiny dinghy. They braved storms, sharks, and the perpetual lack of food and fresh water before they were rescued by a passing ship. First published in 1973, Robertson’s gripping, day-by-day account of their ingenious survival tactics is a classic of the castaway-narrative genre.
In June 1972, the 43-foor schooner Lucette was attacked by killer whales and sank in 60 seconds. What happened next is almost incredible. In an inflatable rubber raft, with a 9 foot fiberglass dinghy to tow it, Dougal Robertson and his family were miles from any shipping lanes. They had emergency rations for only three days and no maps, compass, or instruments of any kind. After their raft sank under them, they crammed themselves into their tiny dinghy.
For 37 days-using every technique of survival-they battled against 20-foot waves, marauding sharks, thirst, starvation, and exhaustion, adrift in the vast reaches…
I am an animal lover, a former professional equestrian, an elementary school librarian, and an avid reader. Reading is definitely my superpower. I don’t so much read as devour books of all kinds. As a district library coordinator, I read all levels of books, from board to picture, to middle grade, to chapter, to YA and adult. Books and animals are my jam.
This is one of those books that helped me fall in love with reading. It is the story of a young boy named Alec who becomes stranded on a deserted island with a wild black stallion. Over time, the two form a deep bond, and upon their rescue, Alec trains the stallion to become a racehorse.
I think this was the first series I ever got hooked on. These are oldies but goodies. As a young horse lover, I believe I read all of them. This book helped to start my passion for reading and writing.
First published in 1941, Walter Farley's best-selling novel for young readers is the triumphant tale of a boy and a wild horse. From Alec Ramsay and the Black's first meeting on an ill-fated ship to their adventures on a desert island and their eventual rescue, this beloved story will hold the rapt attention of readers new and old.
This book has been selected as a Common Core State Standards Text Exemplar (Grades 4-5, Stories) in Appendix B.
I have been passionate about Polar exploration since I was a boy. My father was a Nordic Olympic skier who introduced me to the exploits of Norwegian and Scandinavian explorers when I was very young. Later, I traveled to Greenland in 2003 and was blown away by the remoteness, the dramatic ice and mountains, and the incredible toughness of the people who have explored the regions and carved out life there.
I love EVERYTHING by Hampton Sides, and this book is no exception, ticking off all my required boxes.
A splendid historical thriller on the high Arctic seas, the nonfiction book reads like the best novels. It’s a heartbreaking page-turner, made especially poignant by weaving in the moving letters written by Captain De Long’s dutiful wife, Emma.
The age of exploration was drawing to a close, yet the mystery of the North Pole remained. Contemporaries described the pole as the 'unattainable object of our dreams', and the urge to fill in this last great blank space on the map grew irresistible.In 1879 the USS Jeannette set sail from San Francisco to cheering crowds and amid a frenzy of publicity. The ship and its crew, captained by the heroic George De Long, were destined for the uncharted waters of the Arctic.
But it wasn't long before the Jeannette was trapped in crushing pack ice. Amid the rush of…
I’ve written across genres, including mysteries like The Last Policeman and big works of alternate history like Underground Airlines. But Bedbugs—now republished as The Bonus Room—was one of my first books, and very dear to my heart. I’ve always loved books that pit a single, relatively helpless protagonist against some inexplicable force that he or she cannot begin to fathom. A force that can’t be reasoned with or bargained with. You just have to beat it. Perhaps that’s why I love these books about man vs. beast—the natural world is our friend, and animal are subservient to us…until suddenly, terrifyingly, they’re not.
Wells is one of the great early masters of science fiction, creator of The Time Machine and The War of the Worlds,but with Moreau he was also one of the masters of what David Cronenberg fans know as body horror—the gross, startling, and menacing intermingling of the human body with exterior elements.
In this case, pumas, pigs, you name it. With characters like Ape-Man and Sloth-Man, there is a definitely campiness here, but never enough to distract from the fact that it’s deeply, resonantly disturbing.
I’ve always been a bit of a daydreamer and drawn to books that look through a window into the "other world." These novels, often dubbed dystopian, are reflections or exaggerations of our own world, and this always appealed to me. Like the question, "What if?”. The premise of “What if we lived in a world where you had to pay for words?” inspired my first novel, The Qwerty Man. Although I love fiction, I’m more of a nonfiction reader these days and interested in Buddhism (as an education, not religion), geography, and history. I’ve also written travel guidebooks for Lonely Planet and a children’s travel poetry book called Rhyme Travels.
I admit that Huxley’s final novel is a rather difficult one to read. It’s long, it goes on too long in some places, it’s kind of fiction and philosophy together, and it includes a book within a book. However, The Island is a work of genius.
There’s the utopian island of Pala (not dystopian), and all through the book, there’s the threat of the invading Rendang kingdom. It includes some Buddhist ideas with the birds on the island that say karuna (meaning compassion) and "attention" to remind islanders of the now, yet ultimately, in the end, the island is invaded, and the utopia becomes exposed as a fake.
For over a hundred years the Pacific island of Pala has been the scene of a unique experiment in civilisation. Its inhabitants live in a society where western science has been brought together with Eastern philosophy to create a paradise on earth. When cynical journalist, Will Farnaby, arrives to research potential oil reserves on Pala, he quickly falls in love with the way of life on the island. Soon the need to complete his mission becomes an intolerable burden and he must make a difficult choice.
In counterpoint to Brave New World and Ape and Essence, in Island Huxley gives…
I love being by the water. Most of my vacations are spent at tropical destinations. There’s something pretty amazing about reading a book at the water’s edge, near a palm tree, with the breeze and the salty smell of the wonderful warm air as pelicans swoop across the surface.
I love being in Key West with the main character. There are palm trees swaying and boats on the water as the character dives in, searching for treasure. I also liked the dark, seedy graveyard scenes and urban legends the island people tell.
#1 NEW YORK TIMES BESTSELLER • Wrecker needs to deal with smugglers, grave robbers, and pooping iguanas—just as soon as he finishes Zoom school. Welcome to another wild adventure in Carl Hiaasen's Florida!
Valdez Jones VIII calls himself Wrecker because his great-great-great-great-great-grandfather salvaged shipwrecks for a living.
So is it destiny, irony, or just bad luck when Wrecker comes across a speedboat that has run hard aground on a sand flat? The men in the boat don't want Wrecker to call for help—in fact, they'll pay him to forget he ever saw them.
I’ve chosen these books because they take me to times and places I can’t go (although I did serendipitously get to Kerala, and am hoping to go to the West Coast of America one day).Girl with Two Fingers takes you into the studio, hopefullyas if you could have been there yourself. I want readers to be able to share something of the experience I was so lucky to have. And to be able to see perhaps more questioningly when they look at art.
I read this play first aged sixteen, and connected strongly with it, because of the young motherless shipwrecked heroine.
I spent significant periods of time with my grandfathers when I was growing up, and I read Prospero more as a grandfather figure than a father one.
When Freud and I were in the studio for days and weeks and months together, I felt like Miranda on Prospero’s island. The same created world. The same isolation.
With Lucian as the Prospero figure, summoning a few other characters that came and went to his studio.
No one can go to a fictional island of course, but yet Shakespeare takes us there.
Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare's genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright's most penetrating statement about his art.
Stephen Orgel's wide-ranging introduction examines changing attitudes to The Tempest, and reassesses the evidence behind the various readings. He focuses on key characters and their roles and relationships, as well as on the dramatic, historical, and political context, finding the play to be both…
I was raised in middle-class America by a strong woman and an alcoholic. I survived an abuser when I realized that I was the answer to my problems. I write about tough subjects but am an eternal optimist who believes a strong spirit will always ensure a happy ending.
A dual-timeline novel, about a family on the ‘Titanic of the South’, the Pulaski a paddlewheel steamer that sunk in 1838, and a historian today, who is creating a museum showing of the disaster.
She also has a huge decision to make—live in the past, in survivor’s guilt, or to grab an uncertain future she’s not sure she deserves.
"An atmospheric, compelling story of survival, tragedy, the enduring power of myth and memory, and the moments that change one's life." --Kristin Hannah, #1 New York Times bestselling author of The Four Winds
"[An] enthralling and emotional tale...A story about strength and fate."--Woman's World
“An epic novel that explores the metal of human spirit in crisis. It is an expertly told, fascinating story that runs fathoms deep on multiple levels.”—New York Journal of Books
It was called "The Titanic of the South." The luxury steamship sank in 1838 with Savannah's elite on board; through time, their fates were forgotten--until the…
Although my Midwestern roots in southwest Michigan situated me far away from the sea, I am now an expert on small islands and remote communities in the greater Caribbean. As a result, I grew to understand that much of the everyday lived experiences of island people must contend with the sea. As a result, I have spent the last two decades studying topics such as migration, fishing, and even conservation as related to small islands from the better-known Cayman Islands to the lesser-known San Andrés and Providencia Islands. I am a history professor at the US Naval Academy.
In the Eye of All Trade is a gigantic book. Do not let the book’s size scare you. It tells the history of Bermuda, and the greater Caribbean, from a maritime perspective. In six chapters, Jarvis traces how Bermuda transitioned from tobacco to maritime society. If you stick with it, you will uncover how Bermudian seafarers traveled as far as Belize to facilitate an inter-island trade in salt, mahogany, and even turtles. Bermudian success rested on adaptability to their isolated location.
In an exploration of the oceanic connections of the Atlantic world, Michael J. Jarvis recovers a mariner's view of early America as seen through the eyes of Bermuda's seafarers. The first social history of eighteenth-century Bermuda, this book profiles how one especially intensive maritime community capitalized on its position ""in the eye of all trade.""
Jarvis takes readers aboard small Bermudian sloops and follows white and enslaved sailors as they shuttled cargoes between ports, raked salt, harvested timber, salvaged shipwrecks, hunted whales, captured prizes, and smuggled contraband in an expansive maritime sphere spanning Great Britain's North American and Caribbean colonies.…
As a planetary scientist and college professor, I love the adventure of finding something new, the wonder of strange worlds, and the magic of mysterious discoveries that behave logically in a way that I can figure out. Unsurprisingly, that is what I like in my fiction too. I also love a story that explores the nature of the interaction between people, particularly in friendship or romance (all proper of course—I’m an old-fashioned guy). The books on this list are all touchstones in my own journey into science and life, and I hope that you can find in them the delight, wonder, insight, and motivation that I have found.
High school student Kip Morgan wins an internship at an oceanographic institute in Hawaii where he, with help of new friend Julie Scott, overcomes multiple personal and engineering challenges to solve an archaeological mystery and raise a sunken ship from the sea floor. This story from the 1970s was key in guiding me toward a life of science, and the portrayal of a realistic, mentored research experience gave me a vision for what I might do in my own journey through college and into science.
I loved the exotic location, scuba diving, and seafloor exploration, mystery, adventure, and romance!
